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Vanity
Vanity is the excessive belief in one's own abilities or attractiveness compared to others. Prior to the 14th century, it did not have such narcissistic undertones, and merely meant ''futility''. The related term vainglory is now often seen as an archaic synonym for ''vanity'', but originally meant ''considering one's own capabilities and that God's help was not needed'', i.e. unjustified boasting; although ''glory'' is now seen as having a predominantly positive meaning, the Latin term from which it derives, ''gloria'', roughly means ''boasting'', and was often used as a negative criticism. Religion and philosophy In many religions, vanity, in its modern sense, is considered a form of self- idolatry in which one likens oneself to the greatness of God for the sake of one's own image, and thereby becomes separated and perhaps in time divorced from the Divine grace of God. In Christian teachings, ''vanity'' is an example of pride, one of the seven deadly sins. Philosophically, v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pride
Pride is a human Emotion, secondary emotion characterized by a sense of satisfaction with one's Identity (philosophy), identity, performance, or accomplishments. It is often considered the opposite of shame or of humility and, depending on context, may be viewed as either virtue or vice. ''Pride'' may refer to a feeling of satisfaction derived from one's own or another's choices and actions, or one's belonging to a group of people. Typically, it is a product of praise, independent self-reflection and/or a fulfilled feeling of belongingness, belonging. The word ''pride'' may refer to group identity manifestations, including one's Racial pride, ethnicity—notably, Black Pride, which gained historical momentum during the U.S. Civil Rights Movement, and earlier independence struggles—Feminist movement, Feminist Pride, rooted in the women's rights movement and gender equality struggles—and Sexual identity, sexual identity (for example, Gay pride, Gay Pride or LGBT Pride, rising ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Vermeer
Johannes Vermeer ( , ; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for making masterful use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." The modest celebrity he enjoyed during his life gave way to obscurity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanitas
''Vanitas'' is a genre of symbolizing the temporality, transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires. The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). Spanish painters working at the end of the Spanish Golden Age also created vanitas paintings. Etymology The word ''vanitas'' comes from Latin and means vanity. In this context, vanity means pointlessness, or futility, not to be confused with the other definition of vanity. Vanity is referenced in the Hebrew Bible in Ecclesiastes 12, Ecclesiastes 12:8, "Vanity of Vanities, saith the preacher, all is vanity". In some versions vanity is translated as "meaningless" to avoid the confusion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Deadly Sins
The seven deadly sins (also known as the capital vices or cardinal sins) function as a grouping of major vices within the teachings of Christianity. In the standard list, the seven deadly sins according to the Catholic Church are pride, greed, wrath, envy, lust, gluttony, and Sloth (deadly sin), sloth. In Catholicism, the classification of deadly sins into a group of seven originated with Tertullian and continued with Evagrius Ponticus. The concepts were partly based on Greco-Roman and Biblical antecedents. Later, the concept of seven deadly sins evolved further, as shown by historical context based on the Latin language of the Roman Catholic Church, though with significant influence from the Greek language and associated religious traditions. Knowledge of this concept is evident in various treatises; in paintings and sculpture (for example, architectural decorations on churches in some Catholic Parish (Catholic Church), parishes); and in some older textbooks. Further knowle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecclesiastes
Ecclesiastes ( ) is one of the Ketuvim ('Writings') of the Hebrew Bible and part of the Wisdom literature of the Christian Old Testament. The title commonly used in English is a Latin transliteration of the Greek translation of the Hebrew word ( or ). An unnamed author introduces "The words of Kohelet, son of David, king in Jerusalem" (Ecclesiastes 1:1, 1:1) and does not use his own voice again until the final verses (12:9–14), where he gives his own thoughts and summarises the statements of Kohelet; the main body of the text is ascribed to Kohelet. Kohelet proclaims (1:2) "Vanity of vanities! All is futile!" The Hebrew word , 'vapor' or 'breath', can figuratively mean 'insubstantial', 'vain', 'futile', or 'meaningless'. In some versions, vanity is translated as 'meaningless' to avoid the confusion with the other definition of vanity. Given this, the next verse presents the basic existential question with which the rest of the book is concerned: "What profit can we show for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putto
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent a sort of baby angel in religious art, often called a cherub (plural cherubim), though in traditional Christian theology a cherub is actually one of the most senior types of angel. The same figures were also seen in representations of classical myth, and increasingly in general decorative art. In Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human Skull
