Ukiyo-e Ruikō
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Ukiyo-e Ruikō
The ''Ukiyo-e Ruikō'' (, "Various Thoughts on Ukiyo-e") is a Japanese collection of commentaries and biographies of ukiyo-e artists. It did not appear in print during the Edo period in which it was produced, but was circulated in handwritten copies subject with numerous additions and alterations. The writer Ōta Nanpo produced the first version in 1790. More than 120 variants of the ''Ukiyo-e Ruikō'' are known. An edition with updates by Santō Kyōden, Sasaya Shishichi Kuninori, and Shikitei Sanba in 1802 is the earliest extant copy, produced under the title ''Ukiyo-e Kōshō''. This version lists 37 artists and focuses mainly on ukiyo-e painters and major print designers. The ''Ukiyo-e Ruikō'' ranks artists regarded for their paintings higher than those mainly associated with their print designs, and highlights artists training in painterly schools such as the Kanō school, Kanō or painting traditions such as Yamato-e, suggesting the prestige painting held over printin ...
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Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ...
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