The Quota (Red Garland Album)
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The Quota (Red Garland Album)
''The Quota'' is an album by pianist Red Garland which was recorded in 1971 and released on the MPS label in 1975.Red Garland catalog
accessed October 16, 2017


Reception

The review by Ken Dryden stated "After being very active on records and in clubs from 1955-62, pianist Red Garland went back to his native Texas. He did not return to records until 1971, when he cut '' Auf Wiedersehen'' and this particular LP ... Garland plays in the same distinctive style he had in the 1950s, not showing any decline or loss of chops".

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Red Garland
William McKinley "Red" Garland Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano. Early life William "Red" Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined the trumpet player Hot Lips Page, well-known in the southwest, playing with him until a tour ended in New York in March 1946. With Garland having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with his boss, Billy Eckstine. Garland also had a short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson. Later life and career 1955–1958: the first great Miles Dav ...
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Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ...
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Red Garland Albums
Red is the color at the long wavelength end of the visible spectrum of light, next to orange and opposite violet. It has a dominant wavelength of approximately 625–740 nanometres. It is a primary color in the RGB color model and a secondary color (made from magenta and yellow) in the CMYK color model, and is the complementary color of cyan. Reds range from the brilliant yellow-tinged scarlet and vermillion to bluish-red crimson, and vary in shade from the pale red pink to the dark red burgundy. Red pigment made from ochre was one of the first colors used in prehistoric art. The Ancient Egyptians and Mayans colored their faces red in ceremonies; Roman generals had their bodies colored red to celebrate victories. It was also an important color in China, where it was used to color early pottery and later the gates and walls of palaces. In the Renaissance, the brilliant red costumes for the nobility and wealthy were dyed with kermes and cochineal. The 19th century brou ...
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MPS Records Albums
MPS, M.P.S., MPs, or mps may refer to: Science and technology * Mucopolysaccharidosis, genetic lysosomal storage disorder * Mononuclear phagocyte system, cells in mammalian biology * Myofascial pain syndrome * Metallopanstimulin * Potassium peroxymonosulfate, oxidizer commonly used for pools and spas * Metre per second (m/s) * Matrix product state, method to describe quantum many-body states * Marginal propensity to save * Mean-preserving spread, in probability and statistics * Mail Preference Service, the Robinson list direct mail opt-out system * Master Production Schedule, plan for individual commodities to be produced * Method Performance Specifications, for analytical validation/verification of laboratory tests and systems required by the College of American Pathologists Computing * Mobile Programming System, by William Waite in the 1960s * JetBrains MPS, Meta Programming System * MPS (format), the Mathematical Programming System, a computer file format used to describe mat ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Lenny McBrowne
Leonard Louis "Lenny" McBrowne (January 24, 1933 – October 4, 1980) was an American jazz drummer. He was a prolific hard bop drummer with a recording career that started in the 1950s and ended in the mid 1970s. As a bandleader he fronted Lenny McBrowne and the Four Souls, which released two albums in 1960. A disciple of Max Roach, McBrowne was often compared to Chico Hamilton due to the "suavely exotic tendencies of his solo work". Among McBrowne's own disciples is avant-garde drummer Andrew Cyrille. Life and career Leonard Louis McBrowne was born in Brooklyn, New York City, on January 24, 1933. Influenced by his father Arnold, who was a drummer, Lenny took up drums at a young age, playing in street marching bands between ages 12 and 15, while also taking lessons on the bass. Having finished high school in 1951, he studied under Max Roach (for one year) and Sticks Evans. McBrowne began his professional career in Pete Brown's group, which featured Paul Bley. He also played with ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Peck Morrison
John A. "Peck" Morrison (September 11, 1919 – February 25, 1988) was an American jazz bassist. Morrison was classically trained, and was competent on trumpet and percussion in addition to bass. He played in military bands in Italy during World War II and moved to New York City after the war to play professionally. He played with Lucky Thompson in the early 1950s, and then recorded with Horace Silver, Gigi Gryce, and Art Farmer. He played with Gerry Mulligan in tours of Europe. He was a noted accompanist and sideman, playing with Carmen McRae, Tiny Bradshaw, King Pleasure, Zoot Sims, Eddie Jefferson, the J. J. Johnson/Kai Winding Quintet (1954), Duke Ellington (1955 and 1964), Lou Donaldson, Johnny Smith, Mal Waldron, Randy Weston, Babs Gonzales, the Newport Rebels (1960), Shirley Scott, Red Garland, Charles McPherson, and Sy Oliver and the Harlem Blues and Jazz Band (1986). Morrison never recorded as a session leader. Discography With Dave Bailey *''One Foot in the Gutter'' ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Jimmy Heath
James Edward Heath (October 25, 1926 – January 19, 2020), nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s an ... leader. He was the brother of bassist Percy Heath and drummer Albert Heath. Biography Heath was born in Philadelphia on October 25, 1926.[ Allmusic biography] His father, an auto mechanic, played the clarinet, performing on the weekends. His mother sang in a church choir. The family frequently played recordings of big band jazz groups around the house. Heath's sister was a pianist, while his brothers were bassist Percy Heath (older) and drummer Albert Heath (his youngest sibling). During World War II, Heath was rejected for the draft for being below the minimum weight. Heath origin ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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