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Architectural Theory
Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects. Some forms that architecture theory takes are the lecture or dialogue, the treatise or book, and the paper project or architectural design competition, competition entry. Architectural theory is often didactic, and theorists tend to stay close to or work from within schools. It has existed in some form since ancient history, antiquity, and as publishing became more common, architectural theory gained an increased richness. Books, magazines, and journals published an unprecedented number of works by architects and critics in the 20th century. As a result, styles and movements formed and dissolved much more quickly than the relatively enduring modes in earlier history. It is to be expected that the use of the internet will further the discourse on architecture in the 21st century. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brunelleschi
Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi ( ; ) and also nicknamed Pippo by Leon Battista Alberti, was an Italian architect, designer, goldsmith and sculptor. He is considered to be a founding father of Renaissance architecture. He is recognized as the first modern engineer, planner, and sole construction supervisor. In 1421, Brunelleschi became the first person to receive a patent in the Western world. He is most famous for designing the dome of the Florence Cathedral, and for the mathematical technique of perspective (graphical), linear perspective in art which governed pictorial depictions of space until the late 19th century and influenced the rise of modern science. His accomplishments also include other architectural works, sculpture, mathematics, engineering, and ship design. Most surviving works can be found in Florence. Biography Early life Brunelleschi was born in Florence, Italy, in 1377. His father was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villard De Honnecourt
Villard de Honnecourt (''Wilars dehonecort'', ''Vilars de Honecourt'') was a 13th-century artist from Picardy in northern France. He is known to history only through a surviving portfolio or "sketchbook" containing about 250 drawings and designs of a wide variety of subjects. Life Nothing is known of Villard apart from what can be gleaned from his surviving "sketchbook." Based on the large number of architectural designs in the portfolio, it was traditionally thought that Villard was a successful, professional, itinerant architect and engineer. This view is sometimes contested today, as there is no evidence of him ever working as an architect and the drawings contain some inaccuracies. However, Honnecourt compiled a manual that gave precise instructions for executing specific objects with explanatory drawings. In his writings he fused principles passed on from ancient geometry, medieval studio techniques, and contemporary practices. The author includes sections on technical pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High Middle Ages, High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the Classical architecture, architecture of classical antiquity. The defining design element of Gothic architecture is the Pointed arch (architecture), pointed arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Basilica of Saint-Denis, Saint-Denis, near Paris, the choir was rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbot Suger
Suger (; ; ; 1081 – 13 January 1151) was a French abbot and statesman. He was a key advisor to King Louis VI and his son Louis VII, acting as the latter's regent during the Second Crusade. His writings remain seminal texts for early twelfth-century Capetian history, and his reconstruction of the Basilica of Saint-Denis, where he was abbot, was instrumental in creating the Gothic architecture style. Early life Suger was born into a family of minor knights 1081 (or 1080), landholders at Chennevières-lès-Louvres, a small village surrounding Saint-Denis in northern Parisis. Suger was one of the younger sons in a family of some substance and upwardly connections where many went into the church, and so he was given as an oblate to the abbey of St. Denis at age ten in 1091. He first trained at the priory of Saint-Denis de L'Estrée for about a decade, where he would have first met the future king Louis VI of France.Their friendship may have been shortlived for Louis ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Indian Architecture
Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the ''garbha griha'' or womb-chamber, where the primary ''Murti'' or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like ''shikhara'', also called the ''vimana'' in the south. ''Gopuram'' gateways are elaborate in the south. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In addition to other small temples in the compound, there may be additio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhoja
Bhoja was the Paramara dynasty, Paramara king of Malwa from 1010 until his death in 1055. He ruled from Dhara (city), Dhara (modern Dhar), and Military career of Bhoja, fought wars with nearly all his neighbours in attempts to extend his kingdom, with varying degrees of success. At its zenith, his empire extended from Chittorgarh Fort, Chittor in the north to upper Konkan in the south, and from the Sabarmati River in the west to Vidisha in the east. Because of his patronage of scholars, Bhoja became one of the most celebrated kings in Indian history. After his death, he came to be featured in several legends as a righteous scholar-king. The body of legends clustered around him is comparable to that of the Emperor Vikramaditya. Bhoja is best known as a patron of arts, literature, and sciences. The establishment of the Bhoj Shala, a centre for Sanskrit studies, is attributed to him. He was a polymath, and several books covering a wide range of topics are attributed to him. He i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samarangana Sutradhara
