Wiener Tonkünstler-Orchester
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Wiener Tonkünstler-Orchester
The Wiener Tonkünstler-Orchester was an orchestra association in Vienna, which existed until 1933. History The predecessor institution was the Tonkünstler-Sozietät, which was founded in 1771 on the initiative of the composer Florian Leopold Gassmann. The partnership was to organise musical events for the public in Vienna. The oratorio '' Betulia liberata'', composed by Gassmann and premiered on 19 March 1772, was the first performance of the partnership, whose main task was to care for the widows and orphans of deceased members. The name of the orchestra goes back to this historical musical institution and lived on in the Wiener Tonkünstler-Orchester, founded at the beginning of the 20th century, which gave its first concert on 10 October 1907 in the Wiener Musikverein under the conductors Oskar Nedbal, Hans Pfitzner and Bernhard Stavenhagen with works by Goldmark, Grieg, Liszt and Beethoven. The Vienna Tonkünstler Orchestra made music history in 1913 with the world premie ...
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Florian Leopold Gassmann
Florian Leopold Gassmann (3 May 1729 – 21 January 1774) was a German-speaking Bohemian opera composer of the transitional period between the baroque and classical eras. He was one of the principal composers of ''dramma giocoso'' immediately before Mozart. He was one of Antonio Salieri's teachers. Life and career Gassmann was born in Brüx, Bohemia, and was most likely trained by Johann Woborschil, the local chorus master. His father was a goldsmith who may well have opposed his son's choice of a musical career. From 1757 until 1762, he wrote an opera every year for the carnival season in Venice, and was also appointed choirmaster in the girls' conservatory in Venice in 1757. Many of the librettos he set were by the renowned Venetian playwright Carlo Goldoni. In 1763 he was called to Vienna as court ballet composer, and was held in great affection by Emperor Joseph II. In 1764 he was appointed chamber composer to the Emperor, and in 1772 court conductor. In 1766 Ga ...
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Betulia Liberata
''La '' (''The Liberation of Bethulia'') is a libretto by Pietro Metastasio which was originally commissioned by Emperor Charles VI and set to music by Georg Reutter the Younger in 1734. It was subsequently set by as many as 30 composers, including Niccolò Jommelli (1743), Ignaz Holzbauer (1752), Florian Leopold Gassmann (1772), Joseph Schuster (1787), and most famously Wolfgang Amadeus Mozart (1771). Mozart's setting The work of Mozart is the best known, if only because the composer's output receives more examination. Composed in March to July 1771 when Mozart was 15 years old, K. 118 (74c) is a 140-minute on a text by Metastasio tracing the story of Judith beheading Holofernes from the biblical ''Book of Judith''. It was commissioned in March 1771 by Giuseppe Ximenes, Prince of Aragon, while Mozart and his father Leopold Mozart, Leopold were on the way home to Salzburg from their first Mozart in Italy, journey to Italy. It is the only oratorio Mozart ever wrote. Its two parts ...
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Premiere
A premiere, also spelled première, (from , ) is the debut (first public presentation) of a work, i.e. play, film, dance, musical composition, or even a performer in that work. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who founded Grauman's Chinese Theatre. The first ever Hollywood premiere was for the 1922 film ''Robin Hood'', starring Douglas Fairbanks, in front of the Egyptian Theatre. By the late 1920s the red carpet had become synonymous with film premieres. Classification There are a number of different types: A single work will often have many premieres. For example, in film, the 2019 United States movie '' Aladdin'' held its world premiere at the Grand Rex in Paris, France, on 8 May 2019, its first regional premiere in Jordan on 13 May 2019, and its United States premiere on 24 May 2019. Likewise, in music, Beethoven's Symphony No. 9 received its world premiere in the Theater am Kärntnertor in Vi ...
