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Universal Zulu Nation
The Universal Zulu Nation is an international hip hop culture, hip hop awareness group formed by electro (music), electro/hip hop artist Afrika Bambaataa. According to the website of the UZN, the Zulu Nation stands for "knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, work, fun, overcoming the negative to the positive, economics, mathematics, science, life, truth, facts, faith, and the oneness of god". History Originally known simply as the Organization, it arose in the 1970s from the reformed New York City street gang, gang the Black Spades, a street gang from the South Bronx. While the Black Spades were the base of the organization, other reformed gangs contributed additional members, notably the Savage Nomads, Seven Immortals (gang), Seven Immortals, and Savage Skulls, among others. Members began to organize cultural events for youths, combining local dance and music movements into what would become known as the various elements o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universal Zulu Nation Logo, Wisdom Face, 2011 Revision
Universal is the adjective for universe. Universal may also refer to: Companies * NBCUniversal, a media and entertainment company that is a subsidiary of Comcast ** Universal Animation Studios, an American Animation studio, and a subsidiary of NBCUniversal ** Universal TV, a television channel owned by NBCUniversal ** Universal Kids, an American current television channel, formerly known as Sprout, owned by NBCUniversal ** Universal Pictures, an American film studio, and a subsidiary of NBCUniversal ** Universal Television, a television division owned by NBCUniversal Content Studios ** Universal Destinations & Experiences, the theme park unit of NBCUniversal * Universal Airlines (other) * Universal Avionics, a manufacturer of flight control components * Universal Corporation, an American tobacco company * Universal Display Corporation, a manufacturer of displays * Universal Edition, a classical music publishing firm, founded in Vienna in 1901 * Universal Entertainment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graffiti
Graffiti (singular ''graffiti'', or ''graffito'' only in graffiti archeology) is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire. Modern graffiti is a controversial subject. In most countries, marking or painting property without permission is considered vandalism. Modern graffiti began in the New York City subway system and Philadelphia in the early 1970s and later spread to the rest of the United States and throughout the world. Etymology "Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word ''graffiato'' ("scratched"). In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek —''gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Native Tongues
The Native Tongues was a collective of late 1980s and early 1990s hip-hop artists known for their positive-minded, good-natured Afrocentric lyrics, and for pioneering the use of eclectic sampling and jazz-influenced beats. Its principal members were the Jungle Brothers, De La Soul, A Tribe Called Quest, Monie Love, and Queen Latifah. The collective was also closely tied to the Universal Zulu Nation. ''Rolling Stone'' cites the track "Doin' Our Own Dang" as "the definitive Native Tongues posse cut". Naming The Native Tongues took their name from a line in the song "African Cry", by Motown-offshoot funk group New Birth, which features the lyric, "took away our native tongues". History The New York City-based Native Tongues crew was a collective of like-minded hip hop artists who would help bring abstract and open-minded lyricism that addressed a range of topics—from spirituality and modern living to race, sex, and just having fun—to the mainstream. Together with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Tribe Called Quest
A Tribe Called Quest was an American Hip hop music, hip hop group formed in Queens, New York City, in 1985,Q-Tip Red Bull Music Academy. Accessed on January 4, 2019. originally composed of rapper and main producer Q-Tip (musician), Q-Tip,Exclusive: Q-Tip Interview MOOVMNT.com. Retrieved on June 25, 2017. rapper Phife Dawg, DJ and co-producer Ali Shaheed Muhammad, and rapper Jarobi White. The group is regarded as a pioneer of alternative hip hop and jazz rap, merging jazz with hip hop, influencing numerous hip hop and Contemporary R&B, R&B musicians. A Tribe Called Quest came to prominence as members of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Enemy (band)
Public Enemy is an American hip hop group formed in Roosevelt, New York, in 1985 by Chuck D and Flavor Flav. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, '' Yo! Bum Rush the Show'', was released in 1987 to critical acclaim, and their second album, ''It Takes a Nation of Millions to Hold Us Back'' (1988), was the first hip hop album to top ''The Village Voice''s Pazz & Jop critics' poll. Their next three albums, '' Fear of a Black Planet'' (1990), '' Apocalypse 91... The Enemy Strikes Black'' (1991), and '' Muse Sick-n-Hour Mess Age'' (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film '' He Got Game'' and a collaborative album with Paris, '' Rebirth of a Nation'' (2006). Public Enemy has gone through many lineup changes over the years, with Chuck D and Flavor Flav remaining the only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KRS-One
Lawrence "Kris" Parker (born August 20, 1965), better known by his stage names KRS-One (; an abbreviation of "Knowledge Reigns Supreme Over Nearly Everyone") and Teacha, is an American rapper from the Bronx. He rose to prominence as part of the hip-hop group Boogie Down Productions, which he formed with DJ Scott La Rock in the mid-1980s. KRS-One is known for his songs "Sound of da Police", "Love's Gonna Get'cha (Material Love)", and "My Philosophy". Boogie Down Productions received numerous awards and critical acclaim in their early years. Following the release of the group's debut album, ''Criminal Minded'', fellow artist Scott La Rock was shot and killed, but KRS-One continued the group, effectively as a solo project. He began releasing records under his own name in 1993. He is politically active, having started the #Stop the Violence Movement, Stop the Violence Movement after La Rock's death. He is also a vegan activist, expressed in songs such as "Beef". He is widely considere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrocentrism
