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Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un- fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's 6th-century '' Etymologiae'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ...
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Regola Delli Cinqve Ordini D'architettvra (1563) (14778998914)
Regola is the 7th of Rome, Italy, identified by the initials R. VII, and belongs to the Municipio I. The name comes from (the name is recognizable in the modern ''Via Arenula''), which was the name of the soft sand ( in Italian) that the river Tiber left after the floods, and that built strands on the left bank. The inhabitants of the are called . They were nicknamed ('tail-eaters'), after the typical dish , which was a specialty of the many ('butchers') of the . The seal of the represents a rampant deer with a turquoise background. History During the Roman Empire, the area belonged to the ''Campus Martius''. In particular, in the modern Regola there was the '' trigarium'', the stadium where the riders of the ''triga'' (a cart with three horses) used to train. When Emperor Augustus divided Rome into 14 regions, the modern Regola belonged was included in the IX region called '' Circus Flaminius''. In the Middle Ages it entered the fourth of the seven new ecclesiastic regio ...
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Etymologiae
(Latin for 'Etymologies'), also known as the ('Origins'), usually abbreviated ''Orig.'', is an etymological encyclopedia compiled by the influential Christian bishop Isidore of Seville () towards the end of his life. Isidore was encouraged to write the book by his friend Braulio, Bishop of Saragossa. summarized and organized a wealth of knowledge from hundreds of classical sources; three of its books are derived largely from Pliny the Elder's ''Natural History''. Isidore acknowledges Pliny, but not his other principal sources, namely Cassiodorus, Servius, and Gaius Julius Solinus. covers an encyclopedic range of topics. Etymology, the origins of words, is prominent, but the work also covers, among other things, grammar, rhetoric, mathematics, geometry, music, astronomy, medicine, law, the church and heretical sects, pagan philosophers, languages, cities, humans, animals, the physical world, geography, public buildings, roads, metals, rocks, agriculture, war, ships, cloth ...
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Leon Battista Alberti
Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, Catholic priest, priest, linguistics, linguist, philosopher, and cryptography, cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of European cryptography, a claim he shares with Johannes Trithemius. He is often considered primarily an architect. However, according to James Beck, "to single out one of Leon Battista's 'fields' over others as somehow functionally independent and self-sufficient is of no help at all to any effort to characterize Alberti's extensive explorations in the fine arts". Although Alberti is known mostly as an artist, he was also a mathematician and made significant contributions to that field. Among the most famous buildings he designed are the churches of San Sebastiano (1460) and Sant'Andrea (1472), both in Mantua. Alberti's life was told in Giorgio Vasari's ''Lives of t ...
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Giacomo Barozzi Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era. Biography Jacopo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as an architect in Bologna, supporting himself by painting and making perspective templates for inlay craftsmen. He made his first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then François I called him to Fontainebleau, where he spent the years 1541–1543. Here he probably met his fellow Bolognese, the architect Sebastiano Serlio and the ...
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Architectural Theory
Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects. Some forms that architecture theory takes are the lecture or dialogue, the treatise or book, and the paper project or architectural design competition, competition entry. Architectural theory is often didactic, and theorists tend to stay close to or work from within schools. It has existed in some form since ancient history, antiquity, and as publishing became more common, architectural theory gained an increased richness. Books, magazines, and journals published an unprecedented number of works by architects and critics in the 20th century. As a result, styles and movements formed and dissolved much more quickly than the relatively enduring modes in earlier history. It is to be expected that the use of the internet will further the discourse on architecture in the 21st century. Histor ...
