Tōnacācihuātl
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Tōnacācihuātl
In Aztec mythology, () was a creator and goddess of fertility, worshiped for peopling the earth and making it fruitful. Most Colonial-era manuscripts equate her with . was the consort of . She is also referred to as Ilhuicacihuātl or "Heavenly Lady." Tonacacihuatl is depicted in the Codex Telleriano-Remensis. Etymology The god's name is a compound of two Nahuatl words: and . While can be translated "woman" or "lady", presents several possible interpretations. Some read this root as (without the long 'o'), consisting of , meaning "human flesh" or "food", with the possessive prefix ("our"). By this etymology, would mean "Lady of Our Food" or "Lady of Our Flesh", most commonly rendered "Lady of Our Sustenance." The word simply means "abundance", giving the alternate reading "Lady of Abundance." Origin and role was the Central Mexican form of the creator goddess common to Mesoamerican religions. According to the ''Codex Ríos'', the ''History of the Mexicans as Told by ...
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Tōnacātēcuhtli
In Aztec mythology, Tonacatecuhtli was a creator and fertility god, worshipped for peopling the earth and making it fruitful. Most Colonial-era manuscripts equate him with Ometeotl, Ōmetēcuhtli. His consort was Tonacacihuatl. Tonacateuchtli is depicted in the Codex Borgia. Etymology The god's name is a compound of two Classical Nahuatl, Nahuatl words: and . While is generally translated "lord", presents several possible interpretations. Some read this root as (without the long 'o'), consisting of , meaning "human flesh" or "food", with the possessive prefix ("our"). By this etymology, would mean "Lord of Our Food" or "Lord of Our Flesh", most commonly rendered "Lord of Our Sustenance." The word simply means "abundance", giving the alternate reading "Lord of Abundance". Origin and role Tōnacātēcuhtli was the Central Mexican form of the aged creator god common to Mesoamerican religion. According to the Codex Ríos, the History of the Mexicans as Told by Their Painting ...
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Ōmeyōcān
Omeyocan is the highest of thirteen heavens in Aztec mythology, the dwelling place of Ometeotl, the dual god comprising Ometecuhtli and Omecihuatl. Etymology In Nahuatl, ōmeyōcān means "the place of duality." The word is composed of ōme ('two') and -yō (suffix for abstractions), which gives ōmeyōtl or duality; and -cān (place). Description Multiple Nahuatl sources, notably the ''Florentine Codex'', name the highest level of heaven Ōmeyōcān or "place of duality" (Sahagún specifically terms it "in ōmeyōcān in chiucnāuhnepaniuhcān" or "the place of duality, above the nine-tired heavens)." In the '' Histoyre du Mechique'', Franciscan priest André Thevet translated a Nahuatl source reporting that in this layer of heaven there existed "a god named Ometecuhtli, which means two-gods, and one of them was a goddess." According to the ''Codex Ríos'', the '' History of the Mexicans as Told by Their Paintings'', the ''Histoyre du Mechique'', and the ''Florentine Codex'', ...
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Gods
A deity or god is a supernatural being who is considered divine or sacred. The ''Oxford Dictionary of English'' defines deity as a god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". Religions can be categorized by how many deities they worship. Monotheistic religions accept only one deity (predominantly referred to as "God"), whereas polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as aspects of the same divine principle. Nontheistic religions deny any supreme eternal creator deity, but may accept a pantheon of deities which live, die and may be reborn like any other being. Although most monotheistic religions traditionally ...
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Chicomoztoc
Chicomoztoc () is the name for the mythical origin place of the Aztec Mexicas, Tepanecs, Acolhuas, and other Nahuatl-speaking peoples (or Nahuas) of the central Mexico region of Mesoamerica, in the Postclassic period. The term Chicomoztoc derives from Nahuatl ''chicome'' (“seven”), ''oztotl'' (“cave”), and -''c'' (“place”). In symbolic terms these caves within a hill have been compared to the wombs from which the various peoples were born; another possible association is with the seven orifices of the human body. In either case, this term is associated with the origin, birth, or beginning of a group of people, both mythic and historical. There is an association of Chicomoztoc with certain legendary traditions concerning Culhuacan (''Colhuacan''), an actual pre-Columbian settlement in the Valley of Mexico which was considered to have been one of the earliest and most pre-eminent settlements in the valley. Culhuacan (''"place of those with ancestors"'' is its literal m ...
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Tecpatl
In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends. Both ends could be rounded or pointed, but other designs were made with a blade attached to a handle. It can be represented with the top half red, reminiscent of the color of blood, in representations of human sacrifice and the rest white, indicating the color of the flint blade. It was the sign of the eighteenth day, the twentieth day of the month of the Aztec calendar and the beginning of one of the twenty trecenas of the tonalpohualli. The Tecpatl knife was traditionally used for human sacrifice by the Aztecs, but it also was the short-range weapon of the jaguar warriors. Although it may have seen only limited use on the battlefield, its sharp edges would have made it an effective sidearm. Mythical origin of Tecpatl Tecpatl, is one of the most complex iconographic symbols of Aztec mythology. This knife expresses multiple meanings that carry a c ...
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Codex Chimalpopoca
''Codex Chimalpopoca'' or ''Códice Chimalpopoca'' is a postconquest cartographic Aztec codex which is officially listed as being in the collection of the Instituto Nacional de Antropología e Historia located in Mexico City under "Collección Antiguo no. 159". It is best known for its stories of the hero-god Quetzalcoatl.Bierhorst, John. In Davíd Carrasco (ed). "Chimalpopoca, Codex." In ''The Oxford Encyclopedia of Mesoamerican Cultures''. : Oxford University Press, 2001. The current whereabouts of the codex are unknown. It appears to have been lost in the mid-twentieth century. Study of the codex is therefore necessarily provided only through copies and photographs. The codex consists of three parts, two of which are more important, one that regards the pre-Hispanic history of Central Mexico, the ''Anales de Cuauhtitlan'' and the other that regards the study of Aztec cosmology, the ''Leyenda de los Soles''. Physical characteristics According to Walter Lehmann, who studied ...
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Tlaltecuhtli
Tlaltecuhtli (Classical Nahuatl ''Tlāltēuctli'', ) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, she had to be kept sated by human sacrifices which would ensure the continued order of the world. According to a source, in the creation of the Earth, the gods did not tire of admiring the liquid world, no oscillations, no movements, so Tezcatlipoca and Quetzalcoatl thought that the newly created world should be inhabited. And for this, they made Tlalcihuatl, 'Lady of the earth', come down from heaven, and Tlaltecuhtli, 'Lord of the earth', would be her consort. Tezcatlipoca and Quetzalcoatl create the Earth from the body of Cipactli, a ...
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Florentine Codex
The ''Florentine Codex'' is a 16th-century ethnographic research study in Mesoamerica by the Spanish Franciscan friar Bernardino de Sahagún. Sahagún originally titled it: ''La Historia General de las Cosas de Nueva España'' (in English: ''The Universal History of the Things of New Spain''). After a translation mistake, it was given the name ''Historia general de las Cosas de Nueva España''. The best-preserved manuscript is commonly referred to as the ''Florentine Codex'', as the codex is held in the Laurentian Library of Florence, Italy. In partnership with Nahua men who were formerly his students at the Colegio de Santa Cruz de Tlatelolco, Sahagún conducted research, organized evidence, wrote and edited his findings. He worked on this project from 1545 up until his death in 1590. The work consists of 2,400 pages organized into twelve books; more than 2,000 illustrations drawn by native artists provide vivid images of this era. It documents the culture, religious cosmology ( ...
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