Afrocentrism is a worldview that is centered on the history of people of African descent or a view that favors it over non-African civilizations. It is in some respects a response to Eurocentric attitudes about African people and their historical contributions. It seeks to counter what it sees as mistakes and ideas perpetuated by the racist philosophical underpinnings of Western academic disciplines as they developed during and since Europe's Early Renaissance as justifying rationales for the enslavement of other peoples, in order to enable more accurate accounts of not only African but all people's contributions to world history. Afrocentricity deals primarily with self-determination and African agency and is a pan-African point of view for the study of culture, philosophy, and history. Gates, Henry Louis, and Kwame Anthony Appiah (eds), '' Africana: The Encyclopedia of the African and African-American'' Volume 1, p. 111, Oxford University Press. 2005. Afrocentrism is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South African Hip Hop
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul. There also have been groups in Tanzania and other countries that emceed before 1989, that knows as Kwanza Unit although it is not very well known. During the late 1980s to mid 1990s, Stevano UGO, Lagos, Nigeria hit "Earthquaking African MC" became the first Afrobeat rap Artist playing on radio Ray Power FM released via Kennis Music founder, Kenny Ogungbe "African Diddy, this sparked more awareness of bilingual rappers started to escalate all over Africa. Each region had a new type of style of hip hop. Rap elements are also found in kwaito, a subgenre of house music which was developed in South Africa in the 1980s. Hip Hop the genre itself was created by African Americans during the early 1970 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Hip Hop
Korean hip-hop, also known as K-hip-hop or K-rap, is a subgenre of the South Korean popular music. It is widely considered to have originated in the late 1980s and early 1990s, and has since become increasingly popular, both in South Korea and abroad. While South Korea's hip-hop culture includes various elements such as rap, graffiti, DJing, turntablism, and b-boying, rapping makes up a significant part of the culture. The term "hip-hop" is largely recognized and understood as "rap" in Korea. Characteristics Linguistic hybridization The interplay between the Korean language and English has been used as a technical and aesthetic device in Korean hip-hop. Many Korean hip-hop songs contain syllabic similarities that could be interpreted in either languages. The bilingual aspect of this music is one distinguishing factor between Korean hip-hop and American hip-hop. As early-stage Korean hip-hop was heavily influenced by African-American hip-hop, Korean hip-hop artists began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Hip Hop
The Canadian hip hop scene was established in the 1980s. Through a variety of factors, it developed much slower than Canada's popular rock music scene, and apart from a short-lived burst of mainstream popularity from 1989 to 1991, it remained largely an underground phenomenon until the early 2000s. Canada's multicultural and multilingual fabric has given rise to various subgenres, including Indigenous, French, and Punjabi Canadian hip hop. Also notable is the influence of Caribbean rhythms in creating a sound unique to Toronto. In the early 1990s, Canadian hip hop artists like Maestro Fresh-Wes, Main Source, and Dream Warriors were popular in the underground hip hop scene. In 1998, the collaborative single " Northern Touch" brought hip hop back into the Canadian mainstream. Since the 2000's, Canadian hip hop saw a rise to mainstream success led by Drake, and to a lesser extent Kardinal Offishall, Tory Lanez, and Nav. History Early 1980s Canada had hip hop artists right ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Hip Hop
Australian hip-hop traces its origins to the early 1980s and was initially largely inspired by hip-hop and other urban musical genres from the United States. As the form matured, Australian hip hop has become a commercially viable style of music that is no longer restricted to the creative underground, with artists such as Onefour, Hilltop Hoods, Kerser and Bliss n Eso and having achieved notable fame. Australian Hip-Hop is still primarily released through independent record labels, which are often owned and operated by the artists themselves. Despite its genesis as an offshoot of American hip-hop, Australian hip hop has developed a distinct personality that reflects its evolution as an Australian musical style. Since the inception of the Australian hip-hop scene, Aboriginal Australians, Australian Aboriginals have played a prominent role. History Early years (1980s) In 1982, the music video for Malcolm McLaren's track, "Buffalo Gals (Malcolm McLaren song), Buffalo Gals", was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Hip Hop
UK rap, also known as British hip hop or UK hip hop or British rap, is a music genre and culture that covers a variety of styles of hip hop music made in the United Kingdom. The development of UK rap was shaped by a distinct set of regional influences, slang, and grassroots movements that differentiated it from American hip hop. It is generally classified as one of a number of styles of R&B/hip-hop. British hip hop can also be referred to as Brit-hop, a term coined and popularised mainly by '' British Vogue'' magazine and the BBC. British hip hop was originally influenced by the dub/toasting introduced to the United Kingdom by Jamaican migrants in the 1950s–70s, who eventually developed uniquely influenced rapping (or speed-toasting) in order to match the rhythm of the ever-increasing pace and aggression of Jamaican-influenced dub in the UK. Toasting and soundsystem cultures were also influential in genres outside of hip hop that still included rapping – such as grime, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
