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WAV
Waveform Audio File Format (WAVE, or WAV due to its filename extension; pronounced or ) is an audio file format standard for storing an audio bitstream on personal computers. The format was developed and published for the first time in 1991 by IBM and Microsoft. It is the main format used on Microsoft Windows systems for uncompressed audio. The usual bitstream encoding is the linear pulse-code modulation (LPCM) format. WAV is an application of the Resource Interchange File Format (RIFF) bitstream format method for storing data in ''chunks'', and thus is similar to the 8SVX and the Audio Interchange File Format (AIFF) format used on Amiga and Macintosh computers, respectively. Description The WAV file is an instance of a Resource Interchange File Format (RIFF) defined by IBM and Microsoft. The RIFF format acts as a ''wrapper'' for various audio coding formats. Though a WAV file can contain compressed audio, the most common WAV audio format is uncompressed audio in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Wave Format
Broadcast Wave Format (BWF) is an extension of the popular Microsoft WAV audio format and is the recording format of most file-based non-linear digital recorders used for motion picture, radio and television production. It was first specified by the European Broadcasting Union in 1997, and updated in 2001 and 2003. It has been accepted as the ITU recommendation ITU-R BS.1352-3, Annex 1. The purpose of this file format is the addition of metadata to facilitate the seamless exchange of sound data between different computer platforms and applications. It specifies the format of metadata, allowing audio processing elements to identify themselves, document their activities, and supports timecode to enable synchronization with other recordings. This metadata is stored as extension chunks in a standard digital audio WAV file. BWF is the recommended format for digitizing sound files by the International Association of Sound and Audiovisual Archives. Files conforming to the Broadca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resource Interchange File Format
Resource Interchange File Format (RIFF) is a generic file container format (digital), container format for storing data in tagged Chunk (information), chunks. It is primarily used for audio and video, though it can be used for arbitrary data. The Microsoft implementation is mostly known through the container formats Audio Video Interleave, AVI, ANI (animation file format), ANI and WAV, which use RIFF as their basis. History RIFF was introduced in 1991 by Microsoft and International Business Machines, IBM and used as the default format for Windows 3.1x, Windows 3.1 multimedia files. It is based on Interchange File Format introduced by Electronic Arts in 1985 on the Amiga. IFF uses the Endianness, big-endian convention of the Amiga's Motorola 68000 CPU, but in RIFF multi-byte integers are stored in the Endianness, little-endian order of the x86 processors used in IBM PC compatibles. A RIFX format, which is big-endian, was also introduced. In 2010 Google introduced the WebP pic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RF64
RF64 is a BWF-compatible multichannel audio file format enabling file sizes to exceed {{val, 4, ul=GiB. It has been specified by the European Broadcasting Union. The file format is designed to meet the requirements for multichannel sound in broadcasting and audio archiving. It is based on the Microsoft RIFF A riff is a short, repeated motif or figure in the melody or accompaniment of a musical composition. Riffs are most often found in rock music, punk, heavy metal music, Latin, funk, and jazz, although classical music is also sometimes based .../ WAVE format and Wave Format Extensible for multichannel parameters. Additions are made to the basic specification to allow for more than 4 GB file sizes when needed (the new maximum filesize is now approximately 16 exabytes). The format is transparent to the BWF and all its supplements and chunks. RF64 WAV files typically use the .wav file extension. RF64 is the basis for ITU recommendation ITU-R BS.2088, which defines a su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio File Format
An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or audio compression (data), compressed to reduce the file size, often using lossy compression. The data can be a raw bitstream in an audio coding format, but it is usually embedded in a container format or an audio data format with defined storage layer. Format types It is important to distinguish between the audio coding format, the Container format (digital), container containing the Raw audio format, raw audio data, and an audio codec. A codec performs the encoding and decoding of the raw audio data while this encoded data is (usually) stored in a container file. Although most audio file formats support only one type of audio coding data (created with an audio codec, audio coder), a multimedia container format (as Matroska or Audio Video Interleave, AVI) may support multiple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Pulse-code Modulation
Pulse-code modulation (PCM) is a method used to digitally represent analog signals. It is the standard form of digital audio in computers, compact discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps. Alec Reeves, Claude Shannon, Barney Oliver and John R. Pierce are credited with its invention. Linear pulse-code modulation (LPCM) is a specific type of PCM in which the quantization levels are linearly uniform. This is in contrast to PCM encodings in which quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though ''PCM'' is a more general term, it is often used to describe data encoded as LPCM. A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surround Sound
