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Tuồng Cải Lương
''Hát tuồng'' (, Chữ Nôm: 咭從) or ''hát bội'' (, Chữ Nôm: 咭佩) is a form of Vietnamese theatre. Hát tuồng is often referred to as classical "Vietnamese opera" influenced by Chinese opera. Tuồng is distinct from the older hát chèo genre of Vietnamese theatre which combines dance, song and poetry, and the more modern cải lương folk musical. History The origin of ''tuồng'' is still unclear. It is believed that it was imported from China around the 13th century when Vietnam was warring against the Mongol Yuan Dynasty. A famous actor named Lý Nguyên Cát (Li Yuanji; ) was imprisoned by the Vietnamese. The imperial court asked him to spread his knowledge of Chinese theatre to the children of the elite, thus explaining how tuồng had first had its beginnings in Vietnam in the royal court. Later on, it was adapted to travelling troupes who entertained commoners and peasants. However, the first one to lay the foundation for the art of tuồng in Vietna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costumes De Théatre, à Hué Chefs Guerriers
Costume is the distinctive style of dress and/or makeup of an individual or group that reflects class, gender, occupation, ethnicity, nationality, activity or epoch—in short, culture. The term also was traditionally used to describe typical appropriate clothing for certain activities, such as riding costume, swimming costume, dance costume, and evening costume. Appropriate and acceptable costume is subject to changes in fashion and local cultural norms. This general usage has gradually been replaced by the terms "dress", "attire", "robes" or "wear" and usage of "costume" has become more limited to unusual or out-of-date clothing and to attire intended to evoke a change in identity, such as theatrical, Halloween, and mascot costumes. Before the advent of ready-to-wear apparel, clothing was made by hand. When made for commercial sale it was made, as late as the beginning of the 20th century, by "costumiers", often women who ran businesses that met the demand for complicate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Vietnamese Dance
Dance in Vietnam comprises several different forms including dance as performed in Vietnamese theatre and opera, dances performed at festivals, and royal dances of the imperial court. Dance is thought to have been an integral part of Vietnamese culture since ancient times. Vietnam is a diverse country with 54 different ethnic groups, with the ethnic Vietnamese (known as Kinh) making up the majority of the population. This article mainly focuses on the traditional dances of the ethnic Vietnamese, although each of the many ethnic minorities of Vietnam have their own rich culture and dance styles. Dancing in Vietnamese theatres Much of Vietnamese theatre and Vietnamese music are intertwined with each other, as well as with Vietnamese dance. Popular theatre forms such as Hát tuồng, Hát chèo, and Cải lươngTrích ''Nghệ thuật sân khấu Việt Nam'', Thanh Trung thư xã Sài Gòn, không đề năm xuất bản, tr 19-20. all often feature dance, however these d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Vietnam
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes. History Traditional Vietnamese music has been mainly used for religious activities, in daily life, and in traditional festivals. The music is considerably diverse due to Vietnam's ethnic population. Moreover, each of Vietnam's ethnic groups owns many unique types of musical instruments. The influence of Asian musical cultures on Vietnamese music can be seen in particular instruments such as the flutes, zithers, harps, and erhu. However, the recovery of an almost complete stringed instrument from a deer antler dated to 2,000 years old and shows clear similarities with traditional Vietnamese musical instruments indicate that these traditional instruments have ancient origins. Influences on Vietnam music The traditional music of Vietnam has been heavily influenced by Chinese mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cải Lương
''Tuồng cải lương'' (, Hán-Nôm: 從改良) often referred to as ''Cải lương'' (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam. It blends southern Vietnamese folk songs, classical music, ''hát tuồng'' (a classical theatre form based on Chinese opera), and modern spoken drama. History and description ''Cải lương'' originated in Southern Vietnam in the early 20th century and blossomed in the 1930s as a theatre of the middle class during the country's French Indochina, French colonial period. ''Cải lương'' is now promoted as a national theatrical form. Unlike the other folk forms, it continued to prove popular with the masses as late as the 1970s and the 1980s, although it is now in decline. Beyond remedy for Cai luong. VietNamNet Bridge. 21 August 2008 ''Cải lương'' can be compared to a sort of play with the added aspect of Vọng cổ. This term literally means "nostalgia for the past", it is a special type o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stock Character
