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Unreleased Quicksilver Messenger Service – Lost Gold And Silver
''Unreleased Quicksilver Messenger Service — Lost Gold and Silver'' is a compilation album by American psychedelic rock band Quicksilver Messenger Service. The album is made up of the European 2-LP release '' Maiden of the Cancer Moon''AllMusic review/ref> from 1983, two tracks from the 1967 soundtrack album ''Revolution'', both sides from a non-LP single released in late 1968 and some studio outtakes from the late 1960s. Track listing Disc one "Live from 1968" #"Back Door Man" – 4:15 #" Codine" – 6:14 #"Gold & Silver" – 12:02 #"Smokestack Lightning" – 10:15 #"Light Your Windows" – 3:06 #"Dino's Song" – 3:32 #"The Fool" – 13:15 #" Who Do You Love?" – 12:21 #"Mona/Maiden of the Cancer Moon/Mona" – 11:34 Bonus disc "Studio" #"I Don't Want to Spoil Your Party (Dino's Song)" – 3:06 #"Acapulco Gold and Silver (Gold and Silver)" – 2:37 #"I Hear You Knockin'" – 3:12 #"Back Door Man" – 4:00 #"Your Time Will Come" – 3:10 #"Who Do You Love (Part 1)" – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quicksilver Messenger Service
Quicksilver Messenger Service is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the ''Billboard'' Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite a lack of success with their singles (only one, " Fresh Air" charted, reaching number 49 in 1970). Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most of the style, attitude and sound of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greg Elmore
Gregory Dale Elmore (born September 4, 1946, in the Coronado Naval Air Station, California) is an American drummer, formerly with The Brogues and the San Francisco rock band Quicksilver Messenger Service Quicksilver Messenger Service is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe, .... Elmore also played regularly with Terry and the Pirates (Terry Dolan, John Cipollina, etc.) from 1981–1989. Oddly enough, he had shared the same birthdate and year (September 4, 1946) as Quicksilver bandmate and guitarist Gary Duncan, who died in 2019. References 1946 births American rock drummers Drummers from California Living people Quicksilver Messenger Service members 20th-century American drummers American male drummers 20th-century American male musicians {{US-rock-drummer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word ''viola'' originates from the Italian language. The Italians often used the term '' viola da braccio'', meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Freiberg
David Freiberg ( ; born August 24, 1938) is an American musician best known for contributing vocals, keyboards, electric bass, rhythm guitar, viola and percussion as a member of Quicksilver Messenger Service, Jefferson Airplane, and Jefferson Starship.Fenton, Craig. ''Have You Seen the Stars Tonite: The Jefferson Starship Flight Manual 1974–1978 & J.S. The Next Generation 1992–2007'' (2008) () Among other tracks, he co-wrote "Jane (Jefferson Starship song), Jane", a hit for Jefferson Starship. Career Singer-songwriter Classically trained in violin and viola, Freiberg began his career moonlighting as a coffeehouse singer-songwriter (playing acoustic guitar) during the American folk music revival while working for a railroad. For a while, he shared a house in Venice, California, with David Crosby and Paul Kantner before being briefly jailed for marijuana possession. Prior to being incarcerated, he also became acquainted with Dino Valenti, then Crosby's nominal roommate on a h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Duncan
Gary Duncan (born Eugene Duncan, Jr., adopted at birth and named Gary Ray Grubb, September 4, 1946 – June 29, 2019) was an American guitarist, singer and songwriter. He was guitarist with The Brogues, then most notably with Quicksilver Messenger Service, where the complex interplay between himself and fellow-guitarist John Cipollina did much to define the unique sound of that San Francisco based band. Early life and musical career Born in San Diego, Duncan grew up in Ceres, California, where (as Gary Grubb) he played guitar for the Ratz until they finished their performance itinerary as an opening act for the Byrds and the Rolling Stones at the War Memorial Auditorium in San Jose, California. It was in 1965 when, as Gary Cole, he joined the Brogues, in Merced, California, and met future Quicksilver Messenger Service drummer Greg Elmore. It was with the Brogues that he adopted the stage name Gary Duncan. He stayed with them until they broke up in 1965. Quicksilver Mes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cipollina
John Cipollina (August 24, 1943 – May 29, 1989) was a guitarist best known for his role as a founder and the lead guitarist of the prominent San Francisco rock band Quicksilver Messenger Service. After leaving Quicksilver he formed the band Copperhead, was a member of the San Francisco All Stars and later played with numerous other bands. Early years John and his twin sister Manuela were born in Berkeley, California on August 24, 1943. Cipollina attended Tamalpais High School in Mill Valley, California, as did his brother Mario (born 1954) and sister Antonia (born 1952). Their father Gino, a realtor, was of Italian ancestry (Genovese and Piemontese origins). Their mother Evelyn and godfather José Iturbi were concert pianists. John showed great promise as a classical pianist in his youth, but his father gave him a guitar when he was 12 and this quickly became his primary instrument. Equipment and technique Cipollina had a unique guitar sound, mixing solid state and vacu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Do You Love? (Bo Diddley Song)
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm. "Who Do You Love?" was part of Bo Diddley's repertoire throughout his career, but none of his various recordings reached the record charts. The song has been interpreted and recorded by numerous musicians in different styles, often adding a Bo Diddley beat. Popular renditions include those by Ronnie Hawkins and George Thorogood, with charting singles by the Woolies, Tom Rush, Quicksilver Messenger Service, and Juicy Lucy. Guitarists' contributions to the various renditions of the song have been noted by music critics and writers. Beginning with blues guitarist Jody Williams' prominent fills and solo on Bo Diddle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codine (song)
"Cod'ine" (also spelled "Codine" or "Codeine") is a contemporary folk song by the singer-songwriter Buffy Sainte-Marie. Considered one of the earliest anti-drug songs, Sainte-Marie wrote the piece after becoming addicted to codeine which she had been given for a bronchial infection. She recorded it for her debut album, '' It's My Way!'' (1964). "Cod'ine" is a solo performance by Sainte-Marie, with her vocal accompanied by a twelve-string acoustic guitar. The lyrics are a personalized portrayal of addiction; the spelling reflects her pronunciation of the word, which rhymes with "rise" and "time" in the song's verses. As one of her best-known songs, it is included on several compilations. Her performance at the Newport Folk Festival was filmed and appears on Murray Lerner's documentary ''Festival'' (1967). A variety of artists have recorded "Cod'ine" (usually as "Codine"), making it one of Sainte-Marie's most often covered songs. Background and composition In the early 1960s, aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization (the bending of time), and dynamization (when fixed, ordinary objects dissolve into moving, dancing structures), all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back Door Man
"Back Door Man" is a blues song written by American musician Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album. Lyrics In Southern culture, the phrase "back-door man" refers to a man having an affair with a married woman, using the back door as an exit before the husband comes home. Dixon's lyrics include: The philandering "back-door man" is a theme of several blues songs, including those by Charley Patton, Lightnin' Hopkins, Blind Willie McTell and Sara Martin: "every sensible woman got a back-door man", Martin sang in "Strange Loving Blues" (1925). Recording and releases "Back Door Man" was recorded in Chicago in June 1960. Accompanying Howlin' Wolf on vocals are Otis Spann on piano, Hubert Sumlin on guitar, Willie Dixon on double b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolution (1968 Film)
''Revolution'' is a documentary film by Jack O'Connell made in San Francisco in 1967. It was subsequently revived with added reminiscences. Production The project's original title was ''Revolution: The Flowering of the Hippie Concept'', originally conceived by Jack O'Connell in February 1967 to be the definitive documentary of the new hippie movement flowering at the time in San Francisco's Haight-Ashbury district. O'Connell hired cameraman Bill Godsey to persuade his hippie friends in the Haight that they would be accurately represented. A 20 member crew lived among and filmed the hippies for seven weeks in the late spring and summer of 1967 (at the peak of the Summer of Love) with post-production underway by the fall. A projected February 1968 release date was postponed, however, when it was learned that a competing documentary, ''The Hippie Revolt'', was being rushed to release at the same time. Content The film follows "Today" Louise Malone, a middle class runaway origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
