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Viktor Kolář
Viktor Kolář (born 7 September 1941) is a Czech photographer. Along with Jindřich Štreit, Kolář is considered one of the most important exponents of Czech documentary photography. He mainly depicts urban life in the Ostrava region. Early life and education Kolář was born in 1941 in Ostrava, Czechoslovakia. His father was a documentary filmmaker and Ostrava’s principal photographer, owner of a photographic studio. Ostrava (2010), p. 198 In 1953, Kolář began taking photographs, and studied the work of photographers including Henri Cartier-Bresson. From 1960 to 1964 he did teacher training at the Pedagogical Institute in Ostrava. Life and work He then taught at an elementary school and from the mid 1960s was devoted to photography. In 1967, he befriended the photography theorist Anna Fárová and her husband, painter Libor Fára. In 1964, Kolář held his first solo exhibition. In October 1968, after the Warsaw Pact invasion of Czechoslovakia, Kolář emigrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostrava
Ostrava (; ; ) is a city in the north-east of the Czech Republic and the capital of the Moravian-Silesian Region. It has about 283,000 inhabitants. It lies from the border with Poland, at the confluences of four rivers: Oder, Opava (river), Opava, Ostravice (river), Ostravice and Lučina (river), Lučina. Ostrava is the third largest city in the Czech Republic in terms of both population and area, the second largest city in the region of Moravia, and the largest city in the historical land of Czech Silesia. It straddles the border of the two historic provinces of Moravia and Silesia. The wider conurbation – which also includes the towns of Bohumín, Havířov, Karviná, Orlová, Petřvald (Karviná District), Petřvald and Rychvald – is home to about 500,000 people, making it the largest urban area in the Czech Republic apart from the capital Prague. Ostrava grew in importance due to its position at the heart of a major coalfield, becoming an important industrial engine of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warsaw Pact Invasion Of Czechoslovakia
On 20–21 August 1968, the Czechoslovak Socialist Republic was jointly invaded by four fellow Warsaw Pact countries: the Soviet Union, the Polish People's Republic, the People's Republic of Bulgaria, and the Hungarian People's Republic. The invasion stopped Alexander Dubček's Prague Spring liberalisation reforms and strengthened the authoritarian wing of the Communist Party of Czechoslovakia (KSČ). About 250,000 Warsaw Pact troops (afterwards rising to about 500,000), supported by thousands of tanks and hundreds of aircraft, participated in the overnight operation, which was code-named Operation Danube. The Socialist Republic of Romania and the People's Republic of Albania refused to participate. East German forces, except for a small number of specialists, were ordered by Moscow not to cross the Czechoslovak border just hours before the invasion, because of fears of greater resistance if German troops were involved, due to public perception of the previous German oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film And TV School Of The Academy Of Performing Arts In Prague
The Film and TV School of the Academy of Performing Arts in Prague () or FAMU is a film school in Prague, Czech Republic, founded in 1946 as one of three branches of the Academy of Performing Arts in Prague. It is the fifth oldest film school in the world. The teaching language on most courses at FAMU is Czech, but FAMU also runs certain courses in English. The school has repeatedly been included on lists of the best film schools in the world by ''The Hollywood Reporter''. In the 1960s and 1970s, several young directors from Yugoslavia were FAMU students ( Rajko Grlić, Srđan Karanović, Emir Kusturica, Goran Marković, Goran Paskaljević and Lordan Zafranović). All of these directors would become very successful in the following decades, prompting the coinage of the term '' Praška filmska škola'' ("Prague film school"), or ''Praški talas'' ("Prague wave"), which is sometimes considered a prominent subgenre of the Yugoslav cinema. History The school was established betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velvet Revolution
The Velvet Revolution () or Gentle Revolution () was a non-violent transition of power in what was then Czechoslovakia, occurring from 17 November to 28 November 1989. Popular demonstrations against the one-party government of the Communist Party of Czechoslovakia included students and older dissidents. The result was the end of Czechoslovak Socialist Republic, 41 years of one-party rule in Czechoslovakia, and the subsequent dismantling of the command economy and conversion to a parliamentary republic. On 17 November 1989 (International Students' Day), riot police suppressed a Student activism, student demonstration in Prague. The event marked the 50th anniversary of a violently suppressed demonstration against the Nazi storming of Prague University in 1939 where 1,200 students were arrested and 9 killed (see International Students' Day#Origin, Origin of International Students' Day). The 1989 event sparked a series of demonstrations from 17 November to late December and turned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life (magazine)
''Life'' (stylized as ''LIFE'') is an American magazine launched in 1883 as a weekly publication. In 1972, it transitioned to publishing "special" issues before running as a monthly from 1978 to 2000. Since then, ''Life'' has irregularly published "special" issues. Originally published from 1883 to 1936 as a general-interest and humor publication, it featured contributions from many important writers, illustrators and cartoonists of its time, such as Charles Dana Gibson and Norman Rockwell. In 1936, Henry Luce purchased the magazine, and relaunched it as the first all-photographic American news magazine. Its place in the history of photojournalism is considered one of its most important contributions to the world of publishing. From 1936 to the 1960s, ''Life'' was a wide-ranging general-interest magazine known for its photojournalism. During this period, it was one of the most popular magazines in the United States, with its circulation regularly reaching a quarter of the U.S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnum Photos
Magnum Photos is an international photographic cooperative owned by its photographer-members, with offices in Paris, New York City, London and Tokyo. It was founded in 1947 in Paris by photographers Robert Capa, David Seymour (photographer), David "Chim" Seymour, Maria Eisner, Henri Cartier-Bresson, George Rodger, William Vandivert, and Rita Vandivert. Its photographers retain all copyrights to their own work. In 2010, DFO Management, MSD Capital acquired a collection of nearly 200,000 original press prints of images taken by Magnum photographers, which in 2013 it donated to the Harry Ransom Center. Founding of agency Magnum was founded in Paris in 1947 by Robert Capa, David Seymour (photographer), David "Chim" Seymour, Henri Cartier-Bresson, George Rodger and William Vandivert (all photographers), Rita Vandivert and Maria Eisner, based on an idea of Capa's. (Seymour, Cartier-Bresson and Rodger were all absent from the meeting at which it was founded. In response to a letter tell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humanist Photography
Humanist Photography, also known as the School of Humanist Photography,Chalifour, Bruno, 'Jean Dieuzaide, 1935-2003' in ''Afterimage'' Vol. 31, No. 4, January–February 2004 manifests the Age of Enlightenment, Enlightenment philosophical system in social documentary practice based on a perception of social change. It emerged in the mid-twentieth-century and is associated most strongly with Europe, particularly France, where the upheavals of the two world wars originated, though it was a worldwide movement. It can be distinguished from photojournalism, with which it forms a sub-class of reportage, as it is concerned more broadly with everyday human experience, to witness mannerisms and customs, than with newsworthy events, though practitioners are conscious of conveying particular conditions and social trends, often, but not exclusively, concentrating on the underclasses or those disadvantaged by conflict, economic hardship or prejudice. Humanist photography "affirms the idea of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
