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Villa Majorelle
The Villa Majorelle is a house located at 1 rue Louis-Majorielle in the city of Nancy, France, which was the home and studio of the furniture designer Louis Majorelle. It was designed and built by the architect Henri Sauvage in 1901-1902. The villa is one of the first and most influential examples of the Art Nouveau architectural style in France. It served as a showcase for Majorelle's furniture and the work of other noted decorative artists of the period, including ceramist Alexandre Bigot and stained glass artist Jacques Gruber. It is now owned by the city of Nancy, and is open to the public certain days for tours by reservation. History The house was commissioned by Louis Majorelle (1859-1926), a Nancy furniture designer and manufacturer. His father, Auguste Majorelle, a craftsman who made fine lacquered furniture, had begun the family firm in Nancy in 1860, making and selling finely-crafted lacquered furniture, and had been awarded prizes and achieved an international ...
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Villa Majorelle Nancy Vue Générale De La Façade Nord Rénovée 2020
A villa is a type of house that was originally an Ancient Rome, ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or co ...
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Siegfried Bing
Samuel Siegfried Bing (26 February 1838 – 6 September 1905), who usually gave his name as S. Bing (not to be confused with his brother, Samuel Otto Bing, 1850–1905), was a German-French art dealer who lived in Paris as an adult, and who helped introduce Japanese art and artworks to the West and was a factor in the development of the Art Nouveau style during the late nineteenth century. Early life Bing was born in Hamburg, a member of a large family with diverse commercial interests. He relocated to France in 1854, to help manage the ceramics manufacturing business of Bing family in-laws, and resided in France for the remainder of his life. He became a naturalized French citizen in 1876. Bing married a second cousin, Johanna Baer, in July 1868. Their son Marcel Bing eventually became a business associate of his father's, as well as a jewelry designer of Art Nouveau style. Career In 1873, on the death of his elder brother Michael, Siegfried Bing became the head of Bing fa ...
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Art Nouveau Houses
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, ...
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Art Nouveau Architecture In Nancy, France
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ...
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Mother Of Pearl
Nacre ( , ), also known as mother of pearl, is an organicinorganic composite material produced by some molluscs as an inner shell layer; it is also the material of which pearls are composed. It is strong, resilient, and iridescent. Nacre is found in some of the most ancient lineages of bivalves, gastropods, and cephalopods. However, the inner layer in the great majority of mollusc shells is porcellaneous, not nacreous, and this usually results in a non-iridescent shine, or more rarely in non-nacreous iridescence such as ''flame structure'' as is found in conch pearls. The outer layer of cultured pearls and the inside layer of pearl oyster and freshwater pearl mussel shells are made of nacre. Other mollusc families that have a nacreous inner shell layer include marine gastropods such as the Haliotidae, the Trochidae and the Turbinidae. Physical characteristics Structure and appearance Nacre is composed of hexagonal platelets of aragonite (a form of calcium carbona ...
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Alder
Alders are trees comprising the genus ''Alnus'' in the birch family Betulaceae. The genus comprises about 35 species of monoecious trees and shrubs, a few reaching a large size, distributed throughout the north temperate zone with a few species extending into Central America, as well as the northern and southern Andes. Description With a few exceptions, alders are deciduous, and the leaves are alternate, simple, and serrated. The flowers are catkins with elongate male catkins on the same plant as shorter female catkins, often before leaves appear; they are mainly wind-pollinated, but also visited by bees to a small extent. These trees differ from the birches (''Betula'', another genus in the family) in that the female catkins are woody and do not disintegrate at maturity, opening to release the seeds in a similar manner to many conifer cones. The largest species are red alder (''A. rubra'') on the west coast of North America, and black alder (''A. glutinosa''), native ...
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Fraxinus
''Fraxinus'' (), common name, commonly called ash, is a genus of flowering plants in the olive and lilac family, Oleaceae. It contains 45–65 species of usually medium to large trees, mostly deciduous, though a number of Subtropics, subtropical species are evergreen. The genus is widespread across much of Europe, Asia, and North America. The leaf, leaves are opposite leaves, opposite (rarely in Whorl (botany), whorls of three), and mostly pinnate, pinnately compound, though simple in a few species. The seeds, popularly known as "keys" or "helicopter seeds", are a type of fruit known as a samara (fruit), samara. Some ''Fraxinus'' species are Dioecy, dioecious, having male and female flowers on separate plants but sex in ash is expressed as a continuum between male and female individuals, dominated by unisexual trees. With age, ash may change their sexual function from predominantly male and hermaphrodite towards femaleness ; if grown as an ornamental and both sexes are present, ...
