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Tryphiodorus
Tryphiodorus (; 3rd or 4th century AD) was an epic poet from Panopolis (today Akhmim), Egypt. His only surviving work is ''The Sack of Troy'', an epic poem in 691 verses. Other recorded titles include ''Marathoniaca'' and ''The Story of Hippodamea''. During his lifetime he was known as Triphiodorus ( local god of Akhim. The confusion between the two spellings occurred already in the sixth century AD due to the widespread confusion of the pronunciation of i/y. A false etymology claims spelling "Tryphiodorus" is based on the Greek word "truphē," meaning "luxury" or "extravagance". Life There is little known about the life of Triphiodorus other than two entries in the Byzantine encyclopedia the ''Suda'' (T 1111 and 1112), thought to refer to the same individual. The ''Suda'' provides his place of birth, that he was a grammarian and epic poet, but not when he lived. Traditionally he was dated to the fifth century because he was thought to imitate the '' Dionysiaca'' of Nonnus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anticlus
In Greek mythology, Anticlus (Ancient Greek: Ἄντικλος ''Antiklos''), son of Ortyx, was one of the Greek warriors who hid inside the Trojan Horse during the siege of Troy. Mythology When the wooden horse was taken within the city, Helen, suspecting a trick by the Greeks, circled the horse imitating the voices of the warriors' wives and sweethearts and calling their names. Anticlus was the only one to not resist and attempt to answer as he heard her talking in the voice of his wife Laodamia, but just as he was on the point of calling out in response, Odysseus shut his mouth with his hands to prevent him from answering, and thus saved his companions. Some say he held Anticlus so tight that he strangled him.Tryphiodorus, ''The Taking of Ilios'' 477–483 Legacy The asteroid 7214 Anticlus is named for the mythological figure. Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coluthus
Coluthus or Colluthus of Lycopolis (; ) was a Greek epic poet of the late Roman Empire who flourished during the reign of Anastasius I in the Thebaid. ''Calydoniaca'' and ''The Abduction of Helen'' According to the ''Suda'', Colothus was the author of a ''Calydoniaca'' in six books, doubtless an account of the Calydonian boar hunt, ''Persica'', probably an encomium on emperor Anastasius composed at the end of the Persian wars, and ''Encomia'', or laudatory poems. The Suda does not mention "The Abduction of Helen". All works mentioned in the ''Suda'' are lost, but his poem in 392 hexameters on ''The Abduction of Helen'' (Ἁρπαγὴ Ἑλένης) is still extant, having been discovered by Cardinal Bessarion in Calabria. The Abduction opens with an invocation to the nymphs of the Troad whom the poet asks for information about Paris as the originator of the Trojan conflict (1–16), followed by the account of how the gods attended the wedding of Thetis and Peleus, how they forg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinon
In Greek mythology, Sinon (Ancient Greek: Σίνων, from the verb "σίνομαι"—''sinomai'', "to harm, to hurt") or Sinopos was a Greek warrior during the Trojan War. He is not mentioned by Homer, but his story is given in the ''Aeneid'' of Virgil and other accounts, as a treacherous agent of the Greeks who misleads the Trojans, encouraging them to bring the Trojan Horse inside the city. He sometimes appears in art, usually being dragged into Troy as a captive, with the horse behind him. Family Sinon was the son of Aesimus, son of Autolycus. He was the cousin of Odysseus through his mother Anticlea, daughter of Autolycus. Mythology ''Aeneid'' In the ''Aeneid'' (book II, 57 ff.), Aeneas recounts how Sinon was found outside Troy after the rest of the Greek army had sailed away, and brought to Priam by shepherds. Pretending to have deserted the Greeks, he told the Trojans that the giant wooden horse the Greeks had left behind was intended as a gift to the go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palladion
