Tobias And The Angel (sculpture)
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Tobias And The Angel (sculpture)
''Tobias and the Angel'' is a group of two limewood sculptures carved in 1516 by Veit Stoss showing '' Tobias and the Angel'', with the archangel Raphael and Tobias, now in the Germanisches Nationalmuseum in Nuremberg. Whilst late Gothic in style, it is also shows Italian Renaissance influences first picked up by the artist whilst working on Piotr of Bnin's tomb in Kraków. They were commissioned, possibly as votive figures, by Rafaello Torrigiani, a Florentine merchant living in Santo Spirito parish, where his family had their chapel and which also contained the chapel of the Confraternity of Saint Raphael. The latter chapel had an altarpiece by Neri di Bicci and later one by Francesco Botticini (the latter now in the Galleria dell'Accademia), both also showing Raphael and Tobias. The works' later history is unknown and until the 1930s they were in separate locations, with the archangel in St. Jakob, Nuremberg and Tobias (then mistaken for one of the Magi Magi (; singul ...
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Santo Spirito, Florence
The Basilica di Santo Spirito ("Basilica of the Holy Spirit") is a church in Florence, Italy. Usually referred to simply as Santo Spirito, it is located in the Oltrarno quarter, facing the square with the same name. The interior of the building – internal length 97 meters – is one of the preeminent examples of Renaissance architecture. History Early history The land for the Augustinian church and convent was donated by Speziale and Acolti to Aldebrandino, a prior of the Augustinian establishment in Arcetri in 1250. The plot was located on the south bank of Arno in the ''sesto'' (one of the six ''sestieri'' of Florence) Oltrarno, within the communal walls of 1173–1175, but in a sparsely populated area. It became more accessible with construction of the Holy Trinity bridge (Ponte Santa Trinita) in 1252. The Augustinians started the church and the convent in the same year, incorporating an old church of San Romolo in the complex. It was originally dedicated to Mary, All ...
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Sculptures By Veit Stoss
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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