|
Veni, Veni, Emmanuel (composition By James MacMillan)
''Veni, Veni, Emmanuel'' is a concerto for percussion and orchestra by James MacMillan. MacMillan began composing it on the first Sunday of Advent 1991 and completed it on Easter Sunday 1992, dates that are significant to the work itself. The work was commissioned by Christian Salvesen PLC. It received its premiere on 10 August 1992 at the Royal Albert Hall, London, performed by Evelyn Glennie and the Scottish Chamber Orchestra under Jukka-Pekka Saraste. The work is in one movement, and lasts around 25 minutes. The music draws on the Advent plainchant of the same name, which appears in its full form only at the end. There are five main sections to the work: after the introduction is a 'heartbeat' section (representing, according to the composer, "the human presence of Christ"), followed by a 'hocket' dance; transition sequences lead in and out of the central Gaude, after which the dance reappears. The piece reaches its climax with the unfolding of the plainchant in cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hocket
In music, hocket is the rhythmic linear technique using the alternation of notes, pitches, or chords. In medieval practice of hocket, a single melody is shared between two (or occasionally more) voices such that alternately one voice sounds while the other rests. History In European music, hocket or hoquet was used primarily in vocal and choral music of the 13th and early 14th centuries. It was a predominant characteristic of music of the Notre Dame school, during the '' ars antiqua'', in which it was found in sacred vocal music and string compositions. In the 14th century, this compositional device was most often found in secular vocal music. Although the term is in reference to this secular music of the 13th and 14th centuries in France, the technique under other names could be heard in different types of music across the world as early as the 11th century. As alternating or trading melodies between instruments had well been developed earlier in time to eventually influence th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertos By James MacMillan
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By James MacMillan
This is a list of compositions by James MacMillan (born 1959), a Scottish composer of contemporary classical music. MacMillan's music is published by Boosey & Hawkes, and his diverse catalogue of music currently numbers over 200 works. Opera or music theatre *''Búsqueda'' (1988) **music theatre work, setting texts from the Latin Mass and poems by the Argentinian Mothers of the Disappeared, translated by Gilbert Markus; premiered on 6 December 1988 at Queen's Hall, Edinburgh, by ECAT Ensemble under the baton of the composer. *''Inés de Castro'' (1990–95) **opera in two acts; libretto after the play Inés de Castro by John Clifford; premiered by Scottish Opera on 23 August 1996 as part of the Edinburgh International Festival. *''Visitatio Sepulchri'' (1992–93) **music theatre work, setting texts from a 14th-century Easter Day liturgical drama and the Te Deum; premiered on 20 May 1993 by Scottish Chamber Orchestra directed by Francisco Negrin and conducted by Ivor Bolton a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marin Alsop
Marin Alsop ( �mɛər.ɪn ˈæːl.sɑːp born October 16, 1956) is an American conductor, the first woman to win the Koussevitzky Prize for conducting and the first conductor to be awarded a MacArthur Fellowship. She is music director laureate of the Baltimore Symphony Orchestra and chief conductor of the Vienna Radio Symphony Orchestra and the Ravinia Festival. She was elected a Fellow of the American Academy of Arts and Sciences in 2008 and to the American Philosophical Society in 2020. Early life and education Alsop was born in New York City to Ruth E. (Condell) and Keith Lamar Alsop, both professional string players, and grew up on the Upper West Side of Manhattan. She was educated at the Masters School and studied violin at the Juilliard School's Pre-College Division, graduating in 1972. She attended Yale University as a mathematics major, but transferred to Juilliard, where she earned BM (1977) and MM (1978) degrees in violin. While at Juilliard, Alsop played with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Currie
Colin David Currie (born 25 September 1976) is a Scottish virtuoso percussionist. He is the founder and leader of the Colin Currie Group, an ensemble dedicated to performing and recording the music of Steve Reich. Biography Early years Colin Currie began his musical studies at the age of 5. He attended the Junior Department of the Royal Scottish Academy of Music and Drama from 1990 to 1994, where he studied percussion with Pamella Dow and piano with Sheila Desson, both of whom had an enormous influence on him. He then went on to graduate from the Royal Academy of Music in 1998, and played principal timpani and percussion with the National Youth Orchestra of Scotland and The European Union Youth Orchestra. However, solo-performance and chamber music had by that time become his main focus. Currie first came to national attention when he won the Gold Medal of the Shell/LSO Competition in 1992, and was subsequently the first percussionist to reach the finals of the BBC Young Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City Of Birmingham Symphony Orchestra
The City of Birmingham Symphony Orchestra (CBSO) is a British orchestra based in Birmingham, England. It is the resident orchestra at Symphony Hall: a B:Music Venue in Birmingham, which has been its principal performance venue since 1991. Its administrative and rehearsal base is at the nearby CBSO Centre, where it also presents chamber concerts by members of the orchestra and guest performers. Each year the orchestra performs more than 150 concerts in Birmingham, the UK and around the world, playing music that ranges from classics to contemporary, film scores and even symphonic disco. With a far-reaching community programme and a family of choruses and youth ensembles, it is involved in every aspect of music-making in the Midlands. At its centre is a team of 90 superb professional musicians, and over a 100-year tradition of making the world's greatest music, in the heart of Birmingham. The CBSO has four choirs – the CBSO ChorusYouth Chorus [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubular Bell
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble.James Blades and James Holland. "Tubular bells". Grove Music Online. Oxford Music Online. Oxford University Press, accessed August 18, 2015Oxfordmusiconline.com/ref> Each bell is a metal tube, in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells. Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in '' Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's '' Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first qua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainchant
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung without musical accompaniment. There are three types of chant melodies that plainsongs fall into, syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodox churches did not split until long after the origin of plainsong, Byzantine chants are generally not classified as plai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James MacMillan (musician)
Sir James Loy MacMillan, (born 16 July 1959) is a Scottish classical composer and conductor. Early life MacMillan was born at Kilwinning, in North Ayrshire, but lived in the East Ayrshire town of Cumnock until 1977. His father is James MacMillan and his mother is Ellen MacMillan (née Loy). He studied composition at the University of Edinburgh with Rita McAllister and Kenneth Leighton, and at Durham University with John Casken, where he gained an undergraduate degree and then a PhD degree in 1987. At Durham he was a member of the College of St Hild and St Bede as an undergraduate student and the Graduate Society while studying for his PhD. He was a lecturer in music at the Victoria University of Manchester from 1986 to 1988. After his studies, MacMillan returned to Scotland, composing prolifically, and becoming Associate Composer with the Scottish Chamber Orchestra, often working on education projects. As a young man he was briefly a member of the Young Communist L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advent
Advent is a Christian season of preparation for the Nativity of Christ at Christmas. It is the beginning of the liturgical year in Western Christianity. The name was adopted from Latin "coming; arrival", translating Greek ''parousia''. In the New Testament, this is the term used for the Second Coming of Christ. Thus, the season of Advent in the Christian calendar anticipates the "coming of Christ" from three different perspectives: the physical nativity in Bethlehem, the reception of Christ in the heart of the believer, and the eschatological Second Coming. Practices associated with Advent include Advent calendars, lighting an Advent wreath, praying an Advent daily devotional, erecting a Christmas tree or a Chrismon tree, lighting a Christingle, as well as other ways of preparing for Christmas, such as setting up Christmas decorations, a custom that is sometimes done liturgically through a hanging of the greens ceremony. The equivalent of Advent in Eastern Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(cropped).jpg "Click for more on -> Marin Alsop")
