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The Siege Of Damascus
''The Siege of Damascus'' is a 1720 tragedy by the British writer John Hughes. It was inspired by Simon Ockley's 1708 study '' Conquest of Syria'', and focuses specifically on the Siege of Damascus in 634. Originally staged at the Theatre Royal, Drury Lane with a cast featuring Robert Wilks as Eumenes, Thomas Walker as Daran, Barton Booth as Phocyas, John Mills Sir John Mills (born Lewis Ernest Watts Mills; 22 February 190823 April 2005) was an English actor who appeared in more than 120 films in a career spanning seven decades. He excelled on camera as an appealing British everyman who often portra ... as Caled, Mary Porter as Eudocia, Charles Williams as Herbis, William Mills as Artaman and John Thurmond as Abudah. it was a success and was revived frequently in the eighteenth century.Orr p.68 It was his final work as he died shortly after its premiere. References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hughes (poet)
John Hughes (29 January 1677 – 17 February 1720) was an English poet, essayist and translator. Various of his works remained in print for a century after his death, but if he is remembered at all today it is for the use others made of his work. Texts of his were set by the foremost composers of the day and his translation of the ''Letters of Abelard and Heloise'' was a major source for Alexander Pope's ''Eloisa to Abelard''. Life and work Hughes was born in Marlborough, Wiltshire, the elder son of John Hughes, clerk in the Hand-in-Hand Fire Office, Snow Hill, London, and his wife Anne Burges, daughter of Isaac Burges of Wiltshire. He was educated in London, receiving the rudiments of learning in private schools. Emerging from education with an interest in all the arts, Hughes had to earn his living as a secretary at the Board of Ordnance. His poetry often dealt with patriotic themes and was judiciously dedicated to political lords but did not obtain for him a sinecure unt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Mills (stage Actor)
John Mills (c.1670–1736) was a British stage actor. A long-standing part of the Drury Lane company from 1695 until his death, he appeared in both comedies and tragedies. His wife Margaret Mills was an actress, and his son William Mills also became an actor at Drury Lane. He was a friend of the playwright Richard Steele and Robert Wilks the lead actor and manager at Drury Lane with whom he frequently appeared on stage. He died on 17 December 1736, thirteen days after performing in his final role as the King in '' Henry IV, Part 2''.Highfill, Burnim & Langhans p.249 Selected roles * Pedro in '' Agnes de Castro'' by Catherine Trotter (1695) * Castillio in ''Neglected Virtue'' by Charles Hopkins (1696) * Pisano in '' The Unhappy Kindness'' by Thomas Scott (1696) * Lovewell in ''Love and a Bottle'' by George Farquhar (1698) * Colonel Darange in ''The Campaigners'' by Thomas D'Urfey (1698) * Vizard in '' The Constant Couple'' by George Farquhar (1699) * Don Duart in '' Love Make ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *'' Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1720 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Thurmond
John Thurmond (died 1727) was a British stage actor. To distinguish him from his son, also an actor named John, he is sometimes called John Thurmond the Elder. His earliest known stage performance was in 1695, when he played in '' Cyrus the Great'' with Thomas Betterton's troupe at the Lincoln's Inn Fields Theatre. Around 1699 he joined the Smock Alley Theatre where he acted alongside his wife Winifred. By 1708 he was back in London with the Drury Lane Theatre. He died on 7 September 1727 the same night he had been due to appear in '' Othello''. He was buried in St Paul's, Covent Garden, alongside his wife Winifred who died in 1736.Highfill, Burnim & Langhans p.431 Selected roles *Artabasus in '' Cyrus the Great'' by John Banks (1695) * Frederick in '' The She-Gallants'' by George Granville (1695) * Freindly ''The City Bride'' by Joseph Harris (1696) * Rodrigo in ''The Italian Husband'' by Edward Ravenscroft (1697) * Bellgard in '' Fatal Friendship'' by Catharine Trotter Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mills (actor)
William Mills (1701-1750) was a British stage actor. The son of veteran stage actor John Mills and his wife Margaret Mills, he was born in London and baptised at St Martin-in-the-Fields on 29 June 1701. Under his father's guidance he made his debut as a child actor in 1712. Like his father, he was a long-standing member of the Drury Lane theatre company. He took part in the Actor Rebellion of 1733, and left to work at the Haymarket Theatre for a season before returning to Drury Lane. His last appearance was in ''The Merchant of Venice'' in February 1750 and he died two months later on 18 April, shortly before a benefit was to be staged for him, and was buried at St Martin-in-the-Fields. He was married to the actress Theodosia Mills until her death in 1733, after which he married another actress Elizabeth Holliday.The Routledge Anthology of Restoration and Eighteenth-Century Drama p.lviii With his first wife he had a daughter also called Theodosia who likewise became an actre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Williams (stage Actor)