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Wiener Musikverein
The ( or ; ), commonly shortened to , is a concert hall in Vienna, Austria, which is located in the Innere Stadt district. The building opened in 1870 and is the home of the Vienna Philharmonic orchestra. The acoustics of the building's 'Great Hall' () have earned it recognition alongside other prominent concert halls, such as the Konzerthaus in Berlin, the Concertgebouw in Amsterdam and Symphony Hall in Boston. With the exception of Boston's Symphony Hall, none of these halls was built in the modern era with the application of architectural acoustics, and all share a long, tall and narrow shoebox shape. Building The 's main entrance is situated on Musikvereinsplatz, between Karlsplatz and . The building is located behind the Hotel Imperial that fronts on Kärntner Ring, which is part of the Vienna Ring Road (Ringstraße). It was erected as the new concert hall run by the Society of Friends of Music in Vienna, on a piece of land provided by Emperor Franz Joseph I of Austri ...
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Oskar Nedbal
Oskar Nedbal (26 March 1874 – 24 December 1930) was a Czech violist, composer, and conductor of classical music. Early life Nedbal was born in Tábor, in southern Bohemia. He studied the violin at the Prague Conservatory under Antonín Bennewitz, theory under and , and composition with Antonín Dvořák. Career In 1891 he founded the Bohemian String Quartet, later known as the Czech Quartet, which disbanded in 1933. The original members, alongside Nedbal on viola, were Karel Hoffmann, Josef Suk and . He was principal conductor with the Czech Philharmonic Orchestra from 1896 to 1906. From 1907 until 1917 he lived in Vienna and conducted the Wiener Tonkünstler-Orchester. A great admirer of his teacher Antonín Dvořák, Nedbal also paid homage to other composers. For example, in his 1910 composition, ''Romantic Piece, Op. 18'' for cello and piano, Nedbal cleverly inserts a theme usually associated with Mozart, '' Ah, vous dirai-je, Maman''. His works include one (un ...
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Hans Pfitzner
Hans Erich Pfitzner (5 May 1869 – 22 May 1949) was a German composer, conductor and polemicist who was a self-described anti-modernist. His best known work is the post-Romantic opera ''Palestrina'' (1917), loosely based on the life of the sixteenth-century composer Giovanni Pierluigi da Palestrina and his '' Missa Papae Marcelli''. Life Pfitzner was born in Moscow where his father played cello in a theater orchestra. The family returned to his father's native town Frankfurt in 1872, when Pfitzner was two years old, he always considered Frankfurt his home town. He received early instruction in violin from his father, and his earliest compositions were composed at age 11. In 1884 he wrote his first songs. From 1886 to 1890 he studied composition with Iwan Knorr and piano with James Kwast at the Hoch Conservatory in Frankfurt. (He later married Kwast's daughter Mimi Kwast, a granddaughter of Ferdinand Hiller, after she had rejected the advances of Percy Grainger.) He tau ...
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Bernhard Stavenhagen
Bernhard Stavenhagen (24 November 1862 – 25 December 1914) was a German pianist, composer and conductor. His musical style was influenced by Franz Liszt, and as a conductor he was a strong advocate of new music. Biography Born in Greiz, he commenced piano study in 1868. His family moved to Berlin in 1874 where he began studying with Theodor Kullak. He entered university there in 1878, privately studying composition with Friedrich Kiel. In 1885 Stavenhagen became a pupil of Franz Liszt in Weimar, travelling with him to Rome, Budapest, Paris, London and Bayreuth. After Liszt's death in 1886, Stavenhagen embarked on a ten-year series of piano concert tours in Europe and to North America. In April 1890 he was appointed court pianist to the Grand Duke of Saxe-Weimar and the following July he married Agnes Denninghoff (better known as Agnes Denis-Stavenhagen, 1860-1945), a soprano with the Weimar Court Opera. In 1893 he composed his Third Piano Concerto in B minor. He fulfilled ...
