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Tumburu
Tumburu () is the foremost among the gandharvas, the celestial musicians of Hindu mythology. Accounts depict him performing in the courts of the deities Kubera and Indra, and as singing the praises of Vishnu. He is said to lead the gandharvas in their singing. Legend Origin Tumburu is described as the son of Sage Kashyapa, and his wife, Pradha. Along with the other three gandharva sons of Kashyapa, Bahu, Haha, and Huhu, he is renowned for his sweet and pleasant speech. Tumburu is often described as the best among the gandharvas in his musical talent. A "mighty singer and musician", he sings in presence of the devas. Besides Narada and Gopa, he is also regarded as the king of songs. Rivalry with Narada The ''Bhagavata Purana'' considers Narada to be the teacher of Tumburu. The scripture mentions that Tumburu accompanied him on a visit to the court of Yudhishthira. Narada and Tumburu are said to sing the glories of Vishnu. The ''Adbhuta Ramayana'' mentions that Tumburu w ...
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Gandharva
A ''gandharva'' () is a member of a class of celestial beings in Indian religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). In Hinduism In Hinduism, the gandharvas () are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the Sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit of the gods and the sacrificers." The gandharva also "receives the Soma from the ...
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Adbhuta Ramayana
The ''Adbhuta Ramayana'' is a ''Shaktism, Śāktaḥ'' Sanskrit work. It is considerably more obscure than both the ''Valmiki Ramayana'' as well as Tulsidas’ Awadhi language, Awadhi version entitled ''Ramacharitamanasa'', northern India's most popular version of the ''Ramayana'' story. Scholarly analysis of its content and text history has, to this point, been minor. Its significance lies in its traditional place in the body of ''Ramayana'' literature. It is not to be confused with the Kannada prose work of the same name by Nandalike Lakshminarayana. The ''Adbhuta Ramayana'' is composed in 27 ''sargas'' of various metres, and only briefly recounts the traditional Rama narrative. The earliest episodes of Rama's life, as depicted in Valmiki’s original telling—such as the story of Rama's birth, his training with Vishwamitra, Vishvamitra, and the breaking of Shiva’s bow at Sita’s ''swayamvara, svayamvara''—are omitted. This adaptation of Rama's life begins with his confro ...
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Svarga
Svarga (, ), also known as Swarga, Indraloka and Svargaloka, is the celestial abode of the devas in Hinduism. Svarga is one of the seven higher lokas ( esoteric planes) in Hindu cosmology. Svarga is often translated as heaven, though it is regarded to be dissimilar to the concept of the Abrahamic Heaven. Description Svarga is a set of celestial worlds located on and above Mount Meru, where those who had led righteous lives by adhering to the scriptures delight in pleasures, before their next birth on earth. It is described to have been built by the deity Tvashtar, the Vedic architect of the devas. The king of the devas, Indra, is the ruler of Svarga, ruling it with his consort, Indrani. His palace in the abode is called Vaijayanta. This palace holds the famous hall, Sudharma, unrivalled among all the princely courts. The capital of Svarga is Amaravati, and its entrance is guarded by the legendary elephant, Airavata. Svarga is described to be the home of Kamadhenu, the c ...
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Mount Meru
Mount Meru (Sanskrit/Pali: मेरु)—also known as Sumeru, Sineru or Mahāmeru—is a sacred, five-peaked mountain present within Hindu, Jain and Buddhist cosmologies, revered as the centre of all physical, metaphysical and spiritual universes. It is professed to be located at the junction of the four great cosmic continents—Pubbavideha Dīpa, Uttarakuru Dīpa, Amaragoyāna Dīpa and Jambu Dīpa. Despite not having a clearly identified or known geophysical location, Mount Meru is, nevertheless, always thought of as being either in the Himalayan Mountains or the Aravalli Range (in western India). Mount Meru is also mentioned in scriptures of other, external religions to India, such as Taoism—which was influenced, itself, by the arrival of Buddhism in China. Many Hindu, Jain and Buddhist temples have been built as symbolic representations of Mount Meru. The "Sumeru Throne" ( :zh:须弥座; ''xūmízuò'') style is a common feature of Chinese pagodas. The highe ...
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Kinnaras
A kinnara (Sanskrit: Kiṃnara) is a creature from Hindu mythology, Hindu and Buddhist mythology. They are described as part human and part bird, and have a strong association with music and love. Believed to come from the Himalayas, they often watch over the well-being of humans in times of trouble or danger. An ancient Indian string instrument is known as the Kinnari vina. Their character is also clarified in the ''Adi Parva'' of the ''Mahabharata'', where they say: They are featured in a number of Buddhist texts, including the Jataka tales and Lotus Sutra. In Buddhism in Southeast Asia, Southeast Asian Buddhist mythology, kinnaris, the female counterpart of kinnaras, are depicted as half-bird, half-woman creatures. One of the many creatures that inhabit the mythical Himavanta, kinnaris have the head, torso, and arms of a woman and the wings, tail and feet of a swan. They are renowned for their dance, song and poetry, and are a traditional symbol of feminine beauty, g ...
