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Virginie Amélie Avegno Gautreau
Virginie Amélie Avegno Gautreau (née Avegno; 29 January 1859 – 25 July 1915) was an American-born Parisian socialite, who gained notoriety as the subject of John Singer Sargent's ''Portrait of Madame X''. Early life and education Gautreau was born Virginie Amélie of French Creole ancestry, in New Orleans, Louisiana, on 29 January 1859. Her parents were Anatole Placide Avegno, who was French Creole, and Marie Virginie de Ternant, who was French. Virginie had a younger sister, Valentine Marie, who was born in 1861 and died on March 11, 1866 New Orleans parish Birth Records 1859 from yellow fever. Her father also died during the American Civil War in 1862. Her sister and father were both buried in the Saint Louis Cemetery. Gautreau was named after her grandmother Virginie de Ternant, but throughout her life she went by her middle name Amélie. “Sargent’s Women.” ''Adelson Galleries'', 12 July 2003, adelsongalleries.com/news/sargents-women. In 1867, when Virginie was e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Madame X
''Madame X'' or ''Portrait of Madame X'' is an 1884 portrait painting by John Singer Sargent of a young socialite, Virginie Amélie Avegno Gautreau, wife of the French banker Pierre Gautreau. ''Madame X'' was painted not as a commission, but at the request of Sargent. It is a study in opposition. Sargent shows a woman posing in a black satin dress with jeweled straps, a dress that reveals and hides at the same time. The portrait is characterized by the pale flesh tone of the subject contrasted against a dark-colored dress and background. The scandal resulting from the painting's controversial reception at the Paris Salon of 1884 amounted to a temporary setback to Sargent while in France, though it may have helped him later establish a successful career in Britain and America. Background The model was an American French Louisianians, French creole immigrant from New Orleans in Louisiana who married a French banker twice her age and became notorious in Parisian high society for her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Événement (1872)
L'Événement was a French daily newspaper focused on politics and literature, established in 1872. History The idea for ''L'Événement'' was conceived in the autumn of 1870 but was delayed due to the upheavals of the Franco-Prussian War and the Paris Commune. The newspaper was launched on 7 April 1872.''L’Événement'', 7 April 1872, p. 1. Its founders, Edmond Magnier and Auguste Dumont (journalist), Auguste Dumont, were former contributors to ''Le Figaro''.Émile Mermet (1880), pp. 187–189.Henri Avenel (1900), pp. 681–682. Magnier initially took on the role of editor-in-chief and later also became the administrative director, a position relinquished by Dumont in December of that year. The newspaper's headquarters were located at 10 Boulevard des Italiens. In its inaugural issue, ''L'Événement'' declared its support for the French Third Republic, differentiating itself from its inspirations, ''Le Figaro'' and ''Le Gaulois (France), Le Gaulois''. Magnier described t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From New Orleans
The term "the people" refers to the public or common mass of people of a polity. As such it is a concept of human rights law, international law as well as constitutional law, particularly used for claims of popular sovereignty. In contrast, a people is any plurality of persons considered as a whole. Used in politics and law, the term "a people" refers to the collective or community of an ethnic group or nation. Concepts Legal Chapter One, Article One of the Charter of the United Nations states that "peoples" have the right to self-determination. Though the mere status as peoples and the right to self-determination, as for example in the case of Indigenous peoples (''peoples'', as in all groups of indigenous people, not merely all indigenous persons as in ''indigenous people''), does not automatically provide for independent sovereignty and therefore secession. Indeed, judge Ivor Jennings identified the inherent problems in the right of "peoples" to self-determination, as i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American People Of Italian Descent
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label that was previously known as Def American * American University, in Washington, D.C. Sports teams S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio De La Gándara
Antonio de La Gándara (16 December 186130 June 1917) was a French painter, pastellist and draughtsman of the Paris in the Belle Époque, Belle Époque. Early life La Gándara was born in Paris, France, but his father was of Spaniards, Spanish ancestry, born in San Luis Potosí, Mexico, and his mother was English people, from England. La Gándara's talent was strongly influenced by both cultures. At only 15 years of age, La Gándara was admitted as a student of Jean-Léon Gérôme and Cabanel at the ''École des Beaux-Arts''.Xavier Mathieu, 2011. Antonio de La Gandara – Un témoin de la Belle Epoque, Editions Librairie des Musées, Deauville - France. 308 p. . Soon, he was recognized by the jury of the 1883 ''Salon (gathering), Salon des Champs-Élysées'', who singled out the first work he ever exhibited: a portrait of Saint Sebastian. Career Less than ten years later, young La Gándara had become one of the favourite artists of the Paris élite. His models included Élisab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave-Claude-Etienne Courtois
Gustave-Claude-Étienne Courtois, also known as Gustave Courtois (; 18 May 1852 in Pusey, Haute-Saône – 23 November 1923 in Neuilly-sur-Seine) was a French Painting, painter, a representative of the academic art, academic style of art. Early life and education Courtois was born 18 May 1852 in Pusey, Haute-Saône, France to an unwed mother who was devoted to him. Early in life, Courtois revealed an interest in art and entered the ''École municipale de dessin'' in Vesoul (Franche-Comté). His drawings were shown to Jean-Léon Gérôme, and in 1869, Gérôme encouraged Courtois to enter the ''École nationale supérieure des Beaux-Arts'' in Paris. Courtois was in close friendship with fellow student Pascal Dagnan-Bouveret, with whom he maintained a fashionable studio in Neuilly-sur-Seine from the 1880s. Career Courtois taught painting at Académie de la Grande Chaumière, Académie Colarossi in Paris, where Harriet Campbell Foss, Eva Bonnier, Emma Cheves Wilkins, and Dora Hit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (Paris)
The Salon (), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it was managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame X (Madame Pierre Gautreau), John Singer Sargent, 1884 (unfree Frame Crop)
''Madame X'' (original title ''La Femme X'') is a 1908 play by French playwright Alexandre Bisson (1848–1912). It was novelized in English and adapted for the American stage; it was also adapted for the screen sixteen times over sixty-five years, including versions in Tagalog, Greek, Arabic, Greek, and Spanish as well as English. The play has been cited as an example of the literary tradition of portraying the mother figure as being "excessively punished for slight deviation from her maternal role". Kaplan, E. Ann (2013). Motherhood and Representation: The Mother in Popular Culture and Melodrama'. Abingdon, Oxfordshire, UK: Routledge. . p. 77. Plot The protagonist is a woman who has been thrown out into the street without any money by her jealous husband, when he discovers she has been carrying on an affair. She is not even allowed to see their young son. She sinks into depravity. Twenty years later, she has become the mistress of a criminal. When he finds out that h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
