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Venus, Mars And Cupid
''Venus, Mars and Cupid'' is a c.1490 oil on panel painting by Piero di Cosimo. It is currently held in the Gemäldegalerie art museum in Berlin, Germany. It probably originated as part of a decorated cassone. Its neo-Platonic subject echoes that of Sandro Botticelli's '' Venus and Mars'' (1482-1483; National Gallery, London). The god of war Mars sleeps in a post-coital slumber, conquered by the nude Venus, making both works an allegory of Love triumphing over War. Venus plays with her son Cupid, with her symbolic doves in front of Mars. In the background a group of putti A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University o ... in the foreground play with Mars' weapons and armour between bushes of myrtle, Venus' plant, where she had taken refuge after her birth off Cyprus. Details Pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Di Cosimo - Venus, Mars Und Amor
Piero is an Italian given name. Notable people with the name include: *Piero Angela (1928–2022), Italian television host *Piero Barucci (born 1933), Italian academic and politician *Piero del Pollaiuolo (c. 1443–1496), Italian painter *Piero della Francesca (c1415–1492), Italian artist of the Early Renaissance * Piero De Benedictis (born 1945), Italian-born Argentine and Colombian folk singer *Piero Ciampi (1934–1980), Italian singer *Piero di Cosimo (1462-1522), also known as Piero di Lorenzo, Italian Renaissance painter *Piero di Cosimo de' Medici (1416–1469), ''de facto'' ruler of Florence from 1464 to 1469 *Piero Ferrari (born 1945), Italian businessman *Piero Focaccia (born 1944), Italian pop singer *Piero Fornasetti (1913–1988), Italian painter * Piero Gardoni (1934–1994), Italian professional footballer *Piero Golia (born 1974), Italian conceptual artist *Piero Gros (born 1954), Italian alpine skier *Piero the Unfortunate (1472–1503), Gran maestro of Florence * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Di Cosimo
Piero di Cosimo (2 January 1462 – 12 April 1522), also known as Piero di Lorenzo, was an Italian painter of the Renaissance. He is most famous for the mythological and allegorical subjects he painted in the late Quattrocento; he is said to have abandoned these to return to religious subjects under the influence of Savonarola, the preacher who exercised a huge sway in Florence in the 1490s, and had a similar effect on Botticelli. The High Renaissance style of the new century had little influence on him, and he retained the straightforward realism of his figures, which combines with an often whimsical treatment of his subjects to create the distinctive mood of his works. Vasari has many stories of his eccentricity, and the mythological subjects have an individual and quirky fascination. He trained under Cosimo Rosselli, whose daughter he married, and assisted him in his Sistine Chapel frescos. He was also influenced by Early Netherlandish painting, and busy landscapes f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin
Berlin is Capital of Germany, the capital and largest city of Germany, both by area and List of cities in Germany by population, by population. Its more than 3.85 million inhabitants make it the European Union's List of cities in the European Union by population within city limits, most populous city, as measured by population within city limits having gained this status after the United Kingdom's, and thus London's, Brexit, departure from the European Union. Simultaneously, the city is one of the states of Germany, and is the List of German states by area, third smallest state in the country in terms of area. Berlin is surrounded by the state of Brandenburg, and Brandenburg's capital Potsdam is nearby. The urban area of Berlin has a population of over 4.5 million and is therefore the most populous urban area in Germany. The Berlin/Brandenburg Metropolitan Region, Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's second-largest metropolitan reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassone
A cassone (plural ''cassoni'') or marriage chest is a rich and showy Italian type of chest, which may be inlaid or carved, prepared with gesso ground then painted and gilded. '' Pastiglia'' was decoration in low relief carved or moulded in gesso, and was very widely used. The cassone ("large chest") was one of the trophy furnishings of rich merchants and aristocrats in Italian culture, from the Late Middle Ages onward. The cassone was the most important piece of furniture of that time. It was given to a bride and placed in the bridal suite. It would be given to the bride during the wedding, and it was the bride's parents' contribution to the wedding. There are in fact a variety of different terms used in contemporary records for chests, and the attempts by modern scholars to distinguish between them remain speculative, and all decorated chests are today usually called ''cassoni'', which was probably not the case at the time. For example, a ''forziere'' probably denoted a de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Platonic Academy (Florence)
The Accademia Platonica di Firenze or Platonic Academy of Florence was an informal discussion group which formed around Marsilio Ficino in the Florentine Renaissance of the fifteenth century. History In about 1462 Cosimo de' Medici established the young Marsilio Ficino at Montevecchio, a villa close to his own Villa di Careggi in the Florentine countryside. There Ficino, who was an ardent Neo-Platonist, was to study ancient Greek and work on translating the works of Plato into Latin. Ficino became the central figure of an informal group of people interested in his work, who both corresponded and met for intellectual discussions at Montevecchio, at Careggi, or perhaps in Florence itself. It was never a formal body – it had no statutes and kept no records of membership – and there is no contemporary evidence that it was ever known as a "Platonic academy". Arnaldo della Torre identified about a hundred people as participants in the group, among them Alessandro Braccesi, Demet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus And Mars (Botticelli)
''Venus and Mars'' (or '' Mars and Venus'') is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs. The painting was probably intended to commemorate a wedding, set into panelling or a piece of furniture to adorn the bedroom of the bride and groom,Lightbown, 164 possibly as part of a set of works. This is suggested by the wide format and the close view of the figures. It is widely seen as representation of an ideal view of sensuous love. It seems likely that Botticelli worked out the concept for the painting, with its learned allusions, with an advisor such as Poliziano, the Medici house poet and Renaissance Humanist scholar. The exact date of ''Venus and Mars'' is not known, but the National Gallery's dated the painting to "c. 1485" in 2017. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and Roman art, art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Ancient Greek literature, Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vá ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putti
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myrtus Communis
''Myrtus communis'', the common myrtle or true myrtle, is a species of flowering plant in the myrtle family Myrtaceae. It is an evergreen shrub native to southern Europe, North Africa, Western Asia, Macaronesia, and the Indian Subcontinent, and also cultivated. It is also sometimes known as Corsican pepper. The medicinal properties of ''Myrtus communis'' were utilized as early as 600 B.C.E. Symbolically and ritually important in ancient times, it was used to represent honor, justice, prosperity, generosity, hope, love, and happiness. In Greco-Roman mythology, numerous gods were associated with the common myrtle and its flowers, such as Aphrodite and Demeter. Also a key part of various Jewish traditions, it is one of the four species used in the festival of Sukkot, and the Bible records its use in purification ceremonies. As a shrub that thrives along waterways, it was also seen as a symbol of restoration and recovery. In Europe during the Renaissance, it came to be best know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
