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Trumpets
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinct ...
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Piccolo Trumpet
The piccolo trumpet is the smallest member of the trumpet family, pitched one octave higher than the standard B trumpet. Most piccolo trumpets are built to play in either B or A, using a separate leadpipe for each key. The tubing in the B piccolo trumpet is one-half the length of that in a standard B trumpet. Piccolo trumpets in G, F, and even high C are also manufactured, but are rarer. The piccolo trumpet should not be confused with the pocket trumpet, which plays in the same pitch as the regular B trumpet. Types and details The piccolo trumpet in B is a transposing instrument, which sounds a minor seventh higher than written. It is, however, rarely written for specifically; it is often just used at the player's discretion to cover high material as appropriate. The soprano trumpet in D, also known as the ''Bach trumpet'', was invented in about 1890 by the Belgian instrument maker Victor Mahillon to play the high trumpet parts in music by Bach and Handel. The modern picc ...
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Bass Trumpet
The bass trumpet is a type of low trumpet which was first developed during the 1820s in Germany. It is usually pitched in 8' C or 9' B today, but is sometimes built in E and is treated as a transposing instrument sounding either an octave, a sixth or a ninth lower than written, depending on the pitch of the instrument. Having valves and the same tubing length, the bass trumpet is quite similar to the valve trombone, although the bass trumpet has a harder, more metallic tone. Certain modern manufacturers offering 'valve trombones' and 'bass trumpets' use the same tubing, valves, and bell, in different configurations - in these cases the bass trumpet is virtually identical to the valve trombone. History The earliest mention of the bass trumpet is in the 1821 ''Allgemeine Musikalische Zeitung'', in which Heinrich Stölzel's ''Chromatische Tenor-trompetenbaß'' and Griesling & Schlott's ''Chromatische Trompetenbaß'' are described. Several other variants were produced through the ...
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Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while s ...
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Pocket Trumpet
250px, Pocket trumpet in B-flat, with a standard size bell and medium-large bore The pocket trumpet is a B♭ trumpet that is constructed with the tubing wound into a much smaller coil than a standard trumpet, generally with a smaller diameter bell. It is not a standard instrument in a concert band or orchestra and is generally regarded as a novelty. It has been used by soloists in jazz ( Don Cherry played the similar pocket cornet) or other ensembles to add flair and variety. History The concept of reducing the brass instrument size without reducing the resonating tube length can be seen in several 19th century models of cornet. ''Pocket cornets'' have been constructed since the 1870s. Pocket trumpets are sometimes played as auxiliary instruments by soloists in jazz and dixieland bands, as well as for some specific studio recording demands. Don Cherry's work with the Ornette Coleman quartet is probably the best known example of pocket trumpet playing. Design and propertie ...
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Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while s ...
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Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is l ...
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Post Horn
The post horn (''also'' post-horn) is a valveless cylindrical brass instrument with a cupped mouthpiece. The instrument was used to signal the arrival or departure of a post rider or mail coach. It was used especially by postilions of the 18th and 19th centuries. Use and construction The post horn is sometimes confused with the coach horn, and even though the two types of horn served the same principal purpose, they differ in their physical appearance. The post horn has a cylindrical bore and was generally used on a coach pulled by two horses (technically referred to as "Tonga"); hence, it is sometimes also called the Tonga horn. The coach horn, on the other hand, has a conical bore and was used on a coach pulled by four horses (referred to as a "four-in-hand"). The post horn is no more than in length, whereas the coach horn can be up to long. The latter has more of a funnel-shaped bell, while the former's bell is trumpet-shaped. Post horns need not be straight but can be c ...
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Lituus
The word ''lituus'' originally meant a curved augural staff, or a curved war-trumpet in the ancient Latin language. This Latin word continued in use through the 18th century as an alternative to the vernacular names of various musical instruments. Roman ritual wand The ''lituus'' was a crooked wand (similar in shape to the top part of some Western European crosiers) used as a cult instrument in ancient Roman religion by augurs to mark out a ritual space in the sky (a ''templum''). The passage of birds through this ''templum'' indicated divine favor or disfavor for a given undertaking. The ''lituus'' was also used as a symbol of office for the college of the augurs to mark them out as a priestly group. Music instrument Antiquity The ancient ''lituus'' was an Etruscan high-pitched brass instrument, which was straight but bent at the end, in the shape of a letter J, similar to the Gallic carnyx. It was later used by the Romans, especially for processional music and as a sign ...
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Buccina
A buccina ( lat, buccina) or bucina ( lat, būcina, link=no), anglicized buccin or bucine, is a brass instrument that was used in the ancient Roman army, similar to the cornu. An ''aeneator'' who blew a buccina was called a "buccinator" or "bucinator" ( lat, buccinātor, būcinātor, link=no). Design It was originally designed as a tube made of either bronze or shells. However, as time went on more materials started to be used. It measured in length, of narrow cylindrical bore, and played by means of a cup-shaped mouthpiece. The tube is bent round upon itself from the mouthpiece to the bell in the shape of a broad C and is strengthened by means of a bar across the curve, which the performer grasps while playing to steady the instrument; the bell curves over his head or shoulder. Usage The buccina was used for the announcement of night watches, to summon soldiers by means of the special signal known as ''classicum'', and to give orders. Frontinus relates that a Roman gene ...
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Shofar
A shofar ( ; from he, שׁוֹפָר, ) is an ancient musical horn typically made of a ram's horn, used for Jewish religious purposes. Like the modern bugle, the shofar lacks pitch-altering devices, with all pitch control done by varying the player's embouchure. The shofar is blown in synagogue services on Rosh Hashanah and at the end of Yom Kippur; it is also blown every weekday morning in the month of Elul running up to Rosh Hashanah. Shofars come in a variety of sizes and shapes, depending on the choice of animal and level of finish. Bible and rabbinic literature The shofar is mentioned frequently in the Hebrew Bible, the Talmud and rabbinic literature. In the first instance, in , the blast of a shofar emanating from the thick cloud on Mount Sinai makes the Israelites tremble in awe. The shofar was used to announce the new moon and the Jubilee year. The first day of Tishrei (now known as Rosh Hashana) is termed a "memorial of blowing", or "day of blowing", the ...
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Didgeridoo
The didgeridoo (; also spelt didjeridu, among other variants) is a wind instrument, played with vibrating lips to produce a continuous Drone (music), drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal Australians, Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the Yolŋu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the ''yiḏaki'', or more recently by some, ''mandapul''. In the Bininj Gun-Wok, Bininj Kunwok language of West Arnhem Land it is known as ''mako''. A didgeridoo is usually cylindrical or Cone (geometry), conical, and can measure anywhere from long. Most are around long. Generally, the longer the instrument, the lower its pitch or key. Flared instruments play a higher pitch than unflared instruments of the same length. Hist ...
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Natural Trumpet
A natural trumpet is a valveless brass instrument that is able to play the notes of the harmonic series. History The natural trumpet was used as a military instrument to facilitate communication (e.g. break camp, retreat, etc.). Even before the late Baroque period the natural trumpet had been accepted into Western art music. There is evidence, for example, of extensive use of trumpet ensembles in Venetian ceremonial music of the 16th century. Although neither Andrea nor Giovanni Gabrieli wrote music specifically for the trumpet, they would have been very familiar with its technical possibilities. Later, talented players such as the early baroque composer Girolamo Fantini demonstrated that by playing in the extreme upper register and "lipping" the notes of the 11th and 13th harmonics (that is, flattening or sharpening those impure harmonics into tune with the embouchure), it was possible to play diatonic major and minor scales (and, hence, actual melodies rather than arpeggi ...
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