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener ( surround channels). Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three ''screen channels'' of sound that played from three loudspeakers (left, center, and right) located in front of the audience. Surround sound adds one or more channels from loudspeakers to the side or behind the listener that are able to create the sensation of sound coming from any horizontal direction (at ground level) around the listener. The technique enhances the perception of sound spatialization by exploiting sound localization: a listener's ability to identify the location or origin of a detected sound in direction and distance. This is achieved by using multiple discrete audio channels routed to an array of loudspeakers. Surround sound typically has a listener location ( sweet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Bit Depth
In digital audio using pulse-code modulation (PCM), bit depth is the number of bits of information in each sample, and it directly corresponds to the resolution of each sample. Examples of bit depth include Compact Disc Digital Audio, which uses 16 bits per sample, and DVD-Audio and Blu-ray Disc, which can support up to 24 bits per sample. In basic implementations, variations in bit depth primarily affect the noise level from quantization error—thus the signal-to-noise ratio (SNR) and dynamic range. However, techniques such as dithering, noise shaping, and oversampling can mitigate these effects without changing the bit depth. Bit depth also affects bit rate and file size. Bit depth is useful for describing PCM digital signals. Non-PCM formats, such as those using lossy compression, do not have associated bit depths. Binary representation A PCM signal is a sequence of digital audio samples containing the data providing the necessary information to reconst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncompressed Audio
Pulse-code modulation (PCM) is a method used to digitally represent analog signals. It is the standard form of digital audio in computers, compact discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps. Alec Reeves, Claude Shannon, Barney Oliver and John R. Pierce are credited with its invention. Linear pulse-code modulation (LPCM) is a specific type of PCM in which the quantization levels are linearly uniform. This is in contrast to PCM encodings in which quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though ''PCM'' is a more general term, it is often used to describe data encoded as LPCM. A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FourCC
A FourCC ("four-character code") is a sequence of four bytes (typically ASCII) used to uniquely identify data formats. It originated from the OSType or ResType metadata system used in classic Mac OS and was adopted for the Amiga/Electronic Arts Interchange File Format and derivatives. The idea was later reused to identify compressed data types in QuickTime and DirectShow. History In 1984, the earliest version of a Macintosh OS, System 1, was released. It used the single-level Macintosh File System with metadata fields including file types, creator (application) information, and forks to store additional resources. It was possible to change this information without changing the data itself, so that they could be interpreted differently. Identical codes were used throughout the system, as type tags for all kinds of data. In 1985, Electronic Arts introduced the Interchange File Format (IFF) meta-format (family of file formats), originally devised for use on the Amiga. These fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Compression Manager
This article describes audio APIs and components in Microsoft Windows which are now obsolete or deprecated. Multimedia Extensions (MME) The MME API or the Windows Multimedia API (also known as ''WinMM'') was the first universal and standardized Windows audio API. Wave sound events played in Windows (up to Windows XP) and MIDI I/O use MME. The devices listed in the ''Multimedia/Sounds and Audio'' control panel applet represent the MME API of the sound card driver. The Multimedia Extensions ( interfaces) were released in autumn 1991 to support sound cards, as well as CD-ROM drives, which were then becoming increasingly available. The Multimedia Extensions were released to Original Equipment Manufacturers (OEMs), mainly CD-ROM drive and sound card manufacturers, and added basic multimedia support for audio input and output and a CD audio player application to Windows 3.0. The Multimedia Extensions' new features were not available in Windows 3.0 real mode, only in standard and 386 e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio CD
Compact Disc Digital Audio (CDDA or CD-DA), also known as Digital Audio Compact Disc or simply as Audio CD, is the standard format for audio compact discs. The standard is defined in the '' Red Book'' technical specifications, which is why the format is also dubbed ''"Redbook audio"'' in some contexts. CDDA utilizes pulse-code modulation (PCM) and uses a 44,100 Hz sampling frequency and 16-bit resolution, and was originally specified to store up to 74 minutes of stereo audio per disc. The first commercially available audio CD player, the Sony CDP-101, was released in October 1982 in Japan. The format gained worldwide acceptance in 1983–84, selling more than a million CD players in its first two years, to play 22.5 million discs, before overtaking records and cassette tapes to become the dominant standard for commercial music. Peaking around year 2000, the audio CD contracted over the next decade due to rising popularity and revenue from digital downloading, and during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
