Véritables Préludes Flasques (pour Un Chien)
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Véritables Préludes Flasques (pour Un Chien)
The ''Véritables Préludes flasques (pour un chien)'' (''True Flabby Preludes for a Dog'') is a 1912 piano composition by Erik Satie. The first of his published humoristic piano suites of the 1910s, it signified a breakthrough in his creative development and in the public perception of his music. In performance it lasts about 5 minutes. Satie biographer Rollo H. Myers, writing in 1948, remarked on the prophetic nature of this seemingly unassuming keyboard suite: "In the heyday of Impressionism in music, Impressionism...came the ''Flabby Preludes'' which in their linear austerity heralded the Neoclassicism (music), Neoclassic vogue which was to dominate Western music during the nineteen-twenties." Background The ''Véritables Préludes flasques (pour un chien)'' represents Satie's determination to reconcile his belated education at the Schola Cantorum in Paris under Vincent d'Indy (1905-1912) with his own natural sense of wit and fantasy. It was in fact his second attempt at cr ...
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Erik Satie En 1909
The given name Eric, Erich, Erikk, Erik, Erick, Eirik, or Eiríkur is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse ''* aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''* aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''- ríkr'' stems either from Proto-Germanic ''* ríks'' "king, ruler" (cf. Gothic ''reiks'') or the therefrom derived ''* ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European root * h₃rḗǵs. The name is thus usually taken to mean "sole ruler, autocrat" or "eternal ruler, ever powerful". ''Eric'' used in the sense of a proper noun meaning "one ruler" may be the origin of ''Eriksgata'', and if so it would have meant "one ruler's journey". The tour was the medieval Swedish king's journey, when newly ele ...
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Préludes Flasques (pour Un Chien)
The ''Préludes flasques (pour un chien)'' – ''Flabby Preludes (For a Dog)'' – is a set of four piano pieces composed in July 1912 by Erik Satie. In performance it lasts about 5 minutes. The work demonstrates Satie's attempts to reconcile the linear contrapuntal style he had acquired through his recent studies at the Schola Cantorum in Paris with his natural sense of wit and fantasy. It was to have been the first of his series of humoristic piano suites (1912-1915), but the composer withdrew the score after it was rejected for publication. He then wrote a second set of pieces on the same theme, the '' Véritables Preludes flasques (pour un chien)'' (1912), which proved a breakthrough in Satie's career and creative development. The original ''Préludes flasques'' were presumed lost for decades and would not see print until 1967. History Satie was never a pet-owner, but his fondness for dogs is well known. Stray mongrels he occasionally fed and sheltered were the only visitors ...
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Frank Glazer
Frank Glazer (February 19, 1915 – January 13, 2015) was an American pianist, composer, and teacher of music. Career details Glazer was born in Chester, Wisconsin on February 19, 1915, the sixth child of Benjamin and Clara Glazer, Jewish emigrants from Lithuania. The family moved to Milwaukee in 1919. His first piano lessons were given by his sister Blanche (1907–1920); later he was taught by several local musicians. Frank Glazer was educated in Milwaukee Public Schools, and graduated the city's North Division High School (Milwaukee), North Division High School in 1932. In his teenage years, he played in his brothers' dance band, his high school band and vaudeville. Alfred Strelsin, a New York City signage manufacturer and arts patron, provided the funds for Glazer to travel to Berlin in 1932 to study with Artur Schnabel; he also studied with Arnold Schoenberg. Glazer then taught piano in Cambridge, Massachusetts. Strelsin urged Glazer to make his New York debut, telling him ...
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Aldo Ciccolini
Aldo Ciccolini (; 15 August 1925 – 1 February 2015) was an Italian pianist who became a naturalized French citizen in 1971. Biography Aldo Ciccolini was born in Naples. His father, whose family bore the title of Marquis in the city of Macerata, worked as a typographer. Aldo Ciccolini took his first lessons with Maria Vigliarolo d'Ovidio, and entered Naples Conservatory in 1934 at the age of 9, with special permission of the director, Francesco Cilea. There he studied piano with Paolo Denza, a pupil of Ferruccio Busoni, and harmony and counterpoint with Achille Longo. He began his performing career playing at the Teatro San Carlo at the age of 16. However, by 1946 he was forced to play in bars to support his family. In 1949, he won, ''ex-aequo'' (tied) with Ventsislav Yankov, the Marguerite Long - Jacques Thibaud Competition in Paris (among the other prizewinners were Paul Badura-Skoda and Pierre Barbizet). He became a French citizen in 1971 and taught at the Conserva ...
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Les Six
"Les Six" () is a name given to a group of six composers, five of them French and one Swiss, who lived and worked in Montparnasse. The name has its origins in two 1920 articles by critic Henri Collet in '' Comœdia'' (see Bibliography). Their music is often seen as a neoclassic reaction against both the musical style of Richard Wagner and the Impressionist music of Claude Debussy and Maurice Ravel. The members were Georges Auric (1899–1983), Louis Durey (1888–1979), Arthur Honegger (1892–1955), Darius Milhaud (1892–1974), Francis Poulenc (1899–1963), and Germaine Tailleferre (1892–1983). ' In 1917, when many theatres and concert halls were closed because of World War I, Blaise Cendrars and the painter Moïse Kisling decided to put on concerts at 6 , the studio of the painter Émile Lejeune (1885–1964). For the first of these events, the walls of the studio were decorated with canvases by Picasso, Matisse, Léger, Modigliani, and others. Music by Erik Sati ...