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Rishi
In Indian religions, a ''rishi'' ( ) is an accomplished and enlightened person. They find mention in various Vedic texts. Rishis are believed to have composed hymns of the Vedas. The Post-Vedic tradition of Hinduism regards the rishis as "great yogis" or "sages" who after intense meditation (Tapas (Sanskrit), tapas) realized the supreme truth and eternal knowledge, which they composed into hymns.Hartmut Scharfe (2002), Handbook of Oriental Studies, BRILL Academic, , pp. 13–15. The term appears in Pali literature as Ishi; in Buddhism they can be either Buddhas, Pratyekabuddha, Paccekabuddhas, Arhat, Arahats or a Buddhist monasticism, monk of high rank. Etymology According to Indian tradition, the word may be derived from two different meanings of the root 'rsh' (). Sanskrit grammarians derive this word from the second meaning: "to go, to move". V. S. Apte gives this particular meaning and derivation, and Monier-Williams also gives the same, with some qualification. Another ...
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Kashyapa
Kashyapa (, ) is a revered Vedic sage of Hinduism., Quote: "Kasyapa (Rudra),(Vedic Seer)..." He is one of the Saptarishis, the seven ancient sages of the ''Rigveda''. Kashyapa is the most ancient and venerated rishi, along with the other Saptarishis, listed in the colophon verse in the ''Brihadaranyaka Upanishad''. Kashyapa is an ancient name, referring to many different personalities in the ancient Hindu and Buddhist texts. Name Kashyapa means "turtle" in Sanskrit. According to Michael Witzel, it is related to Avestan ''kasiiapa'', Sogdian ''kyšph'', Kurdish ''kûsî'', New Persian ''kašaf'', ''kaš(a)p'' which mean "tortoise", after which Kashaf Rūd (a river in Turkmenistan and Khorasan) is named. Other relations include to Tokarian B ''kaccāp'' ("brainpan"), Tokarian A ''kāccap'' ("turtle", "tortoise"). Frits Staal agrees that Kaśyapa means 'tortoise', but believes that it is a non-Indo-European word. History Kashyapa is credited with composing a few hymns in ...
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Apsara
Apsaras (, , Khmer language, Khmer: អប្សរា are a class of celestial beings in Hinduism, Hindu and Culture of Buddhism, Buddhist culture. They were originally a type of female spirit of the clouds and waters, but, later play the role of a "nymph" or "fairy". They figure prominently in the sculptures, dance, literature and paintings of many South Asian and Southeast Asian cultures. The apsaras are described to be beautiful, youthful and elegant, and are said to be able to change their shape at will; making anyone fall for their beauty. There are two types of apsaras—''laukika'' (worldly) and ''daivika'' (divine). They are great in the art of dancing, and often wives of the gandharvas, the court musicians of Indra. The apsaras reside in the palaces of the gods and entertain them by dancing to the music made by the Gandharvas. The 26 apsaras of Indra's court are each said to symbolise a different facet of the performing arts, drawing comparisons to the Muses of ...
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Rameshvaram Lingam
Rameswaram (; also transliterated as Ramesvaram, Rameshwaram) is a municipality in the Ramanathapuram district of the Indian state of Tamil Nadu. It is on Pamban Island separated from mainland India by the Pamban channel and is about from Mannar Island, Sri Lanka. It is in the Gulf of Mannar, at the tip of the Indian peninsula. Pamban Island, also known as Rameswaram Island, is connected to mainland India by the New Pamban Bridge. Rameswaram is the terminus of the railway line from Chennai and Madurai. Together with Varanasi, it is considered to be one of the holiest places in India for Hindus and is part of the Char Dham pilgrimage. According to the Ramayana, Rama is described to have built a bridge from the vicinity of this town across the sea to Lanka to rescue his wife Sita from her abductor Ravana. The temple, dedicated to the Hindu god Shiva, is at the centre of the town and is closely associated with Rama and Shiva. The temple and the town are considered a holy pilg ...
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Surya
Surya ( ; , ) is the Sun#Dalal, Dalal, p. 399 as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Āditya, Arka, Bhānu, Savitṛ, Pūṣan, Ravi, Mārtāṇḍa, Mitra, Bhāskara, Prabhākara, Kathiravan, and Vivasvat.#Dalal, Dalal, pp. 5, 311 The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. Surya ...
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