|
Vaikunta Gadyam
Vaikuntha Gadyam () is a Sanskrit prayer written by the Hindu philosopher Ramanuja towards the end of the 11th century. It is one of the first bhakti prayers in the Sri Vaishnava school of thought and is the basis for many prayers of this style. It is recited in the 108 Divya Desam temples, including Srirangam. Context Ramanuja and his disciples visited the Ranganatha temple in Srirangam on Panguni Uttiram, a day in spring of the Tamil calendar month of Panguni (in spring) on the day of the ascension of the star called Uttiram. In Tamil mythology, Uttiram was in ascent when the goddess of the temple, Sri Ranganayaki Tayar, Lakshmi, was born. Ramanuja was inspired by the festivities of the day and composed Sriranga Gadyam and Sharanagati Gadyam. According to tradition, the deity Ranganatha is regarded to have been moved by these compositions, and gave Ramanuja a vision of his abode, Vaikuntha. This inspired Ramanuja to compose the Vaikuntha Gadyam. Content Vaikuntha Gadyam, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranganatha
Ranganatha, also known as Ranganathar, Rangan, Aranganathar, Sri Ranga, and Thenarangathan, is a Hindu deity with his origin in South India, serving as the chief deity of the Sri Ranganathaswamy Temple, Srirangam. The deity is a resting form of Vishnu, recumbent on the great form of the serpent demigod Adishesha, the king of the serpents. His primary consort is the Goddess Lakshmi, also known as Ranganayaki. His two other consorts seen next to his recumbent figure are Bhudevi and Nila Devi. Most of the deities portray a 'smiling' lord in a sleeping or reclining position over the celestial serpent Adishesha in the sea of cosmic dissolution (pralaya). This is the form in which he is open to listening to all of his devotees' woes, and blesses them. Apart from being worshipped by all Hindus, this form is of particular importance to the Sri Vaishnava community. His name in Sanskrit means "leader of the place of assembly", coined from the two Sanskrit words ''ranga'' (place) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Mantras
A mantra ( Pali: ''manta'') or mantram (मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit, Pali and other languages believed by practitioners to have religious, magical or spiritual powers. Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and literal meaning, while others do not. The earliest mantras were composed in Vedic Sanskrit in India. At its simplest, the word ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action. Some mantras without literal meaning are musically uplifti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaya-Vijaya
In Hinduism, Jaya and Vijaya are the two '' dvarapalakas'' (gatekeepers) of the abode of Vishnu, known as Vaikuntha (meaning ''place of eternal bliss''). Due to a curse by the four Kumaras, they were forced to undergo multiple births as mortals who would be subsequently killed by various avatars of Vishnu. They were incarnated as Hiranyakashipu and Hiranyaksha in the Satya Yuga, Ravana and Kumbhakarna in the Treta Yuga, and finally Shishupala and Dantavakra in the Dvapara Yuga. Origin According to the Brahmanda Purana, Jaya and Vijaya were the sons of Kali, a demon, and Kali, in turn, was one of the sons of Varuna and his wife, Stuta (Sanskrit (स्तुत, meaning 'praise'). The brother of Kali (and uncle of Jaya and Vijaya) was Vaidya. Iconography Jaya is depicted as a four-armed demigod with the chakra in his upper left hand, a shankha in his upper right hand, a mace in his lower left hand, and a sword in his lower right hand. Vijaya is depicted in the same manner exce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvarapala
A Dvarapala or Dvarapalaka (Sanskrit, "door guard"; IAST: ' ) is a door or gate guardian often portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the ''gada'' (mace). The dvarapala statue is a widespread architectural element throughout Hindu, Buddhist and Jaina cultures, as well as in areas influenced by them like Java. Names In most Southeast Asian languages (including Thai, Burmese, Vietnamese, Khmer and Javanese), these protective figures are referred to as ''dvarapala''. Sanskrit ''dvāra'' means "gate" or "door", and ''pāla'' means "guard" or "protector". The related name in Indonesian and Malaysia is ''dwarapala''. Equivalent door guardians in northern Asian languages are ''Kongōrikishi'' or '' Niō'' in Japanese, ''Heng Ha Er Jiang'' in Chinese, and ''Narayeongeumgang'' in Korean. Origin and forms Dvarapalas as an architectural feature have their origin in tutelary deities, like Yaksha and warrior figures ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishvaksena
Vishvaksena ()Nayar p. 103 or Vishwaksena, is the commander-in-chief of the army of the Hinduism, Hindu deity Vishnu, additionally serving as a gatekeeper and chamberlain of his celestial abode of Vaikuntha. As the embodiment of the Tantras (Hinduism), tantras, Vishvaksena is worshipped before any ritual or function in the Vaikhanasas and Sri Vaishnavism sects. He occupies an important place in Vaikhanasa and Pancaratra temple traditions, where temple festivals often begin with his worship and procession. Iconography and associations The ''Kurma Purana'' describes Vishvaksena to have born out of a portion of Vishnu, carrying a conch (shankha), Sudarshana chakra, Sudarshana Chakra (discus) and gada (weapon), gada (mace) and wearing yellow clothes like his master. The ''Kalika Purana'' describes him as an attendant of Vishnu, who has four arms, and is red and brown in complexion. He seats on a white Nelumbo nucifera, lotus, has long beard and wears matted hair. He carries a lotus, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garuda
