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The Stockholm Concert, 1966
''The Stockholm Concert, 1966'' is a 1966 (see 1966 in music) live album by the American jazz singer Ella Fitzgerald, accompanied in part by the Duke Ellington Orchestra. The recording remained unreleased until 1984. It is notable as the last release of Ella's four recorded collaborations with Duke Ellington. Later in 1966 Ella and Duke went on to record their final album together; ''Ella and Duke at the Cote D'Azur.'' Track listing Originally released in 1984 on LP and CD (Pablo 2308-242). Remastered reissue on CD in 1987 (Pablo PACD-2308-242-2 in US; Pablo 025218024228 in France/Benelux). # "Imagine My Frustration" (Duke Ellington, Billy Strayhorn, Gerald Wilson) – 5:13 # " Duke's Place" (Ellington, Bob Katz, Bob Thiele) – 4:43 # " Satin Doll" (Ellington, Johnny Mercer, Strayhorn) – 3:08 # " Something to Live For (song)" (Ellington, Strayhorn) – 4:04 # " Wives and Lovers" (Burt Bacharach, Hal David) – 2:11 # " Só Danço Samba" ("Jazz 'n' Samba") (Antonio Carlos J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald
Ella Jane Fitzgerald (April25, 1917June15, 1996) was an American singer, songwriter and composer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, Intonation (music), intonation, absolute pitch, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve, she recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Thiele
Robert "Bob" Thiele (July 27, 1922 – January 30, 1996) was an American record producer who worked on numerous classic jazz albums and record labels. Early life and career Bob Thiele was born in Sheepshead Bay, Brooklyn, New York, United States, on July 27, 1922. He hosted a jazz radio show when he was 14. He also played clarinet and led a band in the New York area. At 17, he founded the Signature label and recorded jazz musicians such as Lester Young, Erroll Garner and, in 1943, Coleman Hawkins. Signature ceased activities in the late-1940s and Thiele joined American Decca in 1952, running its Coral subsidiary. His last wife was the singer Teresa Brewer, whom he met and produced while working for Coral in the 1950s when he also produced Buddy Holly at the Texan's New York sessions at Bell Sound Studio, The Pythian Temple, plus the posthumous "Buddy Holly Story" album, and overdubbed singles. Thiele was head of the Impulse! Records label from 1961 to 1969 after its origina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Man (Oh Where Can You Be?)
"Lover Man (Oh, Where Can You Be?)" (often called simply "Lover Man") is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated. Dial Records producer Ross Russell had to hold him up to the microphone during the recording. Sonny Stitt played the song many times on alto saxophone in a virtuoso way, in the original key of D flat. Most jazz musicians, nevertheless, play the song in the key of F. Barbra Streisand recorded a version for her album '' Simply Streisand'' in 1967, and her version peaked at No. 29 on the ''Billboard'' Adult Contemporary chart. Cover versions *Sarah Vaughan recorded the song for the Guild label in 1945, with backing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became Standard (music), standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway theatre, Broadway and in Hollywood films. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Do It, Let's Fall In Love
"Let's Do It, Let's Fall in Love" is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway theater, Broadway success, the musical ''Paris (1928 musical), Paris'' (1928) by French chanteuse Irène Bordoni, for whom Porter had written the musical as a starring vehicle. Bordoni's husband and ''Paris'' producer E. Ray Goetz, Ray Goetz convinced Porter to give Broadway another try with this show. The song was later used in the English production of ''Wake Up and Dream'' (1929) and was used as the title theme music in the 1933 Hollywood movie ''Grand Slam'' starring Loretta Young and Paul Lukas. In 1960 it was also included in the film version of Cole Porter's ''Can-Can (film), Can-Can''. The original lyrics and music of the song entered the public domain in the United States in 2024. History The first of Porter's "list songs", it features a string of suggestive and droll comparisons and examples, preposterous pairings and double entendres, droppin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Gimbel
Norman Gimbel (November 16, 1927 – December 19, 2018) was an American lyricist and songwriter of popular songs and themes to television shows and films. He wrote the lyrics for songs including " Ready to Take a Chance Again" (with composer Charles Fox) and " Canadian Sunset". He also co-wrote " Killing Me Softly With His Song". He wrote English-language lyrics for many international hits, including " Sway", " Summer Samba", "The Girl from Ipanema", " How Insensitive", " Drinking-Water", "Meditation", " I Will Wait for You" and "Watch What Happens". Of the movie themes he co-wrote, five were nominated for Academy Awards or Golden Globe Awards or both, including " It Goes Like It Goes", from the film '' Norma Rae'', which won the Academy Award for Best Original Song for 1979. Gimbel was inducted into the Songwriters Hall of Fame in 1984. Background Gimbel was born on November 16, 1927, in Brooklyn, New York City, the son of Lottie (Nass) and businessman Morris Gimbel. His parent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinícius De Moraes
