The Fabulous Fats Navarro, Vol. 2
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The Fabulous Fats Navarro, Vol. 2
''The Fabulous Fats Navarro, Vol. 2'' is a studio album by Fats Navarro and released posthumously by Blue Note Records. Personnel varied through the studio sessions that made up the album but among the most notable were Wardell Gray, Bud Powell, and Howard McGhee. Reception According to jazz critic Stephen Cook, "Navarro runs the gamut here, turning in both high-flying solos and gracefully cool statements." He noted that the track listing and personnel of the album had varied between releases. The authors of ''The Penguin Guide to Jazz Recordings'' awarded the album a full 4 stars, calling it and its companion volume "one of the peaks of the bebop movement and one of the essential modern-jazz records." Critic John Fordham described the two volumes as "essential Navarro, and essential bebop generally, featