Undløse Church
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Undløse Church
Undløse Church () is located in the village of Undløse some southwest of Holbæk in northern Zealand, Denmark. The original part of the Romanesque church derives from the late 12th century. The church is noted for its early 15th-century frescoes and for its elaborate Baroque altarpiece and pulpit, both woodcuts by Abel Schrøder. History The church, dedicated to Lawrence of Rome, belonged to the Hvide family and was under Absalon's jurisdiction. There is extensive documentation from the 12th century of transactions between Undløse and Sorø Abbey. The Roskilde cadaster from 1370 lists the taxation schedule for Undløse Church. Correspondence from 1357 to 1492 documents the early pilgrimages to Undløse and the various related religious ceremonies, all encouraged by a nearby sacred source. An indulgence communication from 1421 refers to the consecration of altars to Our Lady, St Lawrence and St Catherine. In 1441, the Bishop of the Faroes consecrated a chapel and altar to St ...
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Undløse
Undløse is the main village of Undløse Parish, located about southwest of Holbæk in Holbæk municipality in northwestern Zealand, Denmark. As of 1 January 2025, it has a population of 1,128. Undløse Church has Baroque woodcuts by Abel Schrøder and notable 15th-century frescoes. History Undløse Church was built in the Romanesque style at the end of the 12th century. It was enlarged in the early 16th century with Gothic additions."Undløse kirke"
''Nordens kirker''. Retrieved 6 January 2013. The manor of Kongsdal with a history dating back to the 12th century lies in the northwestern part of Undløse and has had considerable influence on the development of the community. Today's manor house was built in 1598 by Peder Redtz.
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Kongsdal
Kongsdal /1280ndash1661: Tygestrup) is a manor house and estate located approximately southwest of Holbaek, between Undløse and Mørkøv, Holbæk Municipality, some 60 km west of Copenhagen, Denmark. The three-winged main building from the 1590s was listed in the Danish registry of protected buildings and places in 1918. History Hvide family The estate traces its history back to the late 12 century when Sorø Abbey established a home farm (''ladegård'') named Undløse at the site. The land had been presented to it by Bishop Absalon in 1180. It was later expanded with more tenant farms until it comprised most of the parish and much of the surrounding villages. In 1205, Sorø Abbey returned Undløse to the Hvide family in exchange for Pedersborg on Lolland. Undløse was subsequently in the hands of members of the Hvide family for many generations. The most prominent member of the family to own the estate was Marsk Stig Andersen. In 1280, he renamed the estate Undløse. ...
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Baptismal Font
A baptismal font is an Church architecture, ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of Infant baptism, infant and Believer's baptism, adult baptism. Aspersion and affusion fonts The earliest western fonts are found in the Catacombs of Rome. The fonts of many western Christian denominations that practice infant baptism are designed for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal with a holder for a basin of water. The materials vary greatly, consisting of carved and sculpted stone (including marble), wood, or metal in different shapes. Many fonts are in Octagon, octagonal shape, as a reminder of the new creation and as a connection to the Old Testament practice of circumcision, which traditionally occurs on the eighth day. Some fonts are three-sided as a reminder of the Holy T ...
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Vassal
A vassal or liege subject is a person regarded as having a mutual obligation to a lord or monarch, in the context of the feudal system in medieval Europe. While the subordinate party is called a vassal, the dominant party is called a suzerain. The rights and obligations of a vassal are called vassalage, while the rights and obligations of a suzerain are called suzerainty. The obligations of a vassal often included military support by knights in exchange for certain privileges, usually including land held as a tenant or fief. The term is also applied to similar arrangements in other feudal societies. In contrast, fealty (''fidelitas'') was sworn, unconditional loyalty to a monarch. European vassalage In fully developed vassalage, the lord and the vassal would take part in a commendation ceremony composed of two parts, the Homage (feudal), homage and the fealty, including the use of Christian sacraments to show its sacred importance. According to Eginhard's brief description, ...
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Wood Carving
Wood carving (or woodcarving) is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculpture, sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery. The making of sculpture in wood has been History of wood carving, extremely widely practised, but does not survive undamaged as well as the other main materials like Stone sculpture, stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are th ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late Middle Ages, late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the Church (congregation), congregation below, especially prior to the invention of modern audio equipment. Most pulpits have one or more book-stands for the preacher to rest his bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not a ...
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Altarpiece
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted o ...
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Crucifix
A crucifix (from the Latin meaning '(one) fixed to a cross') is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the (Latin for 'body'). The crucifix emphasizes Jesus' sacrifice, including his death by crucifixion, which Christians believe brought about the redemption of mankind. Most crucifixes portray Jesus on a Latin cross, rather than a Tau cross or a Coptic cross. The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Catholic Church, and is also used in the Lutheran Churches, Anglican Churches, Eastern Orthodox Church, and in most Oriental Orthodox Churches (except the Armenian Church and Syriac Church). The symbol is less common in churches of other Protestant denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to ...
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Chalice
A chalice (from Latin 'cup', taken from the Ancient Greek () 'cup') is a drinking cup raised on a stem with a foot or base. Although it is a technical archaeological term, in modern parlance the word is now used almost exclusively for the cups used in Christian liturgy as part of a service of the Eucharist, such as a Catholic mass. These are normally made of metal, but neither the shape nor the material is a requirement. Most have no handles, and in recent centuries the cup at the top has usually been a simple flared shape. Historically, the same shape was used for elite secular vessels, and many individual examples have served both secular and liturgical uses over their history, for example the Lacock Cup and Royal Gold Cup, both late medieval cups. Cups owned by churches were much more likely to survive, as secular drinkware in precious metal was usually melted down when it fell out of fashion. The same general cup shape is also called a goblet (from Old French , di ...
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Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christianity, Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the Church (building), church, but in some cases it is an annex or separate building (as in some monastery, monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the high altar, main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the Church service, service. They will return there at the end of the service to r ...
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Apse
In architecture, an apse (: apses; from Latin , 'arch, vault'; from Ancient Greek , , 'arch'; sometimes written apsis; : apsides) is a semicircular recess covered with a hemispherical Vault (architecture), vault or semi-dome, also known as an ''exedra''. In Byzantine architecture, Byzantine, Romanesque architecture, Romanesque, and Gothic architecture, Gothic Architecture of cathedrals and great churches, Christian church architecture, church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east and west, liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the ...
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Chancel
In church architecture, the chancel is the space around the altar, including the Choir (architecture), choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader defi ...
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