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Teatro San Moisè
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal. History Built by the San Bernaba branch of the Giustiniani family c.1620, it was originally a prose theatre. Its first opera production was Claudio Monteverdi's (now lost) opera ''L'Arianna'' in 1640 by which time the ownership had passed to the Zane family who had long intermarried with the Giustiniani. It was used by the Ferrari company, and the librettist Giovanni Faustini was one of the theatre's first impresarios.Rosand, Ellen (1990''Opera in Seventeenth-Century Venice: The Creation of a Genre'' pp. 88–124. University of California Press. From the outset it was one of the smaller theatres of Venice, but also one of the most influential. In 1668 it was enlarged to 800 seats, although this did not result in a significant increase on the size of the stage which li ...
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Teatro San Moise Ceiling Detail
Teatro may refer to: * Theatre * Teatro (band), musical act signed to Sony BMG * Teatro (Willie Nelson album), ''Teatro'' (Willie Nelson album), 1998 * Teatro (Draco Rosa album), ''Teatro'' (Draco Rosa album), 2008 {{disambiguation ...
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Auguste And Louis Lumière
The Lumière brothers (, ; ), Auguste Lumière, Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Lumière, Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their cinematograph, ''Cinématographe'' motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. Their screening of a single film on 22 March 1895 for around 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of Movie projector, projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. History The Lumière brothers ...
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Giuseppe Gazzaniga
Giuseppe Gazzaniga (5 October 1743 – 1 February 1818) was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers. Biography Born in Verona, Gazzaniga was initially intended for the priesthood at the urging of his devout parents. He eventually convinced his father to allow him to pursue a career in music and began studies first in Venice and then at the Conservatorio di Sant'Onofrio a Porta Capuana in Naples. While there, he was a pupil of Niccolò Piccinni and Nicola Porpora. Gazzaniga presented his first opera, '' Il barone di Trocchia'', at the Teatro di San Carlo in 1768. He would spend the next several decades writing mostly operas in Italy with the exception of a few trips to Dresden, Vienna, and Prague. His most successful opera was his '' Don Giovanni Tenorio'' written in 1787 to a libretto by Giovanni Bertati, possibly an inspiration for the libretto of Mozart's ''Don ...
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Don Giovanni Tenorio
', (English: ''Don Giovanni, or The Stone Guest'') also known as ''Don Giovanni Tenorio'' is a one-act opera (dramma giocoso) by the Italian composer Giuseppe Gazzaniga. The opera was first performed at the Teatro San Moisè, Venice, on 5 February 1787, the same day as opera ''Don Giovanni'' in the same city at the Teatro San Samuele The libretto, by Giovanni Bertati, is based on the legend of Don Juan as told by Tirso de Molina in his play '' The Trickster of Seville and the Stone Guest'' (c. 1630), leading to comparisons with Mozart's ''Don Giovanni'' which had its premiere later in 1787. Mozart's librettist, Lorenzo Da Ponte, certainly knew the earlier opera. Gazzaniga's work is much shorter than Mozart's, and originally formed part of a double-bill with another piece, ''Il capriccio drammatico''. Roles *Don Giovanni (tenor) The role was created by Antonio Baglioni, who sang Don Ottavio in the premiere of Mozart's opera. *Pasquariello, ''Don Giovanni's manservant'' (bass) ...
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L'avaro (Anfossi)
''L'avaro'' ("The Miser"), is an opera (''dramma giocoso'') in three acts composed by Pasquale Anfossi. The libretto by Giovanni Bertati is based on Molière's 17th-century comedy ''The Miser''. Considered one of Anfossi's best operas, it premiered at the Teatro San Moisè in Venice in the autumn season of 1775 and was subsequently performed throughout Italy and in other European cities. Background and performance history Anfossi was a prolific composer. ''L'avaro'' was the 25th of his 70 or more operas and one of the three which he had composed for the 1775 season at Venice's Teatro San Moisè. His librettist Giovanni Bertati was equally prolific, having written at least 70 libretti in his lifetime, almost all of them in the ''dramma giocoso'' genre. The premiere production of ''L'avaro'' had sets designed by Domenico and Gerolamo Mauri and costumes by Giuseppe Tadio. The performance was accompanied by a ballet, ''La serenata interrotta, o sia Il triplice matrimonio'' ("The Seren ...
