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Turkish Musical Instruments
Turkish musical instruments are the traditional and modern instruments used in the folk music, musical traditions of the Turkish people. They play a central role in Turkish folk music, Ottoman classical music, and modern Turkish compositions. These instruments can be categorized into three main groups: String instrument, stringed, Wind instrument, wind, and Percussion instrument, percussion instruments. Stringed instruments * Bağlama, Bağlama (Saz) * Tanbur * Kemençe * Qanun (instrument), Kanun * Oud, Ud * Ahenk * Çeng * Classical kemençe * Kemençe of the Black Sea, Karadeniz kemençe * Cümbüş * Yaylı tambur * Rebab / Kabak kemane * Sine kemanı * Cura (instrument), Cura * Komuz * Rud * Lavta * Mugni * Santur * Shahrud, Şehrud * Tar (string instrument), Tar Wind instruments * Zurna * Tulum * Mey (instrument), Mey * Düdük * Kaval * Çığırtma * Karkm * Dankiyo * Gaida, Gayda * Arghul, Çifte * Ney * Turkish ney * Sipsi * Dilli kaval * Tin whistle, Dilli ney * Miskal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebab
''Rebab'' (, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly three main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this variant have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; plucked versions like the '' Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Düdük
The duduk ( ; ) or tsiranapogh (, meaning "apricot-made wind instrument"), is a double reed woodwind instrument made of apricot wood originating from Armenia. Variations of the Armenian duduk appear throughout the Caucasus, the Balkans, and the Middle East, including Bulgaria, Azerbaijan, Georgia, Kurdistan, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangible Heritage of Humanity in 2005 and inscribe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mey (instrument)
The ''mey'' is a double-reed aerophone used in Turkish folk music. The ''mey'', ''duduk'', and ''Balaban_(instrument), balaban'' are almost identical, except for historical and geographical differences. Description A ''mey'' consists of three parts: ''ana gövde'' (main part), ''kamış'' (reed), and ''kıskaç'' (clip). #Cylindrical in shape and made of wood, the main part has seven finger holes on its front side, and one finger hole at the back. The ''mey's'' main tubular body is usually built from the wood of harder trees such as plum, walnut, beech, etc. It has a sound range of about one octave. There are three sizes of ''mey'': ''cura mey'' (smallest, highest pitched), ''orta mey'', and ''ana mey'' (largest, lowest pitched). #A double reed (''kamış'' in Turkish language, Turkish) essentially a large and almost flattened cylinder on the mouth side, and conical-round where it is attached to the main part, gives this instrument its characteristic deep sound. #A tuning-br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tulum
Tulum (, ) is the site of a pre-Columbian Mayan walled city which served as a major port for Coba, in the Mexican state of Quintana Roo. The ruins are situated on cliffs along the east coast of the Yucatán Peninsula on the Caribbean Sea. Tulum was one of the last cities built and inhabited by the Maya and achieved its greatest prominence between the 13th and 15th centuries. Maya continued to occupy Tulum for about 70 years after the Spanish began occupying Mexico, but the city was abandoned by the end of the 16th century. Tulum is one of the best-preserved coastal Maya sites, and today it is a popular site for tourists. History and description File:MX -Tulum.png, Map of central Tulum File:Tulum_Maya-13.jpg, Tulum Ruins File:TulumCatherwood1844.jpg, Main temple at Tulum, lithograph in 1844 by Frederick Catherwood. File:CastilloTulum.jpg, View to the top of El Castillo The site might have been called Zama, meaning ''City of Dawn,'' because it faces the sunrise. Tulum st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zurna
The zurna is a double reed wind instrument played in Central Asia, West Asia, the Caucasus, Southeast Europe and parts of North Africa. It is also used in Sri Lanka. It is usually accompanied by a davul (bass drum) in Armenian, Anatolian and Assyrian folk music. The zurna is largely played in Turkey. Etymology and terminology A folk etymology explains that the name is derived from Persian "" (''surnāy''), composed of "" (''sūr'') meaning "banquet, feast", and (''nāy'') meaning "reed, pipe". The term is attested in the oldest Turkic records, as "''suruna''" in the 12th and 13th century Codex Cumanicus (CCM fol. 45a). Zurna has also been suggested as a possible borrowing from Hittite or Luwian into the Armenian language, where Arm. զուռնա ''zuṙna'' is compared to Luwian ''zurni'' "horn". Origins The zurna was said to originate from Central Asia and ancient Asia Minor (Anatolia). Images of the zurna are visible in stone reliefs and artwork by the Hittites, who wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (string Instrument)
