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Teatro San Benedetto
The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's ''L'italiana in Algeri'', and was the theatre of choice for the presentation of '' opera seria'' until La Fenice was built in 1792. History The small, elegant theatre was first constructed by Michele Grimani on land owned by the Venier family. It was inaugurated on 26 December 1755 with a performance of Gioacchino Cocchi's opera ''Zoe''. In 1766 the ownership of the San Benedetto passed from Grimani to a consortium of patrician families in Venice who had been box holders at the theatre. The original design of the theatre was circular. However it was rebuilt in the traditional horseshoe shape following a fire in 1773. In 1765 Vincenzo Galeotti, who danced here from 1761, became the ballet master of the theatre and staged his first ballet here (at that time besides Galeotty a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dinner And Ball In The Teatro San Benedetto Venice, In Honour Of The Conti Del Nord, 22nd January 1782
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gasparo Angiolini
Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer. He was born in Florence and died in Milan. He is known thanks to the polemics with the French ballet master Jean-Georges Noverre. Gasparo Angiolini directed the ballet at the Imperial Theatre in Vienna, taking over the post in 1758, working closely with Christoph Willibald von Gluck on such works as '' Don Juan ou le Festin de Pierre'' (1761), and the opera ''Orfeo ed Euridice'' (1762). The dancing in both Don Juan and Orpheus were said to have insisted on th"primacy of drama".In addition to collaborating with Gluck, he also composed music for many of his ballets. He later succeeded Franz Hilverding as director of the Imperial Theatre in St. Petersburg, Russia in 1766. Both Hilverding and Angiolini are credited with bringing the pantomime balletArianna Béatrice Fabbricatore, « Gasparo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Houses In Italy
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres In Venice
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Scarpa
Carlo Scarpa (2 June 1906 – 28 November 1978) was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design. Biography Scarpa was born in Venice. Much of his early childhood was spent in Vicenza, where his family relocated when he was 2 years old. After his mother's death when he was 13, he moved with his father and brother back to Venice. Carlo attended the Academy of Fine Arts where he focused on architectural studies. Graduated from the Accademia in Venice, with the title of Professor of Architecture, he apprenticed with the architect Francesco Rinaldo. Scarpa married Rinaldo's niece, Nini Lazzari (Onorina Lazzari). However, Scarpa refused to sit the ''pro forma'' professional exam administrated by the Italian Government after World War II. As a consequence, he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Theater
A movie theater (American English), cinema (British English), or cinema hall ( Indian English), also known as a movie house, picture house, the movies, the pictures, picture theater, the silver screen, the big screen, or simply theater is a building that contains auditoria for viewing films (also called movies) for entertainment. Most, but not all, movie theaters are commercial operations catering to the general public, who attend by purchasing a ticket. The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds, and music are played through a number of wall-mounted speakers. Since the 1970s, subwoofers have been used for low-pitched sounds. Since the 2010s, the majority of movie theaters have been equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel. A great variety of films are shown at cinemas, ranging from animated films to bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo E Cristina
''Eduardo e Cristina'' () is an operatic ''dramma'' in two acts by Gioachino Rossini to an Italian libretto originally written by Giovanni Schmidt for ''Odoardo e Cristina'' (1810), an opera by Stefano Pavesi, and adapted for Rossini by Andrea Leone Tottola and Gherardo Bevilacqua-Aldobrandini. This pastiche work was composed in a great hurry for a first performance arranged less than a month after the premiere of ''Ermione''. Rossini borrowed "19 of the 26 musical numbers"Osborne, Charles 1994, p. 92 from his other works, including ''Adelaide di Borgogna'', '' Ricciardo e Zoraide'', as well as ''Ermione'' itself. The opera was first performed at the Teatro San Benedetto, Venice, on 24 April 1819 and given 24 performances that season before being revived the following year at the more prestigious La Fenice.Osborne, Charles 1994, p. 93 Ironically, while ''Ermione'' was not particularly well received, "''Eduardo e Christina'' was a huge success". Apparently, the first performanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Feodorovna (Sophie Dorothea Of Württemberg)
Maria Feodorovna (russian: Мария Фёдоровна; née Duchess Sophie Dorothea of Württemberg; 25 October 1759 – 5 November 1828 S 24 October became Empress consort of Russia as the second wife of Emperor Paul I. She founded the Office of the Institutions of Empress Maria. Daughter of Duke Frederick Eugene of Württemberg and Princess Friederike of Brandenburg-Schwedt, Sophie Dorothea belonged to a junior branch of the House of Württemberg and grew up in Montbéliard, receiving an excellent education for her time. After Grand Duke Paul (the future Paul I of Russia) became a widower in 1776, King Frederick II of Prussia (Sophie Dorothea's maternal great-uncle) and Empress Catherine II of Russia chose Sophie Dorothea as the ideal candidate to become Paul's second wife. In spite of her fiancé's difficult character, she developed a long, peaceful relationship with Paul and converted to the Russian Orthodox Church in 1776, adopting the name ''Maria Feodorovna''. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul I Of Russia
Paul I (russian: Па́вел I Петро́вич ; – ) was Emperor of Russia from 1796 until his assassination. Officially, he was the only son of Peter III and Catherine the Great, although Catherine hinted that he was fathered by her lover Sergei Saltykov.Aleksandr Kamenskii, ''The Russian Empire in the Eighteenth Century: Searching for a Place in the World'' (1997) pp 265–280. Paul remained overshadowed by his mother for most of his life. He adopted the laws of succession to the Russian throne—rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He also intervened in the French Revolutionary Wars and, toward the end of his reign, added Kartli and Kakheti in Eastern Georgia into the empire, which was confirmed by his son and successor Alexander I. He was ''de facto'' Grand Master of the Order of Hospitallers from 1799 to 1801 and ordered the construction of a number of Maltese thrones. Paul's pro-German sentiments and unpredictable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Galeotti
Vincenzo Galeotti (5 March 1733 – 16 December 1816) was an Italian-born Danish dancer, choreographer and ballet master, who was influential as the director of the Royal Danish Ballet from 1775 until his death. Life Vincenzo Tomasselli was born in Florence. He studied medicine but then decided to be a dancer. He was trained by Gasparo Angiolini, just two years older than his student. In 1759 he joined the company of Giuseppe Forti, which performed in Venice at the Teatro San Moisè, with the stage name ''Galeotti''. In 1761, he joined the dance company of another Venice theatre, San Benedetto. In 1763 he married the principal dancer Antonia Guidi, who was trained in Stuttgart by Jean-Georges Noverre. In 1765, at the Teatro San Benedetto, he choreographed his first works. Next season he worked at the Teatro San Luca. In 1766–1767, the couple performed in Torino Opera and in 1767–1769 again in Venice, in San Benedetto. In 1769–1770 they were in London at the Haymar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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