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Völund
In Germanic mythology, Wayland the Smith (; , ; Old Frisian: Wela(n)du; ; ; (); from ', lit. "crafting one") is a master blacksmith originating in Germanic heroic legend, described by Jessie Weston as "the weird and malicious craftsman, Weyland".Weston, J. (1929). 'Legendary Cycles of the Middle Age', in Tanner, J.R. (ed.), ''The Cambridge Medieval History'' Vol. VI, Cambridge, UK: Cambridge University Press, p. 841f. Wayland's story is most clearly told in the Old Norse sources '' Völundarkviða'' (a poem in the ''Poetic Edda'') and '' Þiðreks saga''. In them, Wayland is a smith who is enslaved by a king. Wayland takes revenge by killing the king's sons and then escapes by crafting a winged cloak and flying away. A number of other visual and textual sources clearly allude to similar stories, most prominently the Old English poem ''Deor'' and the Franks Casket. Wayland is also mentioned in passing in a wide range of texts, such as the Old English '' Waldere'' and ''Beow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völund On Ardre 01
In Germanic mythology, Wayland the Smith (; , ; Old Frisian: Wela(n)du; ; ; (); from ', lit. "crafting one") is a master blacksmith originating in Germanic heroic legend, described by Jessie Weston (scholar), Jessie Weston as "the weird and malicious craftsman, Weyland".Weston, J. (1929). 'Legendary Cycles of the Middle Age', in Tanner, J.R. (ed.), ''The Cambridge Medieval History'' Vol. VI, Cambridge, UK: Cambridge University Press, p. 841f. Wayland's story is most clearly told in the Old Norse sources ''Völundarkviða'' (a poem in the ''Poetic Edda'') and ''Þiðreks saga''. In them, Wayland is a smith who is enslaved by a king. Wayland takes revenge by killing the king's sons and then escapes by crafting a winged cloak and flying away. A number of other visual and textual sources clearly allude to similar stories, most prominently the Old English poem ''Deor'' and the Franks Casket. Wayland is also mentioned in passing in a wide range of texts, such as the Old English '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völundarkviða
''Vǫlundarkviða'' (Old Norse: 'The lay of Völund'; modern Icelandic spelling: ''Völundarkviða'') is one of the mythological poems of the ''Poetic Edda''. The title is anglicized in various ways, including ''Völundarkvitha'', ''Völundarkvidha'', ''Völundarkvida'', ''Volundarkvitha'', ''Volundarkvidha'' and ''Volundarkvida''. Manuscripts, origins, and analogues The poem is preserved in its entirety among the mythological poems of the thirteenth-century Icelandic manuscript Codex Regius, and the beginning of the prose prologue is also found in the AM 748 I 4to fragment. The vocabulary and some of the formulaic phrasing of the poem is clearly influenced by West Germanic, with the strongest case being for influence specifically from Old English (a West Germanic dialect). It is thought likely, therefore, that ''Vǫlundarkviða'' was composed in, or otherwise influenced by traditions from, the Norse diaspora in England. This would suggest origins around the tenth or eleventh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agilaz
Egil is a legendary hero of the '' Völundarkviða'' and the '' Thidreks saga''. The name is from Proto-Germanic *Agilaz,https://web.archive.org/web/20110225031159/http://www.sofi.se/servlet/GetDoc?meta_id=1472 (archived link, 25 February 2011) and the same legend is reflected in Old English Ægil of the Franks Casket and Alamannic Aigil of the Pforzen buckle. The Proto-Germanic form of the legend may only be guessed at, but it appears likely that Egil was a renowned archer who defended a keep together with his wife Aliruna, against numerous attackers. The testimony of the Pforzen buckle is uncertain beyond naming ''Aigil'' and ''Ailrun'', possibly adding that they fought a battle at the Ilz river. The Franks Casket shows the scene of Aegil and his wife enclosed in the keep, with Aegil shooting arrows against attacking troops. ''Völundarkviða'' In the '' Völundarkviða'', Egil is a son of a Finn king, his elder brother being Slagfiðr, his younger one Völund. The t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valkyrie
In Norse mythology, a valkyrie ( or ; from ) is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become ('single fighters' or 'once fighters').Orchard (1997:36) and Lindow (2001:104). When the are not preparing for the cataclysmic events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. Valkyries are attested in the ''Poetic Edda'' (a book of poems compiled in the 13th century from earlier traditional sources), the ''Prose Edda'', the (both by Snorri Sturluson) and the (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century magical formula, charm, and in various runic inscriptions. The Old English cognate term appears ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slagfiðr
In Norse mythology, Slagfiðr (Old Norse "beating-Sami people, Finn")Orchard (1997:151). is one of a trio of brothers along with Völundr and Agilaz, Egil. In the ''Poetic Edda'' poem ''Völundarkviða'', Slagfiðr is attested as the seven-year husband of the valkyrie Hlaðguðr svanhvít. Notes References * Orchard, Andy (1997). ''Dictionary of Norse Myth and Legend''. Orion Publishing Group, Cassell. {{DEFAULTSORT:Slagfidr Characters in Norse mythology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanic Heroic Legend
Germanic heroic legend () is the heroic literary tradition of the Germanic peoples, Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD). Stories from this time period, to which others were added later, were transmitted oral literature, orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a Germanic Heroic Age, heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore. Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (). The early Middle Ages preserves only a sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hervör Alvitr