The tar () is a long-necked, waisted instrument in the lute family, used by many cultures and countries in the Middle East and the Caucasus, including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan, and Turkey.tar (musical instrument) ''Encyclopædia Britannica''. Retrieved on 1 January 2013. It was originally known as the ''chahartar'' () or ''chartar'' (), which translates into as 'four-stringed'. This is in accordance with a practice common in Persian-speaking areas of distinguishing lutes on the basis of the number of strings originally employed. Beside the ''chartar'', these include the '' |
Shahrud
The Shahrud (, from , DMG ''šāh-rūd'' or ''šāh-i-rūd'') was a short-necked lute, illustrated in the '' Surname-i Hümayun'', resembling an oud or barbat, but being much larger. The larger size gave the instrument added resonance and a deeper (bass) range, like the modern mandobass, mandolone or Algerian mandole. The word also referred to a type of zither written about by Al Farabi and illustrated in his book ''Kitāb al-mūsīqī al kabīr''. That illustration has led scholars to speculate the instrument was a box-zither, or a harp combined with a psaltery. The šāh-rūd was introduced to Samarkand in the early 10th century and spread to Middle Eastern Arabic music. Another writer who referred to the instrument was Abd al-Qadir in his work ''Maqasid al-Alhan'' (Persian for: purports of Music)(مقاصد الحان). al-Qadir was interested in the restoration and improvement of stringed musical instruments, and his work provides information about numerous musical in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santur
The santur ( ; ) is a hammered dulcimer of Iranian origin.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Musicians modified the original design over the centuries, yielding a wide array of musical scales and tunings. The original santur was likely made with wood and stone and strung with goat intestines. According to Habib Hasan Touma, the Babylonian santur was the ancestor of the harp, the yangqin, the harpsichord, the qanun, the cimbalom, and the hammered dulcimers. Name The name 'santur' may come from Persian ''sanṭīr'', a borrowing of the Greek ψαλ� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mugni
The mugni (archlute) is a Persian stringed musical instrument which resembles a tar (lute), tar except that the two globes are connected and not separated like the tar's. During Ghuri rulers and Khwarizmi (12th – 13th century) music grew. Two notable theorists of this era were Fakhr al-Din al-Razi and Nasir al-Din al-Tusi. Another Persian theorist was Qutb al-Din al-Shirazi who was famous for Pearl of Crown (Durrat al-taj). In the Treasure-House of Gift (Kanz al -Tahaf) an important work in 1350, Oud, ud (lute), rubab (instrument), rubab (lute), mughni (archlute), chang (instrument), chang (harp), nuzhe, qanun (instrument), qanun (psaltery), Ghaychak (spiked viol), pisha (fife) and nay-i siyah (reedpipe) are completely described. In other places, dutar (two strings) and setar (three strings) exquisite of poet Hafez are mentioned. See also * Safi al-Din al-Urmawi References {{Azerbaijani musical instruments Persian musical instruments Azerbaijani musical instruments T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavta
The lavta is a plucked string music instrument from Istanbul. Description The Politiko Laouto has a small body made of many ribs made using carvel bending technique. Its appearance is somewhat like a small (Turkish) oud - the strings are made from gut like an oud but it has only 7 strings in 4 courses and is tuned D AA dd aa, it is also sometimes tuned to Turkish Bolahenk tuning C G D A. The adjustable frets are made from tied bits of gut on the fingerboard, at the microtonal intervals of the makam system. This is more closely related to instruments like tanbur than to the fretless oud and the 12-frets of the octave laouto. The bridge usually has peacock-shaped ends. The fingerboard is flush with the soundboard, is often unvarnished, and has a carved and inlaid rosette. The politiko laouto have a pegbox like the oud (angling down), The tuning pegs are shaped like those of the violin, with 3 on the right side and 4 on the left side of the open tuning head. History Know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komuz
The komuz or qomuz ( , , ) is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments, the Mongolian tovshuur, and the lute. The instrument can be found in Turkic ethnic groups, from China to Turkey. Forms of this instrument are used in China by the Naxi people and are called Huobusi, Hebisi , and Hunbusi. It is the best-known national instrument and one of the better-known Kyrgyz national symbols. The komuz is generally made from a single piece of wood (usually apricot or juniper) and has three strings traditionally made out of gut, and often from fishing line in modern times. In the most common tunings the middle string is the highest in pitch. Virtuosos frequently play the komuz in a variety of different positions: over the shoulder, between the knees and upside down. An illustration of a komuz is featured on the reverse of the one-som note. Playing style The komuz can be used either as accomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
