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Verrocchio
Andrea del Verrocchio ( , , ; born Andrea di Michele di Francesco de' Cioni; – 1488) was an Italian sculptor, painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as his masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed to Donatel ...
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The Baptism Of Christ (Verrocchio And Leonardo)
The ''Baptism of Christ'' is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well. The picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew, Mark and Luke. The angel to the left is recorded as having been painted by the youthful Leonardo, a fact which has excited so much special comment and mythology, that the importance and value of the picture as a whole and within the œuvre of Verrocchio is often overlooked. Modern critics also attribute much of the landscape in the background to Leonardo as well. The painting is housed in the Uffizi Gallery in Florence. Subject matter The picture depicts the Baptism of Jesus by John the Baptist on the banks of the Jordan River. There are two kneeling angels, o ...
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Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded to have been a genius who epitomised the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary Michelangelo. Born out of wedlock to a successful notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor Andrea del Verrocchio. He began his career ...
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David (Verrocchio)
Andrea del Verrocchio's bronze statue of ''David'' was most likely made between 1473 and 1475. It was commissioned by the Medici family. It is sometimes claimed that Verrocchio modeled the statue after his pupil Leonardo da Vinci. The statue represents the youthful David, future king of the Israelites, triumphantly posed over the head of the slain Goliath. The bronze was initially installed in Palazzo Vecchio in 1476. The ornament on David's leather tunic includes pseudo-Kufic letters imitating Arabic script. The placement of Goliath's head has been a source of some debate for art historians. When exhibited at the National Gallery of Art in Washington, the head was placed between David's feet, as is the case in the statue's permanent home, the National Museum of the Bargello, in Florence, Italy. Another school of art historians have suggested that Verrocchio intended for Goliath's head to be placed to David's right, pointing to the diagonals of the ensemble. This placement was ...
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Tobias And The Angel (Verrocchio)
''Tobias and the Angel'' is a painting in egg tempera on poplar panel, finished around 1470–1475, measuring 83.6 × 66 cm. It is painting by the Italian Renaissance painter Andrea del Verrocchio. It is now in the National Gallery, London. This painting is similar to an earlier painting depicting Tobias and the Angel, by Piero and Antonio del Pollaiuolo. Tobias and the Angel was a popular subject in Florence at the time. Various art historians have suggested that the young Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested o ..., who was a member of Verrocchio's studio, may have painted some part of this work, most likely the fish, or the dog, supported by David Alan Brown, of the National Gallery, Washington. If so, this would be perhaps the first extant example o ...
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Lorenzo Di Credi
Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects, and portraits. With some excursions to nearby cities, his whole life was spent in Florence. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci, who seems to have influenced his style considerably. He trained with Verrocchio, and became his principal assistant, inheriting the workshop after his master's death in 1488, when Lorenzo was still in his twenties. He largely continued his master's style, working until at least the 1520s, by which time he was becoming rather old-fashioned. He does not seem to have painted frescos himself, although his workshop may have done so. Vasari says that he avoided large paintings of all sorts, preferring to create smaller works with a meticulous finish. Life Lorenzo was born in Florence in 1456 or 1459 to a goldsmith name ...
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Lorenzo De' Medici
Lorenzo di Piero de' Medici (), known as Lorenzo the Magnificent (; 1 January 1449 – 9 April 1492), was an Italian statesman, the ''de facto'' ruler of the Florentine Republic, and the most powerful patron of Renaissance culture in Italy. Lorenzo held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian Peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the golden age of Florence. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italic League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspiracy (1478), in which his brother Giuliano di Piero de' Medici, Giuliano was assassinated. The Peace of Lodi of 1454 that he supported among the various List of h ...
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Dama Col Mazzolino
''Woman with Flowers'' ( or ) is a marble sculpture in height executed by Andrea del Verrocchio between 1475 and 1480. It is in the Bargello Museum in Florence. The sculpture stands out for being a bust of an almost half-length figure with fully realized arms and the hands on the chest. The hands are an additional and extraordinary feature, that confirm the elegant beauty of the portrayed. The identity of the woman could be Fioretta Gorini, mistress of Giuliano de' Medici, Lucrezia Donati, platonic love of Lorenzo il Magnifico Lorenzo may refer to: People * Lorenzo (name) Places Peru * San Lorenzo Island (Peru), sometimes referred to as the island of Lorenzo United States * Lorenzo, Illinois * Lorenzo, Texas * San Lorenzo, California, formerly Lorenzo * Lorenzo State ..., or Ginevra d'Amerigo Benci, also portrayed in a painting by Leonardo da Vinci. The ''Dama col mazzolino'' influenced Leonardo's studies of hands. References Bibliography * * {{Andrea del V ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ...
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Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), better known as Sandro Botticelli ( ; ) or simply known as Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli's works.. Botticelli lived all his life in the same ne ...
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Francesco Botticini
Francesco Botticini (real name Francesco di Giovanni, 1446 – 16 January 1498) was an Italian painter of the Early Renaissance. He was born in Florence, where he remained active until his death in 1498. Although there are only few documented works by Botticini, a considerable corpus has been confidently attributed to him on the basis of style including a number of altarpieces, dozens of small-scale religious panels and a few portraits. Life Early work Botticini was born in Florence in 1446. His father was Giovanni di Domenico di Piero, a ''naibaio'', or painter of playing cards, from whom he probably received his initial artistic training. By 22 July 1459 was a salaried assistant in the workshop of Neri di Bicci. Botticini left Neri's workshop in 24 July 1460. He eventually came into contact with Andrea del Verrocchio, in whose workshop he would have met Leonardo da Vinci, Lorenzo di Credi, Domenico Ghirlandaio, and Pietro Perugino. Though Botticini's presence in Verrocchio' ...
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Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), known mononymously as Donatello (; ), was an Italian Renaissance sculpture, Italian sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career. His ''David (Donatello, bronze), David'' was the first freestanding Nude (art), nude male sculpture since antiquity; like much of his work it was commissioned by the Medici family. He worked with stone, bronze, wood, clay, stucco, and wax, and used glass in inventive ways. He had several assistants, with four perhaps being a typical number. Although his best-known works are mostly statues executed in the round, he developed a ne ...
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Pietro Perugino
Pietro Perugino ( ; ; born Pietro Vannucci or Pietro Vanucci; – 1523), an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil. Early years Pietro Vannucci was born in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first ...
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