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Welt, Ade! Ich Bin Dein Müde
Gottfried Vopelius (28 January 1645 – 3 February 1715), was a German Lutheran academic and hymn-writer, mainly active in Leipzig. He was born in Herwigsdorf, now a district of Rosenbach, Oberlausitz, and died in Leipzig at the age of 70.Robert Eitner. " Vopelius, Gottfried", pp. 298–299 in Vol. 40 of ''Allgemeine Deutsche Biographie''. , 1896. ''Neu Leipziger Gesangbuch'' Vopelius is primarily remembered for the ''Neu Leipziger Gesangbuch'' (New Leipzig Hymnal) which he published in 1682. The subtitle of the publication reads: Or, translated: The ''Neu Leipziger Gesangbuch'' is, to a certain degree, a third edition of Johann Schein's , which originally had been published in 1627, with a new edition in 1645. Over 90 settings in the ''Neu Leipziger Gesangbuch'' were copied or adapted from Schein. All other composers are represented with less than 10 settings in the hymnal. Of these, only Johann Crüger and Andreas Hammerschmidt are mentioned for more than three s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu Leipziger Gesangbuch
Gottfried Vopelius (28 January 1645 – 3 February 1715), was a German Lutheran academic and hymn-writer, mainly active in Leipzig. He was born in Herwigsdorf, now a district of Rosenbach, Görlitz, Rosenbach, Upper Lusatia, Oberlausitz, and died in Leipzig at the age of 70.Robert Eitner. "wikisource:de:ADB:Vopelius, Gottfried, Vopelius, Gottfried", pp. 298–299 in Vol. 40 of ''Allgemeine Deutsche Biographie''. , 1896. ''Neu Leipziger Gesangbuch'' Vopelius is primarily remembered for the ''Neu Leipziger Gesangbuch'' (New Leipzig Hymnal) which he published in 1682. The subtitle of the publication reads: Or, translated: The ''Neu Leipziger Gesangbuch'' is, to a certain degree, a third edition of Johann Schein's , which originally had been published in 1627, with a new edition in 1645. Over 90 settings in the ''Neu Leipziger Gesangbuch'' were copied or adapted from Schein. All other composers are represented with less than 10 settings in the hymnal. Of these, only Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Language
Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, Latin influence in English, including English, having contributed List of Latin words with English derivatives, many words to the English lexicon, particularly after the Christianity in Anglo-Saxon England, Christianization of the Anglo-Saxons and the Norman Conquest. Latin Root (linguistics), roots appear frequently in the technical vocabulary used by fields such as theology, List of Latin and Greek words commonly used in systematic names, the sciences, List of medical roots, suffixes and prefixes, medicine, and List of Latin legal terms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsory
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preface (liturgy)
In liturgical use the term preface is a formal thanksgiving that immediately precedes (or forms part of) the Canon, Eucharistic Prayer, Prayer of Consecration or analogous portion of the Eucharist (Holy Communion, Mass or Divine Liturgy). The preface, which begins at the words, "It is very meet and just, right and salutary" (or a variation thereof) is ushered in, in all liturgies, with the '' Sursum corda'' ("Lift up your hearts") and ends with the ''Sanctus'' ("Holy, Holy, Holy"). In most Western liturgies, proper prefaces are appointed for particular occasions. In the various Eastern liturgies there is great variation. Among those who follow the Rite of Constantinople the audible portion of the preface does not change, but the silent prayer said by the priest will differ depending upon whether it is the Liturgy of St. John Chrysostom or the Liturgy of St. Basil the Great. Among the Oriental Orthodox Churches the preface will take different forms, depending upon the liturgic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass () is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resurrection Of Jesus
The resurrection of Jesus () is Christianity, Christian belief that God in Christianity, God Resurrection, raised Jesus in Christianity, Jesus from the dead on the third day after Crucifixion of Jesus, his crucifixion, starting—or Preexistence of Christ, restoring—his Session of Christ, exalted life as Christ (title), Christ and Jesus is Lord, Lord. According to the New Testament writing, Jesus was Firstborn (Judaism), firstborn from the dead, ushering in the Kingdom of God. He appeared to his disciples, calling the apostles to the Great Commission of forgiving sin and baptizing Repentance in Christianity, repenters, and Ascension of Jesus, ascended to Heaven. For the Christian tradition, the bodily resurrection was the restoration to life of a Spiritual body, transformed body powered by Pneuma, spirit, as described by Paul the Apostle, Paul and the gospel authors, that led to the establishment of Christianity. In Christian theology, the resurrection of Jesus is "the cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Evangelist