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Giovanni Valentini (classical Composer)
Giovanni Valentini (c. 1750 – 1804) was an Italian classical era composer, poet and painter. He is best remembered for his innovative instrumental music. Among his many works are two operas, ''La statua matematica'' and ''Le nozze in contrasto'', the latter of which premiered at the Teatro San Moisè, Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ..., in November 1774. References 1750s births 1804 deaths Italian Classical-period composers Italian male classical composers Italian opera composers Male opera composers 19th-century Italian male musicians {{italy-composer-stub ...
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Tommaso Traetta
Tommaso Michele Francesco Saverio Traetta (30 March 1727 – 6 April 1779) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers. Biography Traetta was born in Bitonto, a town near Bari in the Apulia region, in Italy. He eventually became a pupil of the composer, singer and teacher Nicola Porpora in Naples, and scored a first success with his opera ''Il Farnace'' in Naples in 1751. Around this time, he came into contact with Niccolò Jommelli. From here on in, Traetta seems to have had regular commissions from all around the country, running the gamut of the usual classical subjects. Then in 1759, something untoward happened that was to trigger Traetta's first operatic re-think. He accepted a post as court composer at Parma. Parma, it has to be said, was hardly an important place i ...
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Le Serve Rivali
''Le serve rivali'' is a dramma giocoso per musica in two acts by composer Tommaso Traetta with an Italian libretto by Pietro Chiari. The opera originally premiered in one act as an intermezzo at the Teatro San Moisè in Venice, Italy Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The isl ... in the autumn of 1766. Traetta greatly expanded the work, and the full opera was first performed at the Fenzo Modesto in Venice later that same year. Roles References 1766 operas Operas Italian-language operas Operas by Tommaso Traetta Drammi giocosi {{italian-opera-stub ...
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Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, ...
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Florian Leopold Gassmann
Florian Leopold Gassmann (3 May 1729 – 21 January 1774) was a German-speaking Bohemian opera composer of the transitional period between the baroque and classical eras. He was one of the principal composers of ''dramma giocoso'' immediately before Mozart. He was one of Antonio Salieri’s teachers. Life and career Gassmann was born in Brüx, Bohemia, and was most likely trained by Johann Woborschil, the local chorus master. His father was a goldsmith who may well have opposed his son's choice of a musical career. From 1757 until 1762, he wrote an opera every year for the carnival season in Venice, and was also appointed choirmaster in the girls’ conservatory in Venice in 1757. Many of the librettos he set were by the renowned Venetian playwright Carlo Goldoni. In 1763 he was called to Vienna as court ballet composer, and was held in great affection by Emperor Joseph II. In 1764 he was appointed chamber composer to the Emperor, and in 1772 court conductor. In 1766 ...
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Armida Al Campo D'Egitto
''Armida al campo d'Egitto'' is an opera in three acts by Antonio Vivaldi to a libretto by Giovanni Palazzo. It was first performed during the Carnival season of 1718 at the Teatro San Moisè in Venice. Vivaldi's version is different from the more than 50 operas whose themes derive in varying degrees from the story of Rinaldo and Armida in Torquato Tasso's epic poem ''La Gerusalemme liberata'' (''Jerusalem Delivered'').Jellinek, George (1994) p.,. 354 Unlike the more than 50 operas based on the romance of Rinaldo and Armida, Vivaldi's version starts during previous events before the war against the Crusaders. Armida was revived for the Carnival season of 1738, with much of the music rewritten, and arias by Leonardo Leo added. Act II of the original version of the opera is now lost. Roles Recordings Complete recording with a restored version of Act II: *''Armida al campo d'Egitto'' (Concerto Italiano; Rinaldo Alessandrini, conductor). Label: Naïve OP30492. (2010) The overture ...
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Tieteberga
''Tieteberga'' (RV 737) is a partially lost dramma per musica by Antonio Vivaldi. The Italian libretto was by Antonio Maria Lucchini. The opera was first performed at the Teatro San Moisè in Venice on 16 October 1717.italianopera.org
The opera included nine arias by other composers.


Roles


Recordings

*" L'innocenza sfortunata" and "Se fido rivedro" (mezzo-soprano), , Federico Maria Sardelli (cond ...
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