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Palazzo Strozzi
Palazzo Strozzi is a palace in Florence, Italy. It is located in the historic centre between the homonymous Via Strozzi and Piazza Strozzi, and Via Tornabuoni. History The construction of the palace was begun in 1489 by Benedetto da Maiano, for Filippo Strozzi the Elder, a rival of the Medici who had returned to the city in November 1466 and desired the most magnificent palace to assert his family's continued prominence and, perhaps more important, a political statement of his own status. A great number of other buildings were acquired during the 1470s and demolished to provide enough space for the new construction. Giuliano da Sangallo provided a wood model of the design. Filippo Strozzi died in 1491, long before the construction's completion in 1538. Duke Cosimo I de' Medici confiscated it in the same year, not returning it to the Strozzi family until thirty years later. The palace faces the historical Via de' Tornabuoni. Description Palazzo Strozzi is an example of civi ...
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Simone Del Pollaiolo
Simone del Pollaiolo (1457–1508) was a Florentine architect who was commonly known as Il Cronaca ("The Chronicle One"). Pollaiolo was born in Florence, the nephew of the better-known brothers Antonio and Piero Benci who had the nickname ''Pollaiuolo'' or ''Pollaiolo'' ("Hen-House Keeper" in Italian, from ). Simone was later given his nickname ''Il Cronaca''. The reason for this nickname has much to do with his style and is explained by Giorgio Vasari. In order to learn more of the architectural art, he marched to Rome around 1470 to observe the old ruins. On his return to Florence he wrote meticulous descriptions and well-reasoned commentary on his observations, which were described as in a chronicle. Pollaiolo was responsible for the completion of Strozzi Palace after the death of Benedetto da Maiano in 1497. He died in Florence in 1508. Further reading *Anne-Imelda Radice Anne-Imelda Marino Radice (born February 29, 1948, in Buffalo) is an American art historian a ...
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Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ...
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Tuscany
Tuscany ( ; ) is a Regions of Italy, region in central Italy with an area of about and a population of 3,660,834 inhabitants as of 2025. The capital city is Florence. Tuscany is known for its landscapes, history, artistic legacy, and its influence on high culture. It is regarded as the birthplace of the Italian Renaissance and of the foundations of the Italian language. The prestige established by the Tuscan dialect's use in literature by Dante Alighieri, Petrarch, Giovanni Boccaccio, Niccolò Machiavelli and Francesco Guicciardini led to its subsequent elaboration as the language of culture throughout Italy. It has been home to many figures influential in the history of art and science, and contains well-known museums such as the Uffizi and the Palazzo Pitti. Tuscany is also known for its wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano, Brunello di Montalcino and white Vernaccia di San Gimignano. Having a strong linguistic and cultural identity, ...
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Rustication (architecture)
image:Palazzo medici riccardi, bugnato 01.JPG, Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the exposed face may be worked flat and smooth or left with, or worked, to give a more or less rough or ...
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Andrea Palladio
Andrea Palladio ( , ; ; 30 November 1508 – 19 August 1580) was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, '' The Four Books of Architecture'', gained him wide recognition. The city of Vicenza, with its 23 buildings designed by Palladio, and his 24 villas in the Veneto are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto. The churches of Palladio are to be found within the "Venice and its Lagoon" UNESCO World Heritage Site. Biography and major works Palladio was born on 30 November 1508 in Padua and was given the name Andrea di Pietro della Gondola (). His father, Pie ...
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Egg And Dart
Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star, is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of moulding, consisting of alternating details on the face of the ovolo—typically an egg-shaped object alternating with a V-shaped element (e.g., an arrow, anchor, or dart). The device is carved or otherwise fashioned into ovolos composed of wood, stone, plaster, or other materials. Egg-and-dart enrichment of the ovolo molding of the Ionic capital was used by ancient Greek builders, so it is found in ancient Greek architecture (e.g., the Erechtheion at the Acropolis of Athens), was used later by the Romans and continues to adorn capitals of modern buildings built in Classical styles (e.g., the Ionic capitals of the Jefferson Memorial in Washington, D.C., or the ones of the Romanian Athenaeum from Bucharest). Its ovoid shape (the egg) and serrated leaf (the dart) are believed to represent the opium poppy and its le ...
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