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The Nightmare
''The Nightmare'' is a 1781 oil painting by Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and with a demonic and apelike incubus crouched on her chest. The painting's dreamlike and haunting erotic evocation of infatuation and obsession was a huge popular success. After its first exhibition, at the 1782 Royal Academy of London, critics and patrons reacted with horrified fascination and the work became widely popular, to the extent that it was parodied in political satire and an engraved version was widely distributed. In response, Fuseli produced at least three other versions. Interpretations vary. The canvas seems to portray simultaneously a dreaming woman and the content of her nightmare. The incubus and horse's head refer to contemporary belief and folklore about nightmares, but have been ascribed more specific meanings by some theorists. Contemporary critics were taken aback by the overt sexuality of the painting, since interpret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Fuseli
Henry Fuseli ( ; German: Johann Heinrich Füssli ; 7 February 1741 – 17 April 1825) was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as ''The Nightmare'', deal with supernatural subject matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake. Biography Fuseli was born in Zürich, Switzerland, the second of 18 children. His father was Johann Caspar Füssli, a painter of portraits and landscapes, and author of ''Lives of the Helvetic Painters''. He intended Henry for the church, and sent him to the Caroline college of Zurich, where he received an excellent classical education. One of his schoolmates there was Johann Kaspar Lavater, with whom he became close friends. After taking orders in 1761, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleep Paralysis
Sleep paralysis is a state, during waking up or falling asleep, in which one is conscious but is completely paralyzed. During an episode, one may hallucinate (hear, feel, or see things that are not there), which often results in fear. Episodes generally last less than a couple of minutes. It can recur or occur as a single episode. The condition may occur in those who are otherwise healthy or those with narcolepsy, or it may run in families as a result of specific genetic changes. The condition can be triggered by sleep deprivation, psychological stress, or abnormal sleep cycles. The underlying mechanism is believed to involve a dysfunction in REM sleep. Lucid dreaming doesn't affect the chances of sleep paralysis but some lucid dreamers use this as a method of having a lucid dream. Diagnosis is based on a person's description. Other conditions that can present similarly include narcolepsy, atonic seizure, and hypokalemic periodic paralysis. Treatment options for sleep para ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Renaissance
The German Renaissance, part of the Northern Renaissance, was a cultural and artistic movement that spread among Germany, German thinkers in the 15th and 16th centuries, which developed from the Italian Renaissance. Many areas of the arts and sciences were influenced, notably by the Renaissance humanism in Northern Europe, spread of Renaissance humanism to the various German states and principalities. There were many advances made in the fields of architecture, the arts, and the sciences. Germany produced two developments that were to dominate the 16th century all over Europe: Printing press, printing and the Protestant Reformation. One of the most important German humanists was Conrad Celtes, Konrad Celtis (1459–1508). Celtis studied at Cologne and Heidelberg, and later travelled throughout Italy collecting Latin and Greek manuscripts. Heavily influenced by Tacitus, he used the ''Germania (book), Germania'' to introduce German history and geography. Eventually he devoted h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Del Te
or is a palace in the suburbs of Mantua, Italy. It is a fine example of the mannerist style of architecture, and the acknowledged masterpiece of Giulio Romano. Although formed in Italian, the usual name in English of Palazzo del Te is not that now used by Italians. The official modern name, and by far the most common name in Italian, is . The English name arises because the art historian, Vasari, calls it the "", - all quotations from Vasari's "Vita di Giulio Romano, Pittore" and English-speaking writers, especially art historians, still most often call it "Palazzo del Te". History Palazzo del Te was constructed 1524–34 for Federico II Gonzaga, Marquess of Mantua, as a palace of leisure. The site chosen was that of the family stables at , on the edge of the marshes just outside Mantua's city walls. The name comes from , the grove that once grew on what was then an islet in the marshlands around the core of the city. Giulio Romano, a pupil of Raphael, was commissione ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicily
(man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographics1_title1 = Sicilian , demographics1_info1 = 98% , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-82 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €89.2 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleeping Ariadne
The '' Sleeping Ariadne'', housed in the Vatican Museums in Vatican City, is a Roman Hadrianic copy of a Hellenistic sculpture of the Pergamene school of the 2nd century BC, and is one of the most renowned sculptures of Antiquity. The reclining figure in a chiton bound under her breasts half lies, half sits, her extended legs crossed at the calves, her head pillowed on her left arm, her right thrown over her head. Other Roman copies of this model exist: one, the "Wilton House Ariadne", is substantially unrestored, while another, the "Medici Ariadne" found in Rome, has been "seriously reworked in modern times", according to Brunilde Sismondo Ridgway. Two surviving statuettes attest to a Roman trade in reductions of this familiar figure. A variant ''Sleeping Ariadne'' is in the Prado Museum, Madrid. A later Roman variant found in the Villa Borghese gardens, Rome, is at the Louvre Museum. Purchased from the Roman Angelo Maffei in 1512 by Pope Julius II, it was immediately installed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard III (play)
''Richard III'' is a play by William Shakespeare. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. ''Richard III'' concludes Shakespeare's first tetralogy (also containing ''Henry VI, Part 1'', ''Henry VI, Part 2'', and ''Henry VI, Part 3'') and depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. It is the second longest play in the Shakespearean canon and is the longest of the First Folio, whose version of ''Hamlet'', otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters' relationships. A further reason for abridgment is that Shakespeare assumed his audiences' familiarity with his ''Henry VI'' plays, frequentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise Lost
''Paradise Lost'' is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse (poetry), verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's ''Aeneid'') with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time. The poem concerns the The Bible, biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Composition In his introduction to the Penguin Books, Penguin edition of ''Paradise Lost'', the Milton scholar John Leonard notes, "John Milton was nearly sixty when he published ''Paradise Lost'' in 1667. The biographer John Aubrey (1626–1697) tells us that the poem was begun in about 1658 and finished in about 1663. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