John the Evangelist ( – ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although there is no consensus on how many of these may actually be the same individual. Identity The exact identity of John – and the extent to which his identification with John the Apostle, John of Patmos and John the Presbyter is historical – is disputed between Christian tradition and scholars. The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew The Apostle
Matthew the Apostle was one of the Twelve Apostles, twelve apostles of Jesus. According to Christian traditions, he was also one of the four Evangelists as author of the Gospel of Matthew, and thus is also known as Matthew the Evangelist. The claim of his gospel authorship is rejected by most modern biblical scholars, though the "traditional authorship still has its defenders." The New Testament records that as a Disciple (Christianity), disciple, he followed Jesus. Church Fathers, such as Irenaeus and Clement of Alexandria, relate that Matthew preached the gospel in Judea before going to other countries. In the New Testament Matthew is mentioned in Matthew 9:9 and Matthew 10:3 as a tax collector (in the NIV, New International Version and other translations of the Bible) who, while sitting at the "receipt of custom" in Capernaum, was called to follow Jesus. He is also listed among the Twelve Disciples, but without identification of his background, in Mark 3:18, Luke 6:15 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Evangelists
In Christian tradition, the Four Evangelists are Matthew the Apostle, Matthew, Mark the Evangelist, Mark, Luke the Evangelist, Luke, and John the Evangelist, John, the authors attributed with the creation of the four canonical Gospel accounts. In the New Testament, they bear the following titles: the Gospel of Matthew; the Gospel of Mark; the Gospel of Luke; and the Gospel of John. Gospels The gospels of Gospel of Matthew, Matthew, Gospel of Mark, Mark, and Gospel of Luke, Luke are known as the Synoptic Gospels, because they include many of the same stories, often in the same sequence or even verbatim. While the periods to which the gospels are usually dated suggest otherwise, convention traditionally holds that the authors were two of the Twelve Apostles of Jesus, John and Matthew, as well as two "apostolic men", Mark and Luke, whom Orthodox Tradition records as members of the 70 Apostles (Luke 10): * Matthew the Evangelist, Matthew – a former tax collector (Levi) who w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Of Jesus
The Passion (from Latin , "to suffer, bear, endure") is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week. The ''Passion'' may include, among other events, Jesus's triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, his agony, his arrest, his trials before the Sanhedrin and before Pilate, his crucifixion and death, and his burial. Those parts of the four canonical Gospels that describe these events are known as the Passion narratives. In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Latin form ''passio''. Narratives according to the four canonical gospels A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Herman Schein
Johann Hermann Schein (20 January 1586 – 19 November 1630) was a German composer of the early Baroque era. He was Thomaskantor in Leipzig from 1615 to 1630. He was one of the first to import the early Italian stylistic innovations into German music, and was one of the most polished composers of the period. Biography Schein was born in Grünhain. On the death of his father, Schein moved to Dresden where he joined the choir of the Elector of Saxony as a boy soprano. In addition to singing in the choir, he received a thorough musical training with Rogier Michael, the ''Kapellmeister,'' who recognized his extraordinary talent. From 1603 to 1607 he studied at Pforta, and from 1608 to 1612 attended the University of Leipzig, where he studied law in addition to liberal arts. Upon graduating, he was employed briefly by Gottfried von Wolffersdorff as the house music director and tutor to his children; later he became ''Kapellmeister'' at Weimar, and shortly thereafter became Thomaska ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