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Gurre-Lieder
' (''Songs of Gurre Castle, Gurre'') is a tripartite oratorio followed by a Melodrama, melodramatic epilogue for five vocal soloists, narrator, three choruses, and grand orchestra. The work, which is based on an early song cycle for soprano, tenor and piano, was composed by the then-Austrian composer Arnold Schoenberg from 1900 to 1903. After a break, he resumed orchestration in 1910 and completed it in November 1911. It sets to music the poem cycle ''Gurresange'' by the Danish novelist Jens Peter Jacobsen (translated from Danish to German by ). The Gurre Castle and its surrounding areas in Denmark are the settings of the plot, which involves the mediæval love-tragedy (related in Jacobsen's poems) revolving around a legend of the love of king Valdemar IV of Denmark, Valdemar Atterdag (Valdemar IV, 1320–1375, German: Waldemar) for his mistress, Tove, and her subsequent murder by Valdemar's jealous wife, Queen Helvig of Schleswig, (a legend which is historically more likely co ...
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Franz Schreker
Franz Schreker (originally ''Schrecker''; 23 March 1878 – 21 March 1934) was an Austrian composer, conductor, librettist, teacher and administrator. Primarily a composer of operas, Schreker developed a style characterized by aesthetic plurality (a mixture of Romanticism, Naturalism, Symbolism, Impressionism, Expressionism and Neue Sachlichkeit), timbral experimentation, strategies of extended tonality and conception of total music theatre into the narrative of 20th-century music. Formative years He was born as Franz Schrecker in Monaco, the eldest son of the Bohemian Jewish court photographer Ignaz Franz Schrekker (Germanized from ''Ignácz Furencz'', originally ''Isak''), and his wife, Eleonore von Cloßmann, who was a member of the Catholic aristocracy of Styria. He grew up during travels across half of Europe and, after the early death of his father, the family moved from Linz to Vienna (1888) where in 1892, with the help of a scholarship, Schreker entered the Vienna Cons ...
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Wiener Symphoniker
The Vienna Symphony (Vienna Symphony Orchestra, ) is an Austrian orchestra based in Vienna. Its primary concert venue is the Vienna Konzerthaus. In Vienna, the orchestra also performs at the Musikverein and at the Theater an der Wien. History In 1900, Ferdinand Löwe founded the orchestra as the ''Wiener Concertverein'' (Vienna Concert Society). In 1913 it moved into the Konzerthaus, Vienna. In 1919 it merged with the Tonkünstler Orchestra. In 1933 it acquired its current name. Despite a lull in concert attendance after the introduction of radio during the 1920s, the orchestra survived until the invasion of Austria in 1938 and became incorporated into the German Culture Orchestras. As such, they were used for purposes of propaganda until, depleted by assignments to work in munitions factories, the orchestra closed down on 1 September 1944. Their first post-war concert occurred on 16 September 1945, performing Gustav Mahler's Symphony No. 3. Under the direction of Josef Krips ...
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Rita Steblin
Rita Katherine Steblin (April 22, 1951 – September 3, 2019) was a musicologist, specializing in archival work combining music history, iconography and genealogical research. Steblin was born in Chilliwack, British Columbia, Canada; she died in Vienna, Austria. She was the daughter of Sergei and Renata Steblin, a co-founder of Richmond Baptist Church. After obtaining degrees in Vancouver, Toronto and Urbana, Illinois, and studying at the University of Music and Performing Arts Vienna, Steblin worked in Canada (mainly in Vancouver) and since 1991 in Vienna first at the and then as an independent researcher on Ludwig van Beethoven, Franz Schubert and social life in late eighteenth and early nineteenth-century in Austria (including Hungary and Bohemia). Controversy about Schubert's sexuality In the debate over Franz Schubert's sexuality, she was one of the fiercest critics of musicologist Maynard Solomon, who in 1989 was the first to openly expound the much-discussed theory o ...
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Orchestras In Vienna
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from ...
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