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Third Act
The three-act structure is a model used in narrative fiction that divides a story into three parts ( acts), often called the Setup, the Confrontation, and the Resolution. Syd Field described it in his 1979 book ''Screenplay: The Foundations of Screenwriting''. Dramatic question As the story moves along, the plot usually progresses in such a way as to pose a ''yes'' or ''no'' question, the major dramatic question. For example, ''Will the boy get the girl? Will the hero save the day? Will the detective solve the mystery? Will the criminal be caught by law enforcement and brought to justice? Will the protagonist be murdered by the fugitive?'' This question must be answered in the climax of the story. The answer is often ''yes''; ''no''; ''maybe''; ''yes, but...''; or ''no, and what's more...'' Structure The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in. Later in the first act, a dynamic, on-scr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scene (drama)
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two. Theatre In drama, a scene is a unit of action, often a subdivision of an act. French scene A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed. Obligatory scene From the French ''scène à faire'', an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is ''Hamlet'' 3.4, when Hamlet confronts his mother. Film In filmmaking and video production, a scene is generally thought of as a section of a motion picture in a single location and continuous time made up of a series of shots, which are each a set of contiguous frames from individual cameras fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking
Filmmaking or film production is the process by which a Film, motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screenwriting, Casting (performing arts), casting, pre-production, Principal photography, shooting, Sound recording and reproduction, sound recording, post-production, and screening the finished product before an audience, which may result in a film release and exhibition. The process is nonlinear, in that the filmmaker typically shoots the script out of sequence, repeats shots as needed, and puts them together through editing later. Filmmaking occurs in a variety of economic, social, and political contexts around the world, and uses a variety of technologies and cinematic techniques to make theatrical films, episodic films for television and streaming platforms, music videos, and promotional and educational films. Although filmmaking originally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plot (narrative)
In a literary work, film, or other narrative, the plot is the mapping of events in which each one (except the final) affects at least one other through the principle of Causality, cause-and-effect. The causal events of a plot can be thought of as a selective collection of events from a narrative, all linked by the connector "and so". Simple plots, such as in a traditional ballad, can be linearly sequenced, but plots can form complex interwoven structures, with each part sometimes referred to as a subplot. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The Premise (narrative), premise sets up the plot, the Character (arts), characters take part in events, while the Setting (narrative), setting is not only part of, but also influences, the final story. An can convolute the plot based on a misunderstanding. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writing Drama
''Writing Drama'' (French: La dramaturgie) is a treatise by French writer and filmmaker Yves Lavandier, originally published in 1994, revised in 1997, 2004, 2008, 2011 and 2014. The English version was translated from the French by Bernard Besserglik and published in 2005. The book exists also in Italian, Spanish and Portuguese. Content ''Writing Drama'' explores the mechanisms of dramatic story telling. The author makes a clear distinction between what is written to be seen and/or heard (theater, Film, cinema, television, radio, opera and to a lesser extent comic books) and what is written to be read (literature). The book's principle is the same as Aristotle's Poetics (Aristotle), ''Poetics''. Yves Lavandier examines works by major scriptwriters and playwrights (Samuel Beckett, Bertolt Brecht, Charles Chaplin, Hergé, Alfred Hitchcock, Henrik Ibsen, Ernst Lubitsch, Molière, Dino Risi, William Shakespeare, Sophocles, Orson Welles, Billy Wilder, etc.) in order to answer three qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yves Lavandier
Yves Lavandier (born 2 April 1959) is a French film writer and director. Biography Yves Lavandier was born on 2 April 1959. After receiving a degree in civil engineering, he studied film at Columbia University, New York City, New York, between 1983 and 1985. Miloš Forman, František Daniel, Stefan Sharff, Brad Dourif, Larry Engel and Melina Jelinek were among his teachers. During these two years, he wrote and directed several shorts including ''Mr. Brown?'', ''The Perverts'' and ''Yes Darling''. He returned to France in 1985, directed another short, ''Le scorpion'', and embarked on a scriptwriting career mainly for television. He is the creator of an English teaching sitcom called ''Cousin William''. In addition to his career as scriptwriter, he began to teach screenwriting throughout Europe and published a treatise on the subject titled ''Writing Drama''. For the occasion he founded his own publishing and production company, Le Clown & l'Enfant. ''Writing Drama'' is now conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writers Guild Of America
The Writers Guild of America (WGA) is the name of two American labor unions representing writers in film, television, radio, and online media: * The Writers Guild of America, East (WGAE) is headquartered in New York City and is affiliated with the AFL-CIO national trade union center * The Writers Guild of America West (WGAW) is headquartered in Los Angeles and is unaffiliated with any larger national trade union. Although both organizations operate independently, they perform some common activities, including negotiating contracts and launching strike actions, as well as maintaining the American database of writing credits, and arbitrating between writers when conflicts arise. Background and founding Both organizations of the Writers Guild of America were established by 1954 after the merging of groups from other writers labor unions. The Authors Guild (AG) was originally founded in 1912 as the Authors' League of America (ALA) to represent book and magazine authors, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Structure
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture. In a play or work of theatre especially, this can be called dramatic structure, which is presented in audiovisual form. Story structure can vary by culture and by location. The following is an overview of various story structures and components that might be considered. Definition Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. Story structures can vary culture to culture and throughout history. The same named story stru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Climax (narrative)
The climax () or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given. The climax of a story is a literary element. Anticlimax An anticlimax is a disappointing event after events that were full of excitement. See also * Dramatic structure * Literary element * Climax as a rhetorical device References Plot (narrative) {{Lit-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether non-fictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' ("to tell"), which is derived from the adjective ''gnarus'' ("knowing or skilled"). Historically preceding the noun, the adjective "narrative" means "characterized by or relating to a story or storytelling". Narrative is expressed in all mediums of human creativity, art, and entertainment, including public speaking, speech, literature, theatre, dance, music and song, comics, journalism, animation, video (including film and television), video games, radio program, radio, game, structured and play (activity), unstructu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Character Arc
A character arc is the transformation or inner journey of a character over the course of a story. If a story has a character arc, the character begins as one sort of person and gradually transforms into a different sort of person in response to changing developments in the story. Since the change is often substantive and leading from one personality trait to a diametrically opposite trait (for example, from greed to benevolence), the geometric term '' arc'' is often used to describe the sweeping change. In most stories, lead characters and protagonist A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a ...s are the characters most likely to experience character arcs, although lesser characters often change as well. A driving element of the plots of many stories is that the main charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