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Jacques Majorelle
Jacques Majorelle (7 March 1886 – 14 October 1962), son of the celebrated Art Nouveau furniture designer Louis Majorelle, was a French painter. He studied at the École des Beaux-Arts in Nancy in 1901 and later at the Académie Julian in Paris with Schommer and Royer. Majorelle became a noted Orientalist painter, but is most remembered for constructing the villa and gardens that now carry his name, the Majorelle Garden in Marrakech. Life and career Jacques Majorelle was born in 1886 in Nancy, France. He was the son of a celebrated furniture designer, Louis Majorelle. Jacques' childhood was spent among the draftsmen, cabinetmakers and marquetry inlayers from his father's workshops at a time when the Art Nouveau movement was in its ascendancy. Initially, his father encouraged the young Jacques to study architecture, but after three years, he decided to take up his lifelong passion, painting. Majorelle received his art education at the École des Beaux-Arts in Nancy in 1901 ...
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Jules Lavirotte
Jules Aimé Lavirotte (March 25, 1864 in Lyon – March 1, 1929 in Paris) was a French architect who is best known for the Art Nouveau buildings he created in the 7th arrondissement in Paris. His buildings were known for his imaginative and exuberant decoration, and particularly for his use of sculpture and glazed ceramic tiles on the facades, made in collaboration with leading sculptors and the ceramic manufacturer Alexandre Bigot. He was three times awarded prizes by the city of Paris for the most original facades, for the Lavirotte Building at 29 Avenue Rapp (1901), for the Ceramic hotel, 34 Avenue de Wagram (1904), and for the building at 23 avenue de Messine (8th arrondissement) in 1907. Biography Lavirotte was born in Lyon, and went on to study at the Ecole des Beaux-Arts in Lyon, where he was a pupil of Antoine Georges Louvier (1818–92). He subsequently studied at the Ecole des Beaux-Arts in Paris under the tutelage of Paul Blondel (1847–97), and gained his a ...
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Lavirotte Building
The Lavirotte Building, an apartment building at 29 Avenue Rapp in the 7th arrondissement of Paris, France, was designed by the architect Jules Lavirotte and built between 1899 and 1901. The building is one of the best-known surviving examples of Art Nouveau architecture in Paris. The facade is lavishly decorated with sculpture and ceramic tiles made by the ceramics manufacturer Alexandre Bigot. Lavirotte was awarded the prize for the most original new facade in the 7th arrondissement in 1901. History The architect, Jules Lavirotte, had already built two buildings in the same neighborhood of the 7th arrondissement; a private residence at 12 Rue Sédillot (now a school) and an apartment building at 3 Square Rapp, where he had his own apartment on the fifth floor. Both of these buildings had some of the fantasy and art nouveau elements for which Lavirotte was famous, but none were as exuberant as the new building. Some sources, including the Base Mérimée, the official list of Fre ...
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Hector Guimard
Hector Guimard (, 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger, the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the best new building facades in the city. He is best known for the glass and iron ''edicules'' or canopies, with ornamental Art Nouveau curves, which he designed to cover the entrances of the first stations of the Paris Metro. Between 1890 and 1930, Guimard designed and built some fifty buildings, in addition to one hundred and forty-one subway entrances for Paris Metro, as well as numerous pieces of furniture and other decorative works. However, in the 1910s Art Nouveau went out of fashion and by the 1960s most of his works had been demolished, and only two of his original Metro edicules were still in place. Guimard's critical reputation revived in the 1960s, in part due to ...
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Castel Béranger
The Castel Béranger is a residential building with thirty-six apartments located at 14 rue de la Fontaine in the 16th arrondissement of Paris. It was designed by the architect Hector Guimard, and built between 1895 and 1898. It was the first residence in Paris built in the style known as Art Nouveau. History Architect Hector Guimard (1867-1942) was born in Lyon and attended the School of Decorative Arts and the École des Beaux-Arts in Paris. He was in charge of the construction of the Pavilion of Electricity at the 1889 Paris International Exposition, and between 1891 and 1893 he built several private houses and a school in Paris, all in the traditional styles. In 1894, at the age of twenty-seven, Guimard traveled to England and to Belgium, where he met the Belgian architect Victor Horta, and saw the Hotel Tassel which Horta had built in 1893–94 in what later became known as the Art Nouveau style. It was inspired not by classical models but by nature, particularly by the ...
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