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Veli Lošinj
Veli Lošinj () is a village on the island of Lošinj in Primorje-Gorski Kotar County in western Croatia. Veli Lošinj has a mild climate and caters to tourists. It is located 5 km to the southeast of the town of Mali Lošinj, of which it is part administratively. It was an important port and fishing centre until the late 19th century. Today it is known as a tourist and aromatherapy centre. As of 2021, Veli Lošinj had a population of 857 Located in the south of the island of Lošinj, east of central Mali Lošinj, which is the administrative centre of the island. Mali Lošinj and Veli Lošinj form a single conglomeration along the coast. Veli Lošinj faces the sea from the south. It is at the foot of Kalvarija mountain. History Antiquity The area of the present village was mostly unpopulated and resorted under the rule of the city of Osor, Croatia, Osor on northern Lošinj which counted 20,000 inhabitants at that time. For a period Veli Lošinj was the seat of the bis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counties Of Croatia
The counties of Croatia () are the first-level administrative divisions of Croatia, administrative subdivisions of the Croatia, Republic of Croatia. Since they were re-established in 1992, Croatia has been divided into 20 county, counties and the capital city of Zagreb, which has the authority and legal status of both a county and a list of cities and towns in Croatia, city (separate from the surrounding Zagreb County). As of 2015, the counties are subdivided into 128 cities and 428 (mostly rural) Municipalities of Croatia, municipalities. The divisions have changed over time since the Kingdom of Croatia (925–1102), medieval Croatian state. They reflected territorial losses and expansions; changes in the political status of Dalmatia, Republic of Ragusa, Dubrovnik and Istria; and political circumstances, including the Croatia in personal union with Hungary, personal union and subsequent development of relations between the Kingdom of Croatia-Slavonia and the Kingdom of Hungar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tower In Veli Lošinj
A tower is a tall structure, taller than it is wide, often by a significant factor. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, self-supporting structures. Towers are specifically distinguished from buildings in that they are built not to be habitable but to serve other functions using the height of the tower. For example, the height of a clock tower improves the visibility of the clock, and the height of a tower in a fortified building such as a castle increases the visibility of the surroundings for defensive purposes. Towers may also be built for observation, leisure, or telecommunication purposes. A tower can stand alone or be supported by adjacent buildings, or it may be a feature on top of a larger structure or building. Etymology Old English ''torr'' is from Latin ''turris'' via Old French ''tor''. The Latin term together with Greek τύρσις was loaned from a pre-Indo-European Mediterranean language, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Populated Coastal Places In Croatia
Population is a set of humans or other organisms in a given region or area. Governments conduct a census to quantify the resident population size within a given jurisdiction. The term is also applied to non-human animals, microorganisms, and plants, and has specific uses within such fields as ecology and genetics. Etymology The word ''population'' is derived from the Late Latin ''populatio'' (a people, a multitude), which itself is derived from the Latin word ''populus'' (a people). Use of the term Social sciences In sociology and population geography, population refers to a group of human beings with some predefined feature in common, such as location, race, ethnicity, nationality, or religion. Ecology In ecology, a population is a group of organisms of the same species which inhabit the same geographical area and are capable of interbreeding. The area of a sexual population is the area where interbreeding is possible between any opposite-sex pair within the area ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panorama From St
A panorama (formed from Greek πᾶν "all" + ὅραμα "view") is any wide-angle view or representation of a physical space, whether in painting, drawing, photography (panoramic photography), film, seismic images, or 3D modeling. The word was coined in the 18th century by the English ( Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term ''panning'' is derived from ''panorama''. A panoramic view is also purposed for multimedia, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale. History The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive " panoptic" experience of a vista. Cartographic experiments during the Enlighten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Del Cossa
Francesco del Cossa (c. 1430 – c. 1477) was an Italian Renaissance painter of the School of Ferrara (Painting), School of Ferrara, who after 1470 worked in Bologna. Cossa is best known for his frescoes, especially his collaboration with Cosimo Tura on a cycle of the months in the Palazzo Schifanoia of the Este family, rulers of Ferrara. Otherwise, his paintings are mostly of religious subjects, with some portraits and drawings attributed to him. He also designed stained glass. Biography Francesco was the son of a stonemason in Ferrara, little is known about his early works, although it is known that he travelled outside of Ferrara in his late twenties or early thirties. One of the first records we have of him is in 1456 when he was an assistant to his father, Cristofano del Cossa, at that time employed in painting the carvings and statues on the high altar in the chapel of the bishop's palace at Ferrara. One of his followers was Leonardo Scaletti of Faenza. Allegorical fres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Hayez
Francesco Hayez (; 10 February 1791 – 12 February 1882) was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits. Biography Training and early work Francesco Hayez was from a relatively poor family from Venice. His father, Giovanni, was a fisherman of French origin while his mother, Chiara Torcella, was from Murano. Francesco was the youngest of five sons. Hayez displayed a predisposition for drawing since childhood. He was placed at a very early age in the Venetian studio of his uncle, the antiquarian Giovanni Binasco, who hoped to train him as a restorer of paintings. In 1798 he started to study painting under Francesco Maggiotto and gained his first experience of the Neo-classical style. His artistic education was completed, in the years 1800–03, by visits to the Galleria Farsetti, Venice, where he studied the plaster casts of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lattanzio Querena
200px, The Deposition of Christ San Zanipolo Lattanzio Querena (1 November 1768, in Predella in Valle di Scalva – 10 July 1853) was an Italian painter, depicting historical and sacred subjects, by Count Filippo Maria Nani-Mocenigo, page 196. in a mainly Neoclassical style. Biography He was born in the . He studied at the Academy of Fine Arts of Verona, and also studied in |
Bernardo Strozzi
Bernardo Strozzi, named il Cappuccino and il Prete Genovese (c. 1581 – 2 August 1644), was an Italian Baroque painter and engraver. A canvas and fresco artist, his wide subject range included History painting, history, Allegory, allegorical, genre art, genre and portrait paintings as well as still lifes.Chiara Krawietz. "Strozzi, Bernardo." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 2 February 2017Bernardo Strozzi, ''Nature morte avec une corbeille de fruits, un vase de fleurs et des fruits sur un entablement'' at Galerie Canesso Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Vivarini
Bartolomeo or Bartolommeo Vivarini (c. 1432c. 1499) was an Italian Renaissance painter, known to have worked from 1450 to 1499. Biography Bartolomeo's brother Antonio Vivarini, and his nephew (also possibly his pupil) Alvise Vivarini, were also painters. He learned oil painting from Antonello da Messina, and is said to have produced, in 1473, the first oil picture done in Venice. Housed in the basilica of San Zanipolo, it is a large altar-piece in nine divisions, representing Augustine and other saints. Most of his works, however, are in tempera. His outline is always hard, and his colour good; the figures have much dignified and devout expression. As "vivarino" means in Italian a goldfinch, he sometimes drew a goldfinch as the signature of his pictures. The Getty Museum, Harvard University Art Museums, the Honolulu Museum of Art, the Louvre, the Museum of Fine Arts, Boston, the National Gallery of Art (Washington D.C.), the National Gallery, London, the New Orleans Museu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries of Western Europe; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