Garuda (Sanskrit: ; Pāli: ; Vedic Sanskrit: गरुळ Garuḷa) is a Hindu demigod and divine creature mentioned in the Hindu, Buddhist and Jain faiths. He is primarily depicted as the mount (''vahana'') of the Hindu god Vishnu. Garuda is also the half-brother of the Devas, Daityas, Danavas and Yakshas. He is the son of the sage Kashyapa and Vinata. He is the younger brother of Aruna, the charioteer of the Sun. Garuda is mentioned in several other texts such as the Puranas and the Vedas. Garuda is described as the king of the birds and a kite-like figure. He is shown either in a zoomorphic form (a giant bird with partially open wings) or an anthropomorphic form (a man with wings and some ornithic features). Garuda is generally portrayed as a protector with the power to swiftly travel anywhere, ever vigilant and an enemy of every serpent. He is also known as Tarkshya and Vainateya. Garuda is a part of state insignia of India, Indonesia and Thailand. The Indonesian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sesha
Shesha ( Sanskrit: शेष; ) , also known as Sheshanaga ( Sanskrit: शेषनाग; ) or Adishesha (), is a serpentine demigod (Naga) and Nagaraja (King of all serpents), as well as a primordial being of creation in Hinduism. In the Puranas, Shesha is said to hold all the planets of the universe on his hoods and to constantly sing the glories of Vishnu from all his mouths. He is sometimes referred to as Ananta Shesha, "Endless-Shesha", or Adishesha, the "First Shesha". It is said that when Adishesa uncoils, time moves forward and creation takes place; when he coils back, the universe ceases to exist. The Narayana form of Vishnu is often depicted as resting on Shesha, accompanied by his consort Lakshmi. Adishesha is considered as one of the two mounts of Vishnu alongside Garuda. He is said to have descended upon Earth in the following human forms or incarnations: Lakshmana, brother of Vishnu's incarnation Rama during the Treta Yuga, and according to some traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narayana
Narayana (Sanskrit: नारायण, IAST: ''Nārāyaṇa'') is one of the forms and names of Vishnu, who is in yogic slumber under the celestial waters, referring to the masculine principle. He is also known as Purushottama, and is considered the Supreme Being in Vaishnavism. Etymology L. B. Keny proposes that Narayana was associated with the Dravidian, and ultimately, the Indus Valley Civilisation, prior to his syncretism with Vishnu. To this end, he states that the etymology of the deity is associated with the Dravidian ''nara'', meaning water, ''ay'', which in Tamil means "to lie in a place", and ''an'', which is the masculine termination in Dravidian languages. He asserts that this is also the reason why Narayana is represented as lying on a serpent in the sea. He quotes, "This Nārāyana of the Āryan pantheon seems to be the supreme being of the Mohenjo-Darians, a god who was probably styled Ān, a name still kept in Tamil literature as Āndivanam, the proto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moksha
''Moksha'' (; sa, मोक्ष, '), also called ''vimoksha'', ''vimukti'' and ''mukti'', is a term in Hinduism, Buddhism, Jainism and Sikhism for various forms of emancipation, enlightenment, liberation, and release. In its soteriological and eschatological senses, it refers to freedom from ''saṃsāra'', the cycle of death and rebirth. In its epistemological and psychological senses, ''moksha'' is freedom from ignorance: self-realization, self-actualization and self-knowledge. In Hindu traditions, ''moksha'' is a central concept and the utmost aim of human life; the other three aims being ''dharma'' (virtuous, proper, moral life), '' artha'' (material prosperity, income security, means of life), and '' kama'' (pleasure, sensuality, emotional fulfillment). Together, these four concepts are called Puruṣārtha in Hinduism. In some schools of Indian religions, ''moksha'' is considered equivalent to and used interchangeably with other terms such as ''vimoksha'', ''vimu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedanta
''Vedanta'' (; sa, वेदान्त, ), also ''Uttara Mīmāṃsā'', is one of the six (''āstika'') schools of Hindu philosophy. Literally meaning "end of the Vedas", Vedanta reflects ideas that emerged from, or were aligned with, the speculations and philosophies contained in the Upanishads, specifically, knowledge and liberation. Vedanta contains many sub-traditions, all of which are based on a common group of texts called the "Three Sources" (''prasthānatrayī''): '' the Upanishads'', the '' Brahma Sutras'' and the ''Bhagavad Gita The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700-verse Hindu scripture that is part of the epic '' Mahabharata'' (c ...''. All Vedanta traditions contain extensive discussions on ontology, soteriology and epistemology, though there is much disagreement among the various schools. The main traditions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaikuntha
Vaikuntha ( sa, वैकुण्ठ, lit=without anxiety, translit=Vaikuṇṭha), also called Vishnuloka (), and Tirunatu (Tirunāṭu) in Tamil, is the abode of Vishnu, the supreme deity in the Vaishnava tradition of Hinduism,Gavin Flood, An Introduction to Hinduism' (1996). and his consort, Lakshmi, the supreme goddess. According to Ramanuja, Vaikuntha is the ''Parama Padam'' or ''Nitya Vibhuti,'' an "eternal heavenly realm", and is the "divine imperishable world that is God's abode". In Vaishnava literature, Vaikuntha is described as the highest realm above the fourteen ''lokas'' (worlds), where the devotees of Vishnu go upon achieving liberation. It is guarded by the twin deities, Jaya and Vijaya, the gatekeepers of Vaikuntha. The army of Vishnu, stationed at Vaikuntha, is led by Vishvaksena. The planets of Vaikuntha are described to be full of golden palaces and hanging gardens that grow fragrant fruits and flowers. The planets of Vaikuntha begin 26,200,000 yojanas ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