Marcus Vinícius da Cruz e Mello Moraes (19 October 1913 – 9 July 1980), better known as Vinícius de Moraes () and nicknamed "O Poetinha" ("The Little Poet"), was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat. Early life Moraes was born in Gávea, a neighbourhood of Rio de Janeiro, to Clodoaldo da Silva Pereira Moraes, a public servant, and Lidia Cruz, a housewife and amateur pianist. In 1916, his family moved to Botafogo, where he attended Afrânio Peixoto Primary School. Fleeing the Copacabana Fort revolt, his parents moved to Governador Island while Moraes remained at his grandfather's home in Botafogo to finish sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Carlos Jobim
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language–speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language, it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Só Danço Samba (song)
"Só Danço Samba" (aka "Jazz 'n' Samba") is a bossa nova song composed in 1962 by Antônio Carlos Jobim, with lyrics by Vinicius de Moraes. English lyrics were later written by Norman Gimbel. On occasion, it has also been known as "Jazz Samba" and "I Only Dance Samba", an English translation of the original Portuguese title. In ''Bossa Nova: The Story of the Brazilian Music That Seduced the World'', author Ruy Castro suggests that the song was part of a failed movement to invent a bossa nova dance. "Jobim, who had never danced in his life, had just finished writing 'Só danço samba' azz 'n' Sambawith Vinicius, but it was without much conviction. So much so, in fact, that on hearing 'Só danço samba' for the first time, João Gilberto asked him, 'What's this Tomzinho? A boogie-woogie?'"Castro, Ruy, ''Bossa nova: the story of the Brazilian music that seduced the world'', A Cappella Books, Chicago, IL, 2000. The song was first performed by João Gilberto and Os Cariocas in Augu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal David
Harold Lane David (May 25, 1921 – September 1, 2012) was an American lyricist. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. Early life David was born and raised in New York City, a son of Austrian Jewish immigrants Lina (née Goldberg) and Gedalier David, who owned a delicatessen in New York. He is the younger brother of American lyricist and songwriter Mack David. David attended Thomas Jefferson High School in Brooklyn and studied Journalism at New York University. Career David is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film '' Two Gals and a Guy'' (1951), starring Janis Paige and Robert Alda. They also wrote the classic Christmas song I Believe in Santa Claus which was recorded by The Stargazers in 1950. In 1956, David began workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burt Bacharach
Burt Freeman Bacharach ( ; May 12, 1928 – February 8, 2023) was an American composer, songwriter, record producer, and pianist who is widely regarded as one of the most important and influential figures of 20th-century popular music. Starting in the 1950s, he composed hundreds of pop songs, many in collaboration with lyricist Hal David. Bacharach's music is characterized by unusual chord progressions and time signature changes, influenced by his background in jazz, and uncommon selections of instruments for small orchestras. He arranged, conducted, and produced much of his recorded output. More than 1,000 different artists have recorded Bacharach's songs. From 1961 to 1972, most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wives And Lovers
"Wives and Lovers" is a 1963 song by Burt Bacharach and Hal David. It has been recorded by numerous male and female vocalists, instrumentalists and ensembles. Jack Jones recording Most notably the song was recorded by Jack Jones in 1963, for Kapp Records. He was accompanied by an orchestra directed by Pete King. The B-side was "Toys in the Attic." This recording earned the 1964 Grammy Award for Best Vocal Performance, Male, In the US, it peaked at number fourteen on the Hot 100 and number nine on the Easy Listening chart. Background "Wives and Lovers" is a song of advice to married women, to stay attractive and attentive to their husbands ("wives should always be lovers, too") to avoid their husbands straying with "girls at the office". In the first line, the everywoman wife is addressed "Hey little girl", before a "warning" to "fix your make up" and "run to his .e., her husband'sarms the moment he comes home to you." The song originated when Bacharach and David were aske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