Charles Williams (1693–1731) was a British stage actor. Williams joined the company at the Theatre Royal, Drury Lane in 1718 and remained with it to his death in the year of his 38th birthday.Brean p.173 Selected roles * Lorenzo in '' Love in a Veil'' by Richard Savage (1718) * Herbis in ''The Siege of Damascus'' by John Hughes (1720) * Alan in '' The Briton'' by Ambrose Philips (1722) * Earl of Warwick in ''Humphrey, Duke of Gloucester'' by Ambrose Philips (1723) * Ammon in '' The Fatal Constancy'' by Hildebrand Jacob (1723) * Duke Frederick in '' Love in a Forest'' by Charles Johnson (1723) * Araxes in '' The Captives'' by John Gay (1724) * Decius in ''Caesar in Egypt'' by Colley Cibber (1724) * Julio in ''Double Falsehood'' by Lewis Theobald (1727) * Amyntas in ''Love in a Riddle'' by Colley Cibber (1729) * Freeman in '' The Village Opera'' by Charles Johnson (1729) * Scipio in ''Sophonisba'' by James Thomson (1730) * Dinarchus in ''Timoleon'' by Benjamin Martyn Benj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Porter (actress)
Mary Porter (died 24 February 1765) was an English actress. Life She was brought to the attention of Betterton by Elizabeth Barry, who had seen her play the Fairy Queen at Bartholomew Fair. In his company she made her first appearance in 1699, in tragedy, in which she was at her best, although she also played a long list of comedy parts. When her friends, Mrs Barry, Mrs Bracegirdle and Mrs Oldfield, had retired from the stage, she was left its undisputed queen. In 1713 she appeared in John Gay's comedy ''The Wife of Bath'' at Drury Lane. In 1724 she featured in his tragedy '' The Captives'' as Astarbe, Queen of Media. Selected roles * Mirabel in '' The Rival Fools'' by Colley Cibber (1709) * Alicia in ''Jane Shore'' by Nicholas Rowe (1714) * Lady Woodvill in '' The Non-Juror'' by Colley Cibber (1717) * Eudocia in ''The Siege of Damascus'' by John Hughes (1720) * Astarbe in '' The Captives'' by John Gay John Gay (30 June 1685 – 4 December 1732) was an English poet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton Booth
Barton Booth (168210 May 1733) was one of the most famous dramatic actors of the first part of the 18th century. Early life Booth was the son of The Hon and Very Revd Dr Robert Booth, Dean of Bristol, by his first wife and distant cousin Ann Booth, daughter of Sir Robert Booth, Lord Chief Justice of Ireland, and was educated at Westminster School, where his success in the Roman comedy ''Andria'' gave him a gave him an inclination for the stage. He was intended for the church, and to attend Trinity College, Cambridge; but in 1698 he ran away and obtained employment in a theatrical company in Dublin, where he made his first appearance as the title character in Aphra Behn's '' Oroonoko''. London success After two seasons in Ireland he returned to London, where Thomas Betterton, who had previously failed to help him, probably out of regard for Booth's family, now gave him all the assistance in his power. At the Lincoln's Inn Fields Theatre (1700–1704) he first appeared as M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Walker (actor)
Thomas Walker (1698–1744) was an English actor and dramatist. Early life He was the son of Francis Walker of Soho, London. At around the year 1714, he joined the Shepherd's company (perhaps the Shepherd who was at William Pinkethman's theatre in Greenwich in 1710). Barton Booth saw Walker in a droll, ''The Siege of Troy'', and recommended him to the management of the Drury Lane Theatre. Actor In November 1715 Walker seems to have played Tyrrel in Colley Cibber's ''Richard III''; on 12 December 1715 he was Young Fashion in a revival of ''The Relapse'' (John Vanburgh). On 23 September 1721 he appeared at Lincoln's Inn Fields as Edmund in ''King Lear'', and he remained there until 1733. On 29 January 1728 Walker took on his major original part, Captain Macheath in the '' Beggar's Opera'', and his reputation was established. On 10 February 1733, at the new Covent Garden Theatre, Walker was the first Periphas in John Gay's ''Achilles''.At this house he played Lothario, Banquo, He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wilks
Robert Wilks (''c.'' 1665 – 27 September 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition. The family was based for many generations in Bromsgrove, Worcestershire. His great-uncle, Judge Wilks, had served Charles I of England during the English Civil War, for whom he raised a troop at his own expense. After Oliver Cromwell won the civil war, Wilks' father moved to Dublin, where Robert Wilks was born. He was a clerk to Robert Southwell until he joined the Williamite army. As soon as he was discharged from the army, he worked in the Smock Alley Theatre in Dublin from 1691 to 1693. According to Wilks's version of the stor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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