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Urjūza
Rajaz (, literally 'tremor, spasm, convulsion as may occur in the behind of a camel when it wants to rise') is a metre used in classical Arabic poetry. A poem composed in this metre is an ''urjūza''. The metre accounts for about 3% of surviving ancient and classical Arabic verse. Some historians believe that rajaz evolved from saj'. Form This form has a basic foot pattern of , ⏓ ⏓ ⏑ – , (where '–' represents a long syllable, '⏑' a short syllable, and '⏓' a syllable that can be long or short), as exemplified through the mnemonic (''Tafā'īl'') ' ().''Classical Arabic Literature: A Library of Arabic Literature Anthology'', trans. by Geert Jan van Gelder (New York: New York University Press, 2013), p. 93. Rajaz lines also have a catalectic version with the final foot , ⏓ – – , .Wright, William (1896), ''A Grammar of the Arabic Language'', vol. 2, p. 362. The form of each ( metron) may be ⏑ – ⏑ –, – – ⏑ –, or – ⏑ ⏑ –; only rarely ⏑ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qaṣīda
The qaṣīda (also spelled ''qaṣīdah''; plural ''qaṣā’id'') is an ancient Arabic word and form of poetry, often translated as ode. The qasida originated in pre-Islamic Arabic poetry and passed into non-Arabic cultures after the Arab Muslim expansion. The word ''qasida'' is originally an Arabic word (, plural ''qaṣā’id'', ), and is still used throughout the Arabic-speaking world; it was borrowed into some other languages such as (alongside , ''chakameh''), and . The classic form of qasida maintains both monometer, a single elaborate meter throughout the poem, and monorhyme, where every line rhymes on the same soundAkiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more than a hundred. Well-known examples of this genre include the poems of the Mu'allaqat (a collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ..., metre (British English, Commonwealth spelling) or meter (American English, American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hind Bint Utbah
Hind bint Utba ibn Rabi'a () was an Arabs, Arab commander, the wife of Abu Sufyan ibn Harb and the mother of Mu'awiya I. Hind fought against the early Muslims and the Prophets and messengers in Islam, prophet Muhammad until converting to Islam herself in 630 after the conquest of Mecca. She is highly praised by Sunni Islam, Sunni Muslim sources for her military role at the Battle of the Yarmuk under caliph Umar, Umar ibn Khattab. Biography She was born in Mecca, the daughter of one of the most prominent leaders of the Quraysh (tribe), Quraysh, Utbah ibn Rabi'ah, Utba ibn Rabi'a, and of Safiya bint Umayya ibn Abd Shams. Hence Safiyya and Utba are cousins. She had two brothers: Abu Hudhayfa ibn Utba and Al-Walid ibn Utba ibn Rabi'a. She also had two sisters: Atika bint Utba and Umm Kulthum bint Utba. Her father and her paternal uncle Shaibah ibn Rabī‘a were among the chief adversaries of Islam who eventually were killed by Ali in the Battle of Badr. Hind's son was Mu'awiya. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badr Shakir Al-Sayyab
Badr Shakir al-Sayyab () (December 24, 1926 in Jaykur, Basra – December 24, 1964 in Kuwait) was an Iraqi poet, regarded as one of the most important contemporary Arab poets. Alongside Nazik Al Malaika, he is considered one of the founders of Arab free-verse poetry. Early life and career Badr Shakir al-Sayyab was born in Jaykur, a town south of Basra, the eldest child of a date grower and shepherd. His mother passed away when he was six years old. He graduated from the Higher Teacher Training College of Baghdad in 1948 but was later dismissed from his teaching position for being a member of the Iraqi Communist Party. Banned from teaching because of his political views, he next found employment as a taster, working for the Iraqi Date Company in Basra. However, he soon returned to Baghdad, where he worked as a security guard for a road paving company. He was actively involved in the 1952 Iraqi Intifada, in which he joined his fellow workers in sacking the offices of the US Inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elias Abu Shabaki
Elias Abu Shabaki (also spelled ''Ilyas Abu Shabaka''; , May 3, 1903 – January 27, 1947) was a Lebanese writer, poet, editor, translator and literary critic, he was one of the founders of the literary League of Ten and is considered as one of the leading figures of the Arabic Nahda Movement. Born into a well-to-do Lebanese family, Abu Shabaki became interested in poetry at a young age. The son of a merchant, he was left fatherless in his youth, an experience that would mark his earlier works. Elias worked as a teacher, translator and -in addition to publishing several volumes of poetry- as a journalist writing for many Arabic newspapers and literary magazines. Being an adherent to the Romantic school, Abu Shabki believed in inspiration and denounced conscious control in poetry. His poems were gloomy, deeply personal and often contained biblical overtones centering on his internal moral conflicts. Some of Abu Shabaki's work was very controversial in its time, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
‘Ali Maḥmūd Ṭāhā
Ali ibn Abi Talib (; ) was the fourth Rashidun caliph who ruled from until his assassination in 661, as well as the first Shia Imam. He was the cousin and son-in-law of the Islamic prophet Muhammad. Born to Abu Talib ibn Abd al-Muttalib and Fatima bint Asad, Ali was raised by his elder cousin Muhammad and was among the first to accept his teachings. Ali played a pivotal role in the early years of Islam when Muslims were severely persecuted in Mecca. After immigration () to Medina in 622, Muhammad gave his daughter Fatima to Ali in marriage and swore a pact of brotherhood with him. Ali served as Muhammad's secretary and deputy in this period, and was the flag bearer of his army. Numerous sayings of Muhammad praise Ali, the most controversial of which was uttered in 632 at the Ghadir Khumm, "Whoever I am his , this Ali is his ." The interpretation of the polysemous Arabic word is disputed: For Shia Muslims, Muhammad thus invested Ali with his religious and political author ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Verse
Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous. History Though individual examples of English free verse poetry surfaced before the 20th-century (parts of John Milton's '' Samson Agonistes'' or the majority of Walt Whitman's poetry, for example), free verse is generally considered an early 20th century innovation of the late 19th-century French ''vers libre''. T. E. Hulme and F. S. Flint first introduced the form to the London-based Poets' Club in 1909. This later became the heart of the Imagist movement through Flint's advocacy of the genre. Imagism, in the wake of French Symbolism (i.e. vers libre of French Symbolist poets) was the wellspring out of which the main current of Modernism in English flowed. T. S. Eliot later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abū Nuwās
Abu Nuwas () (756-8) was a classical Arabic poet, and the foremost representative of the modern (''muhdath'') poetry that developed during the first years of the Abbasid Caliphate. He also entered the folkloric tradition, appearing several times in ''One Thousand and One Nights''. Of mixed Arab and Persian heritage, he studied in Basra and al-Kufah, first under the poet Walibah ibn al-Hubab, and later under Khalaf al-Ahmar. He also studied the Qur'an, Hadith, and grammar. He earned the favour of the Abbasid caliphs Harun ar-Rashid and al-Amin. He is best known for his wine poetry, and Diwan, his collected volume of poetry that explored religion, pleasure, and homoeroticism. Early life Abu Nuwas was born in the province of Ahvaz (modern Khuzestan Province in Iran) of the Abbasid Caliphate, either in the city of Ahvaz or one of its adjacent districts. His date of birth is uncertain, he was born sometime between 756 and 758. His father was Hani, an Arab (likely from Damas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