In Norse mythology, Hervör alvitr (Old Norse, ''alvitr'' possibly meaning "all-wise" or "strange creature"Orchard (1997:83).) is a valkyrie. Hervör alvitr is attested in the ''Poetic Edda'' poem ''Völundarkviða ''Vǫlundarkviða'' (Old Norse: 'The lay of Völund'; modern Icelandic spelling: ''Völundarkviða'') is one of the mythological poems of the ''Poetic Edda''. The title is anglicized in various ways, including ''Völundarkvitha'', ''Völundarkv ...'' as the sister of the valkyrie Hlaðguðr svanhvít (both daughters of King Hlödvér), and as the seven-year wife of the smith Völundr. Notes References * Orchard, Andy (1997). ''Dictionary of Norse Myth and Legend''. Cassell. Valkyries {{Norse-myth-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems in alliterative verse. It is distinct from the closely related ''Prose Edda'', although both works are seminal to the study of Old Norse poetry. Several versions of the ''Poetic Edda'' exist; especially notable is the medieval Icelandic manuscript '' Codex Regius'', which contains 31 poems. Composition The ''Eddic poems'' are composed in alliterative verse. Most are in ''fornyrðislag'' ("old story metre"), while '' málaháttr'' ("speech form") is a common variation. The rest, about a quarter, are composed in '' ljóðaháttr'' ("song form"). The language of the poems is usually clear and relatively unadorned. Kennings are often employed, though they do not arise as frequently, nor are they as complex, as those found in typical skaldic poetry. Authorship Like most early poetry, the Eddic poems were minstrel poems, passed orally from singer to singer and from poet to po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franks Casket
The Franks Casket (or the Auzon Casket) is a small Anglo-Saxon whale's bone (not "whalebone" in the sense of baleen) chest (furniture), chest from the early 8th century, now in the British Museum. The casket is densely decorated with knife-cut narrative scenes in flat two-dimensional low-relief and with inscriptions mostly in Anglo-Saxon runes. Generally thought to be of Northumbrian origin, it is of unique importance for the insight it gives into early Anglo-Saxon art and culture. Both identifying the images and interpreting the runic inscriptions has generated a considerable amount of scholarship. The imagery is very diverse in its subject matter and derivations, and includes a single Christian image, the Adoration of the Magi, along with images derived from Roman Empire, Roman history (Emperor Titus) and Roman mythology (Romulus and Remus), as well as a depiction of at least one legend indigenous to the Germanic peoples: that of Wayland Smith, Weyland the Smith. It has al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardre Image Stones
The Ardre image stones are a collection of ten rune and image stones, dated to the 8th to 11th centuries, that were discovered at Ardre Church, in Ardre, Gotland, Sweden. The principal edition is by Sune Lindqvist. Description The Ardre image stones were re-used as paving under the wooden floors of the local church in the Ardre parish of Gotland. Before the historical significance of rune and image stones was understood or appreciated, they were often used as materials in the construction of roads, bridges, and buildings. The image stones were re-discovered when the church was being restored around 1900. The stones are now preserved in the Swedish Museum of National Antiquities in Stockholm. Ardre VIII The largest and most noted of the stones is the Ardre VIII stone, dated to the 8th or 9th century. It depicts scenes from Norse mythology, notably the Lay of Weyland the smith, Thor fishing for Jörmungandr, the punishment of Loki for the death of Baldr, and Odin riding to Val ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alruna
Alruna (Old Norse Ǫlrún, Old High German Ailrun, Modern German Alruna, Alraune) is a Germanic female personal name, from Proto Germanic ''*aliruna'' (or possibly ''*agilruna''), which is formed from '' runa'' "secret, rune" and a debated prefix that may be ''ali-'', ''agil-'', or '' alu-''. In German, ''Alruna'' was also used as a short form of ''Adelruna'', a different name with a first element ''*athal-'' "noble". In Germanic mythology, Ailrun is the wife of Agilaz, the legendary archer. In the poem ''Völundarkviða'', Ölrun (possibly Old Norse "ale rune"Simek (2007:251).) is identified as a valkyrie, and as a daughter of Kiár of Valland. Alruna of Cham was an 11th-century Bavarian recluse, the Roman Catholic patroness of pregnancy. It is also the name for the '' Mandragora'' or mandrake, a plant belonging to the nightshade family, in a number of Germanic languages: alruna in Swedish, alrune in Danish and Norwegian, and Alraune in German. See also * Albruna Albruna, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wela(n)du
''Colotomy'' is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. In the gamelan, this is usually done by gongs of various size: the ''kempyang'', ''ketuk'', ''kempul'', ''kenong'', ''gong suwukan'', and ''gong ageng''. The fast-playing instruments, ''kempyang and ketuk'', keep a regular beat. The larger gongs group together these hits into larger groupings, playing once per each grouping. The largest gong, the ''gong ageng'', represents the largest time cycle and generally indicates that that section will be repeated, or the piece will move on to a new section. The details of the rhythmic patterns depend on the colotomic structure (), also known as ''gendhing'' structure. There are a number of different structures, which differ greatly in length and complexity; however, all of them have some colotomic cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