''Samarangana Sutradhara'' () is an 11th-century poetic treatise on classical Indian architecture ('' vastu shastra'') written in the Sanskrit language attributed to Paramara King Bhoja of Dhar. The title ''Samarāṅgaṇasūtradhāra'' is a compound word that literally means "architect of human dwellings", but can also be decomposed to an alternate meaning as "stage manager for battlefields" – possibly a play of words to recognize its royal author. Three manuscripts of ''Samarangana Sutradhara'' were discovered in early 20th century, while others were found later. They vary somewhat and all survive in an incomplete form. The most complete version is one likely copied and recompiled in the 15th century. This manuscript has 7,430 ''shlokas'' (verses) set in 83 ''adhyayas'' (chapters). A notable aspect of each ''adhyaya'' is that it starts with a verse composed in '' anustubh'' meter (''chanda'' in Hindu texts) and ends with a verse in a longer meter, typically ''upajati'' o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manushyalaya Chandrika
'' Manushyalaya Chandrika '' is a sixteenth century CE treatise in Sanskrit dealing with domestic architecture. The work is authored by Thirumangalath Neelakanthan Musath and is a summarization of the basic principles of domestic architecture then widely followed in that region of India now known as Kerala State. The popularity of the text as a basic reference of traditional Kerala architecture has continued even to modern times. From the references to the deities in temples at Triprangode, Trikkandiyur, Alathiyur, etc. in the opening invocation of the treatise it can be safely surmised that the author of the work should have been a native of some place close to these temples. Nothing much is known about the life of the author other than that he has also authored a work on elephantology titled ''Mathangaleela''. Two versions of the work are in circulation. In one version published by Kochi Bhashaparishkarana Committee in 1928, the book contains 170 ''sloka''s and is not divided ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manasara
The ''Mānasāra'', also known as ''Manasa'' or ''Manasara Shilpa Shastra'', is an ancient Sanskrit treatise on Indian architecture and design. Organized into 70 ''adhyayas'' (chapters) and 10,000 ''shlokas'' (verses), it is one of many Hindu texts on '' Shilpa Shastra'' – science of arts and crafts – that once existed in 1st-millennium CE. The ''Manasara'' is among the few on Ancient Indian architecture whose complete manuscripts have survived into the modern age. It is a treatise that provides detailed guidelines on the building of Hindu temples, sculptures, houses, gardens, water tanks, laying out of towns and other structures. Etymology ''Manasara'' is a compound of Sanskrit (measurement) and (essence), meaning "essence of measurement" states P.K. Acharya – the scholar who discovered the complete manuscript (70 chapters) and was first to translate it into English in early 20th-century. While the text is now commonly referred as simply ''Manasara'', the Sanskrit manu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varāhamihira
Varāhamihira ( 20/21 March 505 – 587), also called Varāha or Mihira, was an ancient Indian astrologer-astronomer who lived in or around Ujjain in present-day Madhya Pradesh, India. Date Unlike other prominent ancient Indian astronomers, Varāhamihira does not mention his date. However, based on hints in his works, modern scholars date him to the 6th century CE; possibly, he also lived during the last years of the 5th century. In his '' Pancha-siddhantika'', Varāhamihira refers to the year 427 of the ''Shaka-kala'' (also ''Shakendra-kala'' or ''Shaka-bhupa-kala''). Identifying this calendar era with the Shaka era places Varāhamihira in the 505 CE. Alternative theories identify this calendar era with other eras, placing him before the 5th century CE. However, these theories are inaccurate, as Varāhamihira must have lived after Aryabhata (born 476 CE), whose work he refers to. The particulars of the date mentioned by Varāhamihira - Shukla '' pratipada'' of the Chai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vastuvidya
Originating in ancient India, ''Vastu Shastra'' (, ' – literally "science of architecture") is a traditional Hindu system of architecture based on ancient texts that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. The designs aim to integrate architecture with nature, the relative functions of various parts of the structure, and ancient beliefs utilising geometric patterns (yantra), symmetry, and directional alignments. Vastu Shastra are the textual part of ''Vastu Vidya'' – the broader knowledge about architecture and design theories from ancient India. Vastu Vidya is a collection of ideas and concepts, with or without the support of layout diagrams, that are not rigid. Rather, these ideas and concepts are models for the organisation of space and form within a building or collection of buildings, based on their functions in relation to each other, their usage and the overall fabric of the Vastu. Ancient V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