The skull, or cranium, is typically a bony enclosure around the brain of a vertebrate. In some fish, and amphibians, the skull is of cartilage. The skull is at the head end of the vertebrate. In the human, the skull comprises two prominent parts: the neurocranium and the facial skeleton, which evolved from the first pharyngeal arch. The skull forms the frontmost portion of the axial skeleton and is a product of cephalization and vesicular enlargement of the brain, with several special senses structures such as the eyes, ears, nose, tongue and, in fish, specialized tactile organs such as barbels near the mouth. The skull is composed of three types of bone: cranial bones, facial bones and ossicles, which is made up of a number of fused flat and irregular bones. The cranial bones are joined at firm fibrous junctions called sutures and contains many foramina, fossae, processes, and sinuses. In zoology, the openings in the skull are called fenestrae, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justice
In its broadest sense, justice is the idea that individuals should be treated fairly. According to the ''Stanford Encyclopedia of Philosophy'', the most plausible candidate for a core definition comes from the ''Institutes (Justinian), Institutes'' of Justinian I, Justinian, a 6th-century codification of Roman law, where justice is defined as "the constant and perpetual will to render to each his due". A society where justice has been achieved would be one in which individuals receive what they "deserve". The interpretation of what "deserve" means draws on a variety of fields and philosophical branches including ethics, rationality, law, religion, and fairness. The state may pursue justice by operating courts and enforcing their rulings. History Early Western theories of justice were developed in part by Ancient Greek philosophers such as Plato in his work ''Republic (Plato), The Republic'', and Aristotle, in his ''Nicomachean Ethics'' and ''Politics (Aristotle), Politics'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weighing Scale
A scale or balance is a device used to measure weight or mass. These are also known as mass scales, weight scales, mass balances, massometers, and weight balances. The traditional scale consists of two plates or bowls suspended at equal distances from a fulcrum. One plate holds an object of unknown mass (or weight), while objects of known mass or weight, called '' weights'', are added to the other plate until mechanical equilibrium is achieved and the plates level off, which happens when the masses on the two plates are equal. The perfect scale rests at neutral. A spring scale will make use of a spring of known stiffness to determine mass (or weight). Suspending a certain mass will extend the spring by a certain amount depending on the spring's stiffness (or spring constant). The heavier the object, the more the spring stretches, as described in Hooke's law. Other types of scales making use of different physical principles also exist. Some scales can be calibrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashmolean Museum
The Ashmolean Museum of Art and Archaeology () on Beaumont Street in Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel. The present building was built between 1841 and 1845. The museum reopened in 2009 after a major redevelopment, and in November 2011, new galleries focusing on Egypt and Nubia were unveiled. In May 2016, the museum redisplayed galleries of 19th-century art. History Broad Street The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The building on Broad Street (later known as the Old Ashmolean) is sometimes attributed to Sir Christopher Wren or Thomas Wood. Elias Ashmole had acquired the collection from the gardeners, travellers, and collectors John Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Tournier
Nicolas Tournier (baptised 12 July 1590d. before February 1639)Grove Art Online: "Nicolas Tournier". was a French Baroque painter. Born in Montbéliard, he followed the profession of his father, André Tournier, "a Protestant painter from Besançon". Little is known of his life before his arrival in Rome, where he worked between 1619 and 1626, and where he was influenced by the work of Caravaggio. According to one early source, he was a pupil of Valentin de Boulogne. Tournier's Roman paintings are stylistically close to the works of Bartolomeo Manfredi. He painted both secular and religious subjects; an example of the latter is ''The Crucifixion with St. Vincent de Paul'' (Paris, The Louvre). After 1626 Tournier was active in southern France. He died in Toulouse. His work ''The Carrying of the Cross'', painted around 1632, originally hung in the Toulouse chapel of the Company of the Black Penitents. During the French Revolution it was confiscated by the state and moved to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourgeoisie
The bourgeoisie ( , ) are a class of business owners, merchants and wealthy people, in general, which emerged in the Late Middle Ages, originally as a "middle class" between the peasantry and aristocracy. They are traditionally contrasted with the proletariat by their wealth, political power, and education, as well as their access to and control of cultural, social, and financial capital. The bourgeoisie in its original sense is intimately linked to the political ideology of liberalism and its existence within cities, recognised as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In communist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialisation and whose societal concerns are the value of private property and the preservation of capital t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
