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Ukiyo-e Ruikō
The ''Ukiyo-e Ruikō'' (, "Various Thoughts on Ukiyo-e") is a Japanese collection of commentaries and biographies of ukiyo-e artists. It did not appear in print during the Edo period in which it was produced, but was circulated in handwritten copies subject with numerous additions and alterations. The writer Ōta Nanpo produced the first version in 1790. More than 120 variants of the ''Ukiyo-e Ruikō'' are known. An edition with updates by Santō Kyōden, Sasaya Shishichi Kuninori, and Shikitei Sanba in 1802 is the earliest extant copy, produced under the title ''Ukiyo-e Kōshō''. This version lists 37 artists and focuses mainly on ukiyo-e painters and major print designers. The ''Ukiyo-e Ruikō'' ranks artists regarded for their paintings higher than those mainly associated with their print designs, and highlights artists training in painterly schools such as the Kanō school, Kanō or painting traditions such as Yamato-e, suggesting the prestige painting held over printin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengoku period, the Edo period was characterized by prolonged peace and stability, urbanization and economic growth, strict social order, Isolationism, isolationist foreign policies, and popular enjoyment of Japanese art, arts and Culture of Japan, culture. In 1600, Tokugawa Ieyasu prevailed at the Battle of Sekigahara and established hegemony over most of Japan, and in 1603 was given the title ''shogun'' by Emperor Go-Yōzei. Ieyasu resigned two years later in favor of his son Tokugawa Hidetada, Hidetada, but maintained power, and defeated the primary rival to his authority, Toyotomi Hideyori, at the Siege of Osaka in 1615 before his death the next year. Peace generally prevailed from this point on, making samurai largely redundant. Tokugawa sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōta Nanpo
was the most oft-used pen name of Ōta Tan, a late Edo-period Japanese poet and fiction writer. Ōta Nanpo wrote primarily in the comedic forms of '' kyōshi'', derived from comic Chinese verse, and '' kyōka'', derived from '' waka'' poetry. Ōta Nanpo's pennames also include , Yomo Sanjin, Kyōkaen, and . Born into a lower-status samurai family in Edo, Nanpo served the shogunate in various ways throughout his life. He began his literary career as a student of Chinese Ming-dynasty writings, and adapted traditional Chinese comic verse (called ''kyōshi'' in Japanese), under the mentorship of playwright Hiraga Gennai, to daily life in Edo. His first collection of work was called ''Neboke sensei bunshū'', or the Literary Works of Master Groggy. Nanpo soon began to write ''kyōka'', comic ''waka'' verses, as well. His popularity grew in the 1760s and 1770s, as a result of his down-to-earth subject matter and unabashed style. During this time he also wrote a number of works of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santō Kyōden
was a Japanese people, Japanese Poet, artist, writer, and the owner of a tobacco shop during the Edo period. His real name was , and he was also known popularly as . He began his professional career illustrating the works of others before writing his own Kibyōshi and Sharebon. Within his works, Kyōden often included references to his shop to increase sales. Kyōden's works were affected by the shifting publication laws of the Kansei Reforms which aimed to punish writers and their publishers for writings related to the Yoshiwara and other things that were deemed to be "harmful to society" at the time by the Tokugawa Bakufu. As a result of his punishment in 1791, Kyōden shifted his writings to the more didactic Yomihon. During the 1790s, Santō Kyōden became a household name and one of his works could sell as many as 10,000 copies, numbers that were previously unheard of for the time. Early life Santō Kyōden was born in Fukagawa (Tokyo), Fukagawa in Edo (modern Tokyo). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shikitei Sanba
, better known by his pen name , was a Japanese comic writer of the Edo period. Major works *''Ukiyoburo'' *''Ukiyodoko'' References 1776 births 1822 deaths Writers of the Edo period {{Japan-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji era, Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists who trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamato-e
is a style of Japanese painting inspired by Tang dynasty paintings and fully developed by the late Heian period. It is considered the classical Japanese style. From the Muromachi period (15th century), the term yamato-e has been used to distinguish work from contemporary Chinese-style paintings , which were inspired by Chinese Song and Yuan-era ink wash paintings. Characteristic features of yamato-e include many small figures and careful depictions of details of buildings and other objects, the selection of only some elements of a scene to be fully depicted, the rest either being ignored or covered by a "floating cloud", an oblique view from above showing interiors of buildings as though through a cutaway roof, and very stylised depiction of landscape. Yamato-e very often depict narrative stories, with or without accompanying text, but also show the beauty of nature, with famous places or the four seasons . The pictures are often on scrolls that can be hung on a wall (), ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanford University Press
Stanford University Press (SUP) is the publishing house of Stanford University. It is one of the oldest academic presses in the United States and the first university press to be established on the West Coast. It is currently a member of the Association of University Presses. The press publishes 130 books per year across the humanities, social sciences, and business, and has more than 3,500 titles in print. History David Starr Jordan, the first president of Stanford University, posited four propositions to Leland and Jane Stanford when accepting the post, the last of which stipulated, "That provision be made for the publication of the results of any important research on the part of professors, or advanced students. Such papers may be issued from time to time as 'Memoirs of the Leland Stanford Junior University.'" In 1892, the first work of scholarship to be published under the Stanford name, ''The Tariff Controversy in the United States, 1789-1833'', by Orrin Leslie Elliott, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo-period Works
The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengoku period, the Edo period was characterized by prolonged peace and stability, urbanization and economic growth, strict social order, isolationist foreign policies, and popular enjoyment of arts and culture. In 1600, Tokugawa Ieyasu prevailed at the Battle of Sekigahara and established hegemony over most of Japan, and in 1603 was given the title ''shogun'' by Emperor Go-Yōzei. Ieyasu resigned two years later in favor of his son Hidetada, but maintained power, and defeated the primary rival to his authority, Toyotomi Hideyori, at the Siege of Osaka in 1615 before his death the next year. Peace generally prevailed from this point on, making samurai largely redundant. Tokugawa shoguns continued Ieyasu's policies of conformity, including a fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
