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Weekend (EP)
''Weekend'' is the second studio EP of New Zealand band Young Lyre, released on 25 November 2015. Background In the 2011, the band released their first EP, title '' Night Swimming''. After a long period of tour and festivals, the band started to produce their second EP. On 24 May 2014, the band started their crowd funding campaign to help funding their second EP. The campaign of $2,000 meet its goal on 21 February 2015 with the total of $2,135. The EP was officially released on 27 November 2015. Singles The first single from the album, was "We Go Faster" released on 10 May 2015. The music video to the video was crowdfunded alongside the album production. Also they received the help to fund the video and the album by a New Zealand project called NZ On Air. Track listing Personnel Young Lyre * Jordan Curtis – lead vocals, synths * Sanjay Bangs – guitar, synths * Kiran Rai – guitar, synths * Simon Roots – drums, backing vocals * Matt Judd – bass, backing vocals Tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young Lyre
Young Lyre is an Indie Pop New Zealand band formed in 2009 from Auckland. The band includes Jordan Curtis (lead vocals, synths), Matt Judd (bass, backing vocals), Simon Roots (drums, backing vocals), Sanjay Bangs (guitar, synths), Kiran Rai (guitar, synths). The band's debut EP title '' Night Swimming'' was released in 2012 and was the number fifteen on the New Zealand Music chart. The band released their second EP, title ''Weekend'' in 2015. Young Lyre music style is often described as Indie Pop and Synth Pop. History Formation The band first formed in high school for the Rockquest under the name of "Sons of Darragh". After leaving high school they briefly changed name to "Oresund", and some time after, becoming "The Frisk". After leaving university, the band members decided that the band name would change for the last time, becoming "Young Lyre". In 2011, Young Lyre opened for international acts Green Day and Train. 2011–present: ''Night Swimming'' and ''Weekend'' In 2011, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with a DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s, originally abbreviations for ''Independent music, independent'' and ''Popular music, popular''. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel prem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth Pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band would be a major influence on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night Swimming (EP)
''Night Swimming'' is the first EP released by New Zealand band, Young Lyre, released on 9 November 2012. The EP reached number fifteen on the Official New Zealand Music Chart one week after its release. Background The band started creating music in the college competing on Rockquest in New Zealand. After changing the band name from "Sons of Darragh" to "Oresund" to "The Frisk", they decided to settle on the name of "Young Lyre" in 2011. Featuring songs of their first years, the EP ''Night Swimming'' was officially released on 9 November 2012. One week after its release, the EP was the number fifteen on the Official New Zealand Music Chart. Singles The first single and music video from the EP was "Make Light", released on 15 March 2012 and directed by Jordan Dodson. Track listing Personnel Young Lyre * Jordan Curtis – lead vocals, synths (2008–present) * Sanjay Bangs – guitar, backing vocals (2008–present) * Kiran Rai – guitar, synths (2008–present) * Simon R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Producer (music)
A record producer or music producer is a music creating project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically the job involves hands-on oversight of recording sessions; ensuring artists deliver acceptable and quality performances, supervising the technical engineering of the recording, and coordinating the production team and process. The producer's involvement in a musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example, the producer serves as more of a liaison between the conductor and the engineering team. The role is often likened to that of a film director, though there are important differences. It is distinct from the role of an executive producer, who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe LaPorta
Joseph J. LaPorta (born January 19, 1980) is an American mastering engineer at Sterling Sound in Edgewater, New Jersey. Career LaPorta was born in New York and grew up there; he graduated from New York University with a bachelor's degree in music technology. He began his mastering career at The Lodge and then joined Sterling Sound in 2013 as a senior engineer. He has worked with artists including David Bowie, The Weeknd, Future, Foo Fighters, Vampire Weekend, FKA Twigs, Miley Cyrus, Carrie Underwood, Tiesto, Imagine Dragons, Shawn Mendes, Fleet Foxes, Bon Jovi, Kid Cudi, 21 Savage, Run the Jewels, Young Thug, Gunna, Twenty One Pilots, Beach House, and others. In addition to mastering, LaPorta also works as a music consultant on forensic musicology/copyright infringement cases. He has consulted on cases like The Beatles, Michael Jackson, Prince, Jay-Z, Britney Spears, Shakira, Guns N' Roses, Eminem, Mary J. Blige, Lady Gaga, The Black Eyed Peas, Sting, Phil Collins, Didd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering is a form of audio post production which is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device called a master recording, the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years, digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, their skills, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album Art
An album cover (also referred to as album art) is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to: * the printed paperboard covers typically used to package: ** sets of and 78 rpm records ** singles and sets of long-play records ** sets of 45 rpm records (either in several connected sleeves or a box) * the front-facing panel of: ** a cassette J-card ** a CD package * the primary image accompanying a digital download of the album (or of its individual tracks). For all tangible records, the album art also serves as a part of the protective sleeve. Early history Around 1909, 78-rpm records replaced the phonograph cylinder as the medium for recorded sound. The 78-rpm records were issued in both 11- and 12-inch diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the producer or the retailer's name. These were invaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2015 EPs
Fifteen or 15 may refer to: *15 (number) *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (Tuki album), 2025 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' Other media * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama * "Fifteen" (''Runaways''), an episode of ''Runaways'' *Fifteen (novel), a 1956 juvenile ficti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
