The New Aladdin
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The New Aladdin
''The New Aladdin'' is an Edwardian musical comedy in two acts by James T. Tanner and W. H. Risque, with music by Ivan Caryll, Lionel Monckton, and additional numbers by Frank E. Tours, and lyrics by Adrian Ross, Percy Greenbank, W. H. Risque, and George Grossmith, Jr. It was produced by George Edwardes at the Gaiety Theatre, opening on 29 September 1906 and running for 203 performances. The London production starred Grossmith, Harry Grattan (who also choreographed), Lily Elsie, Edmund Payne and Gaby Deslys (making her London debut). Gertie Millar, the established star of the Gaiety soon became available and replaced Elsie in the leading role, but shortly thereafter ''The Merry Widow'' made Elsie a big star. The Aladdin story had been dramatised extensively in England before and was very popular in pantomime versions, but this was the first book musical on the subject. P. G. Wodehouse wrote a comic dramatisation of the creation of ''The New Aladdin'' called "The Cooks and ...
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Gertie Millar
Gertrude Ward, Countess of Dudley ( Millar; 21 February 1879 – 25 April 1952), known as Gertie Millar, was an English actress and singer of the early 20th century, known for her performances in Edwardian musical comedies. Beginning her career at age 13, Millar was a prominent star of musical comedies for two decades. In 1902, she married the composer Lionel Monckton, who wrote the scores of many of her shows and songs that she made famous. She was one of the most prominent West End theatre performers of the early 20th century, starring in such long-running hits as ''The Toreador'' (1901), ''The Orchid'' (1903) '' The Spring Chicken'' (1905), ''The New Aladdin'' (1906) ''The Girls of Gottenberg'' (1907), ''Our Miss Gibbs'' (1909), ''The Quaker Girl'' (1910), '' Gipsy Love'' (1912), '' The Dancing Mistress'' (1912), ''The Marriage Market'' (1913), and ''A Country Girl'' (1914). After Monckton died in 1924, Millar married the 2nd Earl of Dudley. Life and career Millar was bo ...
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Musicals Based On Secular Traditions
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre wor ...
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West End Musicals
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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1906 Musicals
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Connie Ediss
Connie Ediss (born Ada Harriet Whitley; 11 August 1870 – 18 April 1934) Gänzl, Kurt"The real Connie Ediss, or 'She was a Milliner's Daughter'" Kurt of Gerolstein, 6 November 2020 was an English actress and singer best known as a buxom, good-humoured comedian in many of the popular Edwardian musical comedies around the turn of the 20th century. After beginning her career in provincial theatres in Britain in music hall and pantomime in the 1880s, Ediss was engaged to play in a series of extraordinarily successful musical comedies at the Gaiety Theatre, London, beginning in 1896, and also played in several musicals on Broadway. During World War I, she began a long tour in Australia, returning to London in 1919 to play in farces and comedies. She made a few films in the 1930s. Early life and career Born in Brighton in 1870 as Ada Harriet Whitley, Ediss was the youngest of four daughters of milliner Jane Whitley ''née'' McClean (born 1844) and John Whitley (1837–1909), ...
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Edna Loftus
Edna Loftus (c. 1891 – 15 June 1916) was a British actress who was briefly married to champion jockey Winnie O'Connor and gained notoriety in the United States for marrying Harry A. Rheinstrom, the heir to a Cincinnati brewing fortune, against the wishes of his family in 1910. While trained for musical theater in her early career in London, she was a cafe singer and hotel operator during her later years in California as a means to support herself during her second husband's illness. She died in poverty in San Francisco in 1916 of tuberculosis after divorcing Rheinstrom in 1914. Acting career Edna Loftus was born in London and grew up in Southwark. She first appeared at The Palace in a February 1906 revival of the musical comedy ''The Catch of the Season'' and as a female attendant in ''Madame Lingerie''. She starred in the 1906 adaptation of ''The New Aladdin'' in the role of Madge Oliphant for the Gaiety Theater. While not a primary role, she was lauded by the theater public ...
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Jean Aylwin
Jean Aylwin (10 October 18851964), also known as Jean Isabella Griffin Aitkin, was a Scottish actress and singer, often billed as "The Lady Harry Lauder". Aylwin was best known for creating character roles in successful Edwardian musical comedies early in the 20th century. She turned to roles in non-musical plays by World War I, continued to act into the 1920s and was later a radio broadcaster. Her divorce in 1924 from a colonel in the Intelligence Corps involved allegations of infidelity. Early life and career Aylwin was born in Hawick and was educated at George Watsons College, Edinburgh. She began her professional stage career in 1904 with a touring company playing character roles in smaller towns in the British provinces in such melodramas as ''The Red Coat'' and ''No Cross, No Crown''. She later toured with a company managed by George Dance as a shop assistant in the Edwardian musical comedy ''The Girl from Kays'', and next was engaged at the Gaiety Theatre, in the chor ...
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Adrienne Augarde
Adrienne Adele Augarde (12 May 1882 – 17 March 1913) was an English actress and singer popular for nearly a decade on both sides of the Atlantic Ocean, primarily for her roles in Edwardian musical comedy. She began her career in 1898 in pantomime and small roles in musical comedy and opera, before gaining wide popularity playing leading roles in the popular musicals produced by George Edwardes. She also appeared in a few dramas. After starring in a number of long-running productions in London and New York from 1903 to 1912, Augarde embarked on an American vaudeville tour. During the tour, she fell ill and died, after a failed appendectomy, at the age of 30. Early life and career Augarde was born in Westminster, London, the first child and only daughter of Frank Wells Augarde, a violinist, and his wife Henrietta Catherine (''née'' Van Achter), a Belgian singer. She had a younger brother, Augustus. The Augardes came from a long theatrical and musical tradition. Members of the ...
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Alfred Lester
Alfred Lester (25 October 1870 – 6 May 1925), real name Alfred Edwin Leslie, was an English actor and comedian. Born into a theatrical family, he learnt his craft touring in melodramas, as a young man, but made his reputation as a comedian in Edwardian musical comedy, musical comedy, music hall and, later, revue. Lester's gloomy stage persona was seen to its quintessential comic effect in the long-running musical ''The Arcadians (musical), The Arcadians'' (1909) in which he delivered optimistic lyrics in a lugubrious manner. Among his other hit shows were ''The New Aladdin'' (1906), ''Havana (Edwardian musical), Havana'' (1908) and ''The Bing Boys Are Here'' (1916). His co-stars included George Grossmith Jr., Phyllis Dare, George Robey and Violet Lorraine. Ill health brought Lester's career to a premature close, and he died of pneumonia at the age of fifty. Early life and career Lester was born in Preston, Lancashire, Preston, the son of the comedian Alfred Leslie and his wife ...
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The Life Of Writers
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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