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Voluptas
In Roman mythology, Voluptas or Volupta is the daughter born from the union of Cupid and Psyche, according to Apuleius. The Latin word ''voluptas'' means 'pleasure' or 'delight'; Voluptas is known as the goddess of "sensual pleasures". She is often found in the company of the Gratiae, or Three Graces. Some Roman authors mention a goddess named Volupia, a name which appears to signify "willingness".Robert E. A. Palmer, ''The Archaic Community of the Romans,'' Cambridge University Press 1970 pp.171ff.. She had a temple, the Sacellum Volupiae, on the Via Nova, by the Porta Romana. Sacrifices were offered to the Diva Angerona there. The corresponding goddess in Greek mythology is Hedone. See also * Hercules at the crossroads Hercules at the crossroads, also known as the Choice of Hercules and the Judgement of Hercules, is an ancient Greek parable attributed to Prodicus and known from Xenophon. It concerns the young Heracles/Hercules who is offered a choice between Vic ... Refe ...
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Cupid And Psyche
Cupid and Psyche is a story originally from ''Metamorphoses'' (also called '' The Golden Ass''), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche (; , , "Soul" or "Breath of Life") and Cupid (Latin ''Cupido'', "Desire") or Amor ("Love", Greek Eros, Ἔρως), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, ''Märchen'' or fairy tale, and myth. The story of Cupid and Psyche was known to Boccaccio in c. 1370, but the ''editio princeps'' dates to 1469. Ever since, the reception of ''Cupid and Psyche'' in the classical tradition has been extensive. Th ...
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Roman Goddesses
The Roman deities most widely known today are those the Romans identified with Greek counterparts (see '' interpretatio graeca''), integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Empire. Many of the Romans' own gods remain obscure, known only by name and sometimes function, through inscriptions and texts that are often fragmentary. This is particularly true of those gods belonging to the archaic religion of the Romans dating back to the era of kings, the so-called "religion of Numa", which was perpetuated or revived over the centuries. Some archaic deities have Italic or Etruscan counterparts, as identified both by ancient sources and by modern scholars. Throughout the Empire, the deities of peoples in the provinces were given new theological interpretations in light of functions or attributes they shared with Roman deities. An exten ...
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Hercules At The Crossroads
Hercules at the crossroads, also known as the Choice of Hercules and the Judgement of Hercules, is an ancient Greek parable attributed to Prodicus and known from Xenophon. It concerns the young Heracles/Hercules who is offered a choice between Vice and Virtue—a life of pleasure or one of hardship and honour. In the early modern period it became a popular motif in Western art. History Classical period The parable stems from the Classical era of ancient Greece and is reported by Xenophon in ''Memorabilia'' 2.1.21–34. In Xenophon's text, Socrates tells how the young Heracles, as the hero contemplates his future, is visited by the female personifications of Vice and Virtue (Ancient Greek: Κακία and Ἀρετή; '' Kakía'' and ''Areté''). They offer him a choice between a pleasant and easy life or a severe but glorious life, and present their respective arguments. Xenophon credits the invention of the parable to Prodicus. He cites a precursor in Hesiod's ''Works and ...
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Hedone
Hedone ( grc, ἡδονή, ''hēdonē'') is the Greek word meaning "pleasure." It was an important concept in Ancient Greek philosophy, especially in the Epicurean school. It is also the root of the English word "hedonism". In Greek mythology, Hedone is personified as a goddess of pleasure, enjoyment, and delight, as the daughter born from the union of Eros (personification of love) and Psyche (personification of the soul). She was associated more specifically with sensual pleasure. Her opposites were the Algea, personifications of pain. Her equivalent in Roman mythology is Voluptas. There is no evidence that she was ever the object of cult worship. Aristotelian philosophy Aristotle identified it as one of the two elements or components of ''pathe'', with the other being ''lype'' or pain. The philosopher described ''pathe'' in these words: "Let the emotions be all those things on account of which people change their minds and differ in regard to their judgments, and upon ...