A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with the stock characters of a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Vietnam
Vietnam, with its coastal strip, rugged mountainous interior, and two major deltas, became home to numerous cultures throughout history. Its strategic geographical position in Southeast Asia also made it a crossroads of trade and a focal point of conflict, contributing to its complex and eventful past. The first Ancient East Eurasian hunter-gatherers arrived at least 40,000 years ago. Around 4,000 years ago during the Neolithic period, Ancient Southern East Asian populations, particularly Austroasiatic and Austronesian peoples, began migrating from southern China into Southeast Asia, bringing with them rice-cultivation knowledge, languages, and much of the genetic basis of the modern population of Vietnam. In the first millennium BCE the Đông Sơn culture emerged, based on rice cultivation and focused on the indigenous chiefdoms of Văn Lang and Âu Lạc. Following the 111 BCE Han conquest of Nanyue, much of Vietnam came under Chinese dominance for a thousand years. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of China
The history of China spans several millennia across a wide geographical area. Each region now considered part of the Chinese world has experienced periods of unity, fracture, prosperity, and strife. Chinese civilization first emerged in the Yellow River valley, which along with the Yangtze basin constitutes the geographic core of the Chinese cultural sphere. China maintains a rich diversity of ethnic and linguistic people groups. The traditional lens for viewing Chinese history is the dynastic cycle: imperial dynasties rise and fall, and are ascribed certain achievements. This lens also tends to assume Chinese civilization can be traced as an unbroken thread many thousands of years into the past, making it one of the cradles of civilization. At various times, states representative of a dominant Chinese culture have directly controlled areas stretching as far west as the Tian Shan, the Tarim Basin, and the Himalayas, as far north as the Sayan Mountains, and as far south ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nguyen Dynasty
Nguyễn (阮) (sometimes abbreviated as Ng̃) is the most common surname of the Vietnamese people. Outside of Vietnam, the surname is commonly rendered without diacritics as ''Nguyen''. By some estimates 30 to 39 percent of Vietnamese people bear this surname.Lê Trung Hoa, ''Họ và tên người Việt Nam'', NXB Khoa học - Xã hội, 2005 Origin and usage is the transcription of the Sino-Vietnamese pronunciation of the character 阮, which originally was used to write a name of a state in Gansu or ruan, an ancient Chinese instrument. The same Chinese character is often romanized as in Mandarin and as in Cantonese. The first recorded mention of a person surnamed Nguyễn is a description dating AD 317, of a journey to Giao Châu undertaken by Eastern Jin dynasty officer Nguyễn Phu and his family. Many events in Vietnamese history have contributed to the name's prominence. In 1232, after usurping the Lý dynasty, Trần Thủ Độ forced the descendants of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dao Duy Tu
The Tao or Dao is the natural way of the universe, primarily as conceived in East Asian philosophy and religion. This seeing of life cannot be grasped as a concept. Rather, it is seen through actual living experience of one's everyday being. The concept is represented by the Chinese character , which has meanings including 'way', 'path', 'road', and sometimes 'doctrine' or 'principle'. In the ''Tao Te Ching'', the ancient philosopher Laozi explains that the Tao is not a name for a thing, but the underlying natural order of the universe whose ultimate essence is difficult to circumscribe because it is non-conceptual yet evident in one's being of aliveness. The Tao is "eternally nameless" and should be distinguished from the countless named things that are considered to be its manifestations, the reality of life before its descriptions of it. Description and uses of the concept The word "Tao" has a variety of meanings in both the ancient and modern Chinese language. Aside fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
