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Tone Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement (music), movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term (tone poem) appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term to Symphonic poems (Liszt), his 13 works in this vein, which commenced in 1848. Background While many symphonic poems may compare in size and scale to symphony, symphonic movement (music), movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintuple Meter
Quintuple meter or quintuple time is a musical meter (music), meter characterized by five Beat (music), beats in a measure, whether variably or equally stressed. Like the more common Duple meter, duple, triple meter, triple, and quadruple meter, quadruple meters, it may be Meter (music)#Simple meter, simple, with each beat divided in half, or Compound meter (music), compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are and ; compound quintuple meter is most often written in . Notation Simple quintuple meter can be written in or time, but may also be notated by using regularly ''alternating'' bars of triple and duple meters, for example + . Compound quintuple meter, with each of its five beats divided into three parts, can similarly be notated using a time signature of , by writing triplets on each beat of a simple quintuple signature, or by regularly alternating meters such as + . Another notational variant involves C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Swan Of Tuonela
''The Swan of Tuonela'' () is an 1895 tone poem by the Finnish composer Jean Sibelius. It is part of the '' (Four Legends from the Kalevala)'', Op. 22, based on the Finnish mythological epic the '' Kalevala''. ''The Swan of Tuonela'' was originally composed in 1893 as the prelude to a projected opera called '' The Building of the Boat''. Sibelius revised it two years later, making it the second section of his ' of four tone poems, which was premiered in 1896. He twice further revised the piece, in 1897 and 1900. Sibelius left posterity no personal account of his writing of the tone poem, and its original manuscript no longer exists (the date of its disappearance is unknown). The work was first published by K. F. Wasenius in Helsingfors (Helsinki), Finland, in April 1901. The German firm Breitkopf & Härtel also published it in Leipzig, also in 1901. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verklärte Nacht
''Verklärte Nacht'' (''Transfigured Night''), Op. 4, is a string sextet in one movement composed by Arnold Schoenberg in 1899. Composed in just three weeks, it is considered his earliest important work. It was inspired by Richard Dehmel's poem of the same name and by Schoenberg's strong feelings upon meeting his future wife Mathilde Zemlinsky, who was the sister of his teacher, Alexander von Zemlinsky (1871–1942). Schoenberg and Zemlinsky married in 1901. The movement can be divided into five distinct sections which refer to the five stanzas of Dehmel's poem; however, there are no unified criteria regarding movement separation. Premiere The work was premiered on 18 March 1902 in the Vienna Musikverein by the Rosé Quartet with Arnold Rosé and Albert Bachrich (violins), Anton Ruzitska (viola), and Friedrich Buxbaum (cello), extended by Franz Jelinek (second Viola) and Franz Schmidt (second cello). The British premiere of the sextet was on 23 of January 1914 at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Sextet
In european classical music, classical music, a string sextet is a composition written for six string instruments, or a group of six musicians who perform such a composition. Most string sextets have been written for an ensemble consisting of two violins, two violas, and two cellos. Notable string sextets Among the earliest works in this form are the nine string sextets opus number, Op. 23 by Luigi Boccherini, written in 1776. Other notable string sextets include the String Sextet No. 1 (Brahms), String Sextets Op. 18 and String Sextet No. 2 (Brahms), 36 by Brahms, Dvořák's String Sextet (Dvořák), Op. 48, Tchaikovsky ''Souvenir de Florence'', Op. 70, Schoenberg's ''Verklärte Nacht'', Op. 4, Erich Wolfgang Korngold Op. 10, Erwin Schulhoff's String Sextet of 1924, and Charles Wuorinen's String Sextet of 1989. Less usual combinations More unusual combinations for a string sextet: * three violins, viola and two cellos: Ferdinand David (musician), Ferdinand David (1810–187 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first Modernism (music), modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motive (music), motives as a means of coherence. He propounded concepts like developing variation, the emancipation of the dissonance, and the "unified field, unity of musical space". Schoenberg's early works, like ''Verklärte Nacht'' (1899), represented a Brahmsian–Wagnerian synthesis on which he built. Mentoring Anton Webern and Alban Berg, he became the central figure of the Second Viennese School. They consorted with visual artists, published in ''Der Blaue Reiter'', and wrote atonal, expressionist music, attracting fame and stirring debate. In his String Quartets (Schoenberg)#String Quartet No. 2, Op. 10, String Quartet No. 2 (1907–1908), ''Erwartung'' (1909), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of Musical instrument, instruments—traditionally a group that could fit in a Great chamber, palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ophelia
Ophelia () is a character in William Shakespeare's drama ''Hamlet'' (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet. Due to Hamlet's actions, Ophelia ultimately enters into a state of madness that leads to her drowning. Along with Queen Gertrude, Ophelia is one of only two female characters in the original play. Name Like most characters in ''Hamlet'', Ophelia's name is not Danish. It first appeared in Jacopo Sannazaro's 1504 poem '' Arcadia'' (as ''Ofelia''), probably derived from Ancient Greek ὠφέλεια (''ōphéleia'', "benefit"). Character Ophelia is obedient to her father and well-loved by many characters. When Polonius tells her to stop seeing Hamlet, she does so. When he tells her to set up a meeting so that he and Claudius could spy on him, she does so. Ophelia is a foil to Hamlet and Laertes, contrasting and inspiring their behavior. Plot In Ophelia's first speaking appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Hamlet
Prince Hamlet is the title character and protagonist of William Shakespeare's tragedy ''Hamlet'' (1599–1601). He is the Prince of Denmark, nephew of the usurping King Claudius, Claudius, and son of King Hamlet, the previous King of Denmark. At the beginning of the play, he is conflicted whether, and how, to avenge the murder of his father, and struggles with his own sanity along the way. By the end of the tragedy, Hamlet has caused the deaths of Polonius, Laertes (Hamlet), Laertes, Claudius, and Rosencrantz and Guildenstern, two acquaintances of his from childhood. He is also indirectly involved in the deaths of his love Ophelia (drowning) and of his mother Gertrude (Hamlet), Gertrude (mistakenly poisoned by Claudius). Role in the play The play opens with Hamlet deeply depressed over the recent death of his father, King Hamlet, and his uncle King Claudius, Claudius' ascension to the throne and hasty marriage to Hamlet's mother Gertrude (Hamlet), Gertrude. One night, his father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet (Liszt)
''Hamlet'', S.104, is a symphonic poem by Franz Liszt, written in 1858 and published as No. 10. It was not performed until 2 July 1876. Like all but one of Liszt's 13 symphonic poems, ''Hamlet'' was written while Liszt was working in Weimar Weimar is a city in the state (Germany), German state of Thuringia, in Central Germany (cultural area), Central Germany between Erfurt to the west and Jena to the east, southwest of Leipzig, north of Nuremberg and west of Dresden. Together w ... and is dedicated to Carolyne zu Sayn-Wittgenstein. After viewing Bogumil Dawison play Hamlet in Weimar (1856), Liszt wrote: "He does not make him into an indecisive dreamer who collapses under the power of his mission, as he is regarded since Goethe's theory in '' Wilhelm Meister'', but much more as a gifted, enterprising prince with important political views who is waiting for the right moment to complete his work of revenge and come to the aim of his ambition, that is, to be crowned king in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death And Transfiguration
''Death and Transfiguration'' (), Op. 24, is a tone poem for orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch. The music depicts the death of an artist. At Strauss's request, this was described in a poem by his friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven". Performance history Strauss conducted the premiere on 21 June 1890 at the Eisenach Festival (on the same programme as the premiere of his '' Burleske in D minor'' for piano and orchestra). He also conducted this work for his first appearance in the United Kingdom, at the Wagner Conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