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Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mars (mythology), Mars. He is also known in Latin as ' ("Love"). His interpretatio graeca, Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greece, Classical ancient Greek art, Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by hi ...
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Pliny The Elder
Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic '' Naturalis Historia'' (''Natural History''), which became an editorial model for encyclopedias. He spent most of his spare time studying, writing, and investigating natural and geographic phenomena in the field. His nephew, Pliny the Younger, wrote of him in a letter to the historian Tacitus: Among Pliny's greatest works was the twenty-volume work ''Bella Germaniae'' ("The History of the German Wars"), which is no longer extant. ''Bella Germaniae'', which began where Aufidius Bassus' ''Libri Belli Germanici'' ("The War with the Germans") left off, was used as a source by other prominent Roman historians, including Plutarch, Tacitus and Suetonius. Tacitus—who many scholars agree had never travelled in Germania—used ''Bella Ger ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the '' Iliad'' and the '' Odyssey''. Two poems by Homer's near contemporary Hesiod, the ''Theogony'' and the '' Works and Days'', contain accounts of the ...
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Angerona
In Roman religion, Angerona or Angeronia was an old Roman goddess, whose name and functions are variously explained. She is sometimes identified with the goddess Feronia. Description According to ancient authorities, she was a goddess who relieved men from pain and sorrow, or delivered the Romans and their flocks from ''angina'' ( quinsy). Also she was a protecting goddess of Rome and the keeper of the sacred name of the city, which might not be pronounced lest it should be revealed to her enemies. It was even thought that ''Angerona'' itself was this name. Modern scholars regard Angerona as a goddess akin to Ops, Acca Larentia, and Dea Dia; or as the goddess of the new year and the returning sun. Her festival, called Divalia or Angeronalia, was celebrated on 21 December. The priests offered sacrifice in the temple of Volupia, the goddess of pleasure, in which stood a statue of Angerona, with a finger on her mouth, which was bound and closed. She was worshiped as Ancharia ...
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Macrobius
Macrobius Ambrosius Theodosius, usually referred to as Macrobius (fl. AD 400), was a Roman provincial who lived during the early fifth century, during late antiquity, the period of time corresponding to the Later Roman Empire, and when Latin was as widespread as Greek among the elite. He is primarily known for his writings, which include the widely copied and read ''Commentarii in Somnium Scipionis'' ("Commentary on the Dream of Scipio") about ''Somnium Scipionis'', which was one of the most important sources for Neoplatonism in the Latin West during the Middle Ages; the ''Saturnalia'', a compendium of ancient Roman religious and antiquarian lore; and ''De differentiis et societatibus graeci latinique verbi'' ("On the Differences and Similarities of the Greek and Latin Verb"), which is now lost. He is the basis for the protagonist Manlius in Iain Pears' book '' The Dream of Scipio''. Name The correct order of his names is "Macrobius Ambrosius Theodosius", which is how it appear ...
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Varro
Marcus Terentius Varro (; 116–27 BC) was a Roman polymath and a prolific author. He is regarded as ancient Rome's greatest scholar, and was described by Petrarch as "the third great light of Rome" (after Vergil and Cicero). He is sometimes called Varro Reatinus to distinguish him from his younger contemporary Varro Atacinus. Biography Varro was born in or near Reate (now Rieti) to a family thought to be of equestrian rank, and always remained close to his roots in the area, owning a large farm in the Reatine plain, reported as near Lago di Ripasottile, until his old age. He supported Pompey, reaching the office of praetor, after having been tribune of the people, ''quaestor'' and '' curule aedile''. It is probable that Varro was discontented with the course on which Pompey entered when the First Triumvirate was formed, and he may thus have lost his chance of rising to the consulate. He actually ridiculed the coalition in a work entitled the ''Three-Headed Monster'' ( in ...
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Naturalis Historia
The ''Natural History'' ( la, Naturalis historia) is a work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the ''Natural History'' compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure is not like that of a modern encyclopedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger. The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethnography, anthropology, human physiology ...
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Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became in ...
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