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Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. He studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively ...
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Salle Pleyel
The Salle Pleyel (, meaning "Pleyel Hall") is a concert hall in the 8th arrondissement of Paris, France, designed by the acoustician Gustave Lyon together with the architect Jacques Marcel Auburtin, who died in 1926, and the work was completed in 1927 by his collaborators André Granet and Jean-Baptiste Mathon. Its varied programme includes contemporary and popular music. Until 2015, the hall was a major venue for classical orchestral music, with Orchestre de Paris and the Orchestre Philharmonique de Radio France as resident ensembles. Early history An earlier salle Pleyel seating 300 opened in December 1839 at 22 rue Rochechouart. From 1849 to 1869, the impresario Charlotte Tardieu organized four chamber concerts a year at the hall. It saw the premieres of many important works, including Chopin's Ballade Op.38 and Scherzo Op.39 (26 April 1841), Ballade Op.47 (21 February 1842) and Barcarolle Op.60 (16 February 1848), the second (1868) and fifth (1896) piano concertos by ...
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Société Nationale De Musique
Groupe Lactalis S.A. (doing business as Lactalis) is a French multinational dairy products corporation, owned by the Besnier family and based in Laval, Mayenne, France. The company's former name was Besnier S.A. Lactalis is the largest dairy products group in the world, and is the second largest food products group in France, behind Danone. It owns brands such as Parmalat, Président, Kraft Natural Cheese, Siggi's Dairy, Skånemejerier, Rachel's Organic, and Stonyfield Farm. History André Besnier started a small cheesemaking company in 1933 and launched its '' Président'' brand of Camembert in 1968. In 1990, it acquired Group Bridel (2,300 employees, 10 factories, fourth-largest French dairy group) with a presence in 60 countries. In 1992, it acquired United States cheese company Sorrento. In 1999, ''la société Besnier'' became ''le groupe Lactalis'' owned by Belgian holding company BSA International SA. In 2006, they bought Italian group Galbani, and in 2008, bought S ...
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Ricardo Viñes
Ricardo Viñes y Roda (, , ; 5 February 1875 – 29 April 1943) was a Spanish pianist. He gave the premieres of works by Ravel, Debussy, Satie, Falla and Albéniz. He was the piano teacher of the composer Francis Poulenc and the pianists Marcelle Meyer, Joaquín Nin-Culmell and Léo-Pol Morin. Life and career Viñes was born in Lleida, Spain. He studied the piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac.Timbrell, Charles and Esperanza Berrocal"Viñes, Ricardo" Grove Music Online, Oxford University Press, retrieved 19 September 2014 In 1895 Viñes made his début at the Salle Pleyel, Paris. From 1900 he had an international career, touring in Russia and throughout Europe and South America. Between 1930 and 1936 he lived in Argentina, returning to Paris in 1936 where he continued to play until the final year of his life. According to Charles Timbrell and Esperanza Berrocal in the ...
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Ricardo Viñes 1919
Ricardo is the Spanish and Portuguese cognate of the name Richard. It derived from Proto-Germanic ''*rīks'' 'king, ruler' + ''*harduz'' 'hard, brave'. It may be a given name, or a surname. People Given name *Ricardo de Araújo Pereira (born 1974), Portuguese comedian *Ricardo Arjona (born 1964), Guatemalan singer *Ricardo Arona (born 1978), Brazilian mixed martial artist *Ricardo Ávila (born 1997), Panamanian footballer *Ricardo Bierhals (born 1990), Brazilian footballer * Ricardo Bralo (1916–?), Argentine long-distance runner *Ricardo Bombine Pimentel (born 1978), Brazilian musician *Ricardo Bueno Fernández (1940-2015), Spanish politician *Ricardo Busquets (born 1974), Puerto Rican swimmer *Ricardo Cardeno (born 1971), Colombian triathlete *Ricardo Carvalho (born 1978), Portuguese footballer *Ricardo Cortez (1900-1977), American actor *Ricardo Darín (born 1957), Argentine actor *Ricardo da Silva (born 1980), Cape Verdean-Portuguese footballer *Ricardo Esgaio, Portuguese f ...
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Charles Koechlin
Charles-Louis-Eugène Koechlin (; 27 November 186731 December 1950), commonly known as Charles Koechlin, was a French composer, teacher and musicologist. Among his better known works is '' Les Heures persanes'', a set of piano pieces based on the novel ''Vers Ispahan'' by Pierre Loti and The Seven Stars Symphony, a 7 movement symphony where each movement is themed around a different film star (all Silent era stars) who were popular at the time of the piece's writing (1933). He was a political radical all his life and a passionate enthusiast for such diverse things as medieval music, ''The Jungle Book'' of Rudyard Kipling, Johann Sebastian Bach, film stars (especially Lilian Harvey and Ginger Rogers), traveling, stereoscopic photography and socialism. He once said: "The artist needs an ivory tower, not as an escape from the world, but as a place where he can view the world and be himself. This tower is for the artist like a lighthouse shining out across the world." Life and c ...
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Satie Flabby Preludes Cover
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undistinguished student and did not obtain a diploma. In the 1880s he worked as a pianist in café-cabarets in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a period in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the ...
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