In Greek and Roman mythology, the Palladium or Palladion (Greek Παλλάδιον (Palladion), Latin ''Palladium'') was a cult image of great antiquity on which the safety of Troy and later Rome was said to depend, the wooden statue ('' xoanon'') of Pallas Athena that Odysseus and Diomedes stole from the citadel of Troy and which was later taken to the future site of Rome by Aeneas. The Roman story is related in Virgil's ''Aeneid'' and other works. Rome possessed an object regarded as the actual Palladium for several centuries; it was in the care of the Vestal Virgins for nearly all this time. Since around 1600, the word palladium has been used figuratively to mean anything believed to provide protection or safety, and in particular in Christian contexts a sacred relic or icon believed to have a protective role in military contexts for a whole city, people or nation. Such beliefs first become prominent in the Eastern church in the period after the reign of the Byzantine Empe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akhmim
Akhmim (, ; Akhmimic , ; Sahidic/Bohairic ) is a city in the Sohag Governorate of Upper Egypt. Referred to by the ancient Greeks as Khemmis or Chemmis () and Panopolis (), it is located on the east bank of the Nile, to the northeast of Sohag. History Akhmim was known in Ancient Egypt as Ipu, Apu (according to Heinrich Brugsch, Brugsch the name is related to the nearby village of Kafr Abou) or Khent-min. It was the capital of the ninth (Chemmite) nome (Egypt), nome of Upper Egypt. The city is a suggested hometown for Yuya, the official of Tuthmosis IV and Amenhotep III. The ithyphallic Min (god), Min (whom the Greeks identified with Pan (mythology), Pan) was worshipped here as "the strong Horus." Herodotus mentions the temple dedicated to Perseus and asserts that Chemmis was remarkable for being the hero’s birthplace, wherein celebrations and games were held in his honour after the manner of the Greeks; at which prizes were given. As a matter of fact, some representation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trojan Horse
In Greek mythology, the Trojan Horse () was a wooden horse said to have been used by the Greeks during the Trojan War to enter the city of Troy and win the war. The Trojan Horse is not mentioned in Homer, Homer's ''Iliad'', with the poem ending before the war is concluded, and it is only briefly mentioned in the ''Odyssey''. It is described at length in the ''Aeneid'', in which Virgil recounts how, after a fruitless ten-year siege, the Greeks constructed a huge wooden horse at the behest of Odysseus, and hid a select force of men inside, including Odysseus himself. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. That night, the Greek force crept out of the horse and opened the gates for the rest of the Greek army, which had sailed back under the cover of darkness. The Greeks entered and destroyed the city, ending the war. Metaphorically, a "Trojan horse" has come to mean any trick or stratagem that causes a target to invit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poet
In poetry, an epic is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. With regard to oral tradition, epic poems consist of formal speech and are usually learnt word for word, and are contrasted with narratives that consist of everyday speech where the performer has the license to recontextualize the story to a particular audience, often to a younger generation. Influential epics that have shaped Western literature and culture include Homer's ''Iliad'' and ''Odyssey''; Virgil's ''Aeneid''; and the anonymous ''Beowulf'' and ''Epic of Gilgamesh''. The genre has inspired the adjective ''epic'' as well as derivative works in other mediums (such as epic films) that evoke or emulate the characteristics of epics. Etymology The English word ''epic'' comes from Latin , which itself comes from the Ancient Greek adjective (), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palatine Anthology
The ''Palatine Anthology'' (or ''Anthologia Palatina''), sometimes abbreviated ''AP'', is the collection of Greek poems and epigrams discovered in 1606 in the Palatine Library in Heidelberg. It is based on the lost collection of Constantine Kephalas of the 10th century, which in turn is based on older anthologies. It contains material from the 7th century BC until 600 AD and later on was the main part of the ''Greek Anthology'' which also included the '' Anthology of Planudes'' "The Greek Anthology as we have it today consists of the fifteen Books of the Palatine Anthology followed by a 'Planudean Appendix' of 388 poems occurring in Planudes but not in the Palatine manuscript..." and more material. The manuscript of the ''Palatine Anthology'' was discovered by Saumaise (Salmasius) in 1606 in the Palatine library at Heidelberg (Codex Palatinus 23). In 1623, after the Thirty Years' War, it was sent with the rest of the Palatine Library to Rome as a present from Maximilian I of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christodorus
Christodorus (), a Greek epic poet from Coptos in Egypt, flourished during the reign of Anastasius I (491–518). His father was named Paniskos (Πανίσκος). According to the ''Suda'', he was the author of ''Patria'' (Gr. Πάτρια), accounts of the foundation, history and antiquities of various cities; ''Lydiaka'' (Gr. Λυδιακά), the mythical history of Lydia; ''Isaurica'' (Gr. Ἰσαυρικά), celebrating Anastasius' victory in the Isaurian War (492–497); three books of epigrams; and many other works. In addition to two epigrams (''Anthol. Pal.'' vii. 697, 698) we possess a description of eighty statues of gods, heroes and famous men and women in the gymnasium of Zeuxippus at Constantinople (Ἔκφρασις τῶν ἀγαλμάτων τῶν εἰς τὸ δημόσιον γυμνάσιον τὸ ἐπικαλουμένον τοῦ Ζευξίππου). This text, consisting of 416 hexameters, forms the second book of the ''Palatine Anthology''. The write ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeuxippus (mythology)
In Greek mythology, the name Zeuxippus (Ancient Greek: Ζεύξιππος) may refer to: * Zeuxippus of Sicyon, son of Apollo. *Zeuxippus, a prince of Pherae as the son of King Eumelus and possibly, Iphthime, daughter of Icarius of Sparta. He was the father of Armenius, himself father of Henioche.Scholia on Plato, ''Symposium In Ancient Greece, the symposium (, ''sympósion'', from συμπίνειν, ''sympínein'', 'to drink together') was the part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, o ...'' 208d citing Hellanicus Notes References * Pausanias, ''Description of Greece'' with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1918. Online version at the Perseus Digital Library*Pausanias, ''Graeciae Descriptio.'' ''3 vols''. Leipzig, Teubner. 1903.Greek text available at the Perseus Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintus Of Smyrna
Quintus Smyrnaeus (also Quintus of Smyrna; , ''Kointos Smyrnaios'') was a Greek epic poet whose ''Posthomerica'', following "after Homer", continues the narration of the Trojan War. The dates of Quintus Smyrnaeus' life and poetry are disputed: by tradition, he is thought to have lived in the latter part of the 4th century AD, but earlier dates have also been proposed. His epic in fourteen books, known as the ''Posthomerica'', covers the period between the end of Homer's ''Iliad'' and the end of the Trojan War. Its primary importance is as the earliest surviving work to cover this period, the archaic works in the Epic Cycle, which he knew and drew upon, having been lost. His materials are borrowed from the cyclic poems from which Virgil (with whose works he was probably acquainted) also drew, in particular the ''Aethiopis'' (''Coming of Memnon'') and the '' Iliupersis'' (''Destruction of Troy'') of Arctinus of Miletus, and the '' Ilias Mikra'' (''Little Iliad'') of Lesches. His w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyxena
In Greek mythology, Polyxena (; ) was the youngest daughter of King Priam of Troy and his queen, Hecuba. She does not appear in Homer, but in several other classical authors, though the details of her story vary considerably. After the fall of Troy, she dies when sacrificed by the Greeks on the tomb of Achilles, to whom she had been betrothed and in whose death she was complicit in many versions. Description Polyxena was described by the chronicler Malalas in his account of the ''Chronography'' as "tall, pure, very white, large-eyed, black-haired, with her hair worn long behind, a good nose and cheeks, blooming-lipped, small-footed, virgin, charming, very beautiful, 18 years old when they killed her". Meanwhile, in the account of Dares the Phrygian, she was illustrated as ". . .fair, tall, and beautiful. Her neck was slender, her eyes lovely her hair blonde and long, her body well-proportioned, her fingers tapering, her legs straight, and her feet the best. Surpassing all t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
