The London Boys
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The London Boys
"The London Boys" is a song by English musician David Bowie. It was first released as the B-side of the single "Rubber Band" in the United Kingdom on 2 December 1966. It was originally written and demoed in 1965 with the Lower Third for potential release as the artist's debut single for Pye Records but it was rejected. After a year of rewrites, he recorded a new version with a new band, the Buzz, which helped secure him a record contract with Decca-subsidiary Deram Records. Unlike the A-side, "The London Boys" retains the Mod feel of Bowie's previous singles. The dark lyrics concern a 17-year-old girl who left home for London. As she wants to get to know the London boys, she turns to take pills to fit in. Like his previous singles, it failed to chart. Decca later issued it as an A-side in 1975. Bowie's biographers and other reviewers have praised "The London Boys" as one of his finest tracks of the era. He considered re-recording the song for his covers album ''Pin Ups'' in 1973, ...
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David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), ''The Village Green Preservation Society'' (1968), ...
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Nicholas Pegg
Nicholas Pegg is a British actor, writer and director. Educated at Nottingham High School and graduating with a Master of Arts in English Literature from the University of Exeter, Pegg subsequently trained at the Guildford School of Acting. Acting Pegg's acting work in the theatre includes productions for Nottingham Playhouse, Scottish Opera, Birmingham Repertory Theatre and the Theatre Royal, Plymouth. His television roles include appearances in ''EastEnders'', ''Doc Martin'' and ''It's a Sin'', and he has appeared as a Dalek operator in numerous episodes of ''Doctor Who''. In his capacity as a Dalek operator he has also appeared in person on '' Blue Peter'' and in many editions of the documentary series ''Doctor Who Confidential''. In November 2013 he appeared as himself in the 50th anniversary comedy homage ''The Five(ish) Doctors Reboot''. Pegg has also worked on ''Doctor Who'' in the audio medium, acting, writing and directing for several ''Doctor Who'' audio plays produce ...
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Disc (magazine)
''Disc'' was a weekly British popular music magazine, published between 1958 and 1975, when it was incorporated into ''Record Mirror''. It was also known for periods as ''Disc Weekly '' (1964–1966) and ''Disc and Music Echo '' (1966–1972). Background It first published on 8 February 1958, with the main competition being ''Record Mirror''. It gained a reputation for its emphasis on pop music as reflected in the music charts, in comparison with its more music-industry-focused rivals ''Melody Maker'' and ''New Musical Express''. Its pop music charts were based on its own sample of shops, initially no more than 25 in number, but expanding to about 100 by the mid-1960s. It also awarded silver discs (for UK sales of 250,000) and gold discs (for UK sales of 1,000,000) from 1959 until 1973. Awards were based on sales figures submitted by record companies. In 1973, ''Discs awards were superseded by the British Phonographic Industry (BPI) setting up an 'official' certification award ...
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David Bowie (1967 Album)
''David Bowie'' is the debut studio album by English musician David Bowie. It was released in the United Kingdom on 1June 1967 through Decca-subsidiary Deram Records. Following a string of singles that failed to chart and being dismissed from Pye Records in late 1966, Bowie was signed to Deram on the strength of "Rubber Band". After spending autumn of that year writing songs, ''David Bowie'' was recorded from November 1966 to March 1967 at Decca Studios in London with production by Mike Vernon, who hired numerous studio musicians. Bowie and his former Buzz bandmate Derek "Dek" Fearnley composed music charts for the orchestra using Freda Dinn's ''Observer's Guide to Music''. Musically, the album displays a baroque pop and music hall sound influenced by Anthony Newley and the Edwardian styles of contemporary British rock bands. The songs are primarily led by orchestral brass and woodwind instruments rather than traditional instruments in pop music at the time, although som ...
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Swinging London
The Swinging Sixties was a youth-driven cultural revolution that took place in the United Kingdom during the mid-to-late 1960s, emphasising modernity and fun-loving hedonism, with Swinging London as its centre. It saw a flourishing in art, music and fashion, and was symbolised by the city's "pop and fashion exports". Among its key elements were the Beatles, as leaders of the British Invasion of musical acts; Mary Quant's miniskirt; popular fashion models such as Twiggy and Jean Shrimpton; the mod subculture; the iconic status of popular shopping areas such as London's King's Road, Kensington and Carnaby Street; the political activism of the anti-nuclear movement; and sexual liberation. Music was a big part of the scene, with "the London sound" including the Who, the Kinks, the Small Faces and the Rolling Stones, bands that were the mainstay of pirate radio stations like Radio Caroline, Wonderful Radio London and Swinging Radio England. Swinging London also reached British cinem ...
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Marc Spitz
Marc Spitz (October 2, 1969 – February 4, 2017) was an American music journalist, author and playwright. Spitz's writings on rock and roll and popular culture appeared in ''Spin'' (where he was a Senior Writer) as well as ''The New York Times'', ''Maxim'', ''Blender'', ''Harp'', ''Nylon'' and the ''New York Post''. He was a contributing music writer for '' Vanity Fair''. Biography Born in Far Rockaway, Queens, Spitz was the author of the novels '' How Soon Is Never'' and '' Too Much, Too Late'', and the biographies '' We Got the Neutron Bomb: The Untold Story of LA Punk'' (with Brendan Mullen), ''Nobody Likes You: Inside the Turbulent Life, Times and Music of Green Day'', '' Bowie: A Biography'', and '' Jagger: Rebel, Rock Star, Rambler, Rogue''. He appears in the anthologies ''The Encyclopedia of Ex-es'', ''Howl: A Collection of the Best Contemporary Dog Wit'', and ''Rock N’ Roll Cage Match: Music’s Greatest Rivalries Decided''. His books have been translated and published ...
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A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on  (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto ...
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F Minor
F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it impractical to use. The F natural minor scale is : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are : : Music in F minor Famous pieces in the key of F minor include Beethoven's ''Appassionata Sonata'', Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, ''La Passione'' and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliquen ...
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F♯ (musical Note)
F (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to ''sol bémol'' or G (G-flat). However, in some temperaments, it is not the same as G. G is a major third below B, whereas F is a major third above D (a minor third below A). Another enharmonic note is E (E-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the F above middle C (or F4) is approximately 369.994 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on F * F major: F G A B C D E F * F natural minor: F G A B C D E F * F harmonic minor: F G A B C D E F * F melodic minor ascending: F G A B C D E F * F melodic minor descending: F E D C B A G F Diatonic scales * F Ionian: F G A B C D E F * F Dorian: F G A B C D E F * F Phrygian: F G A B ...
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E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ...
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F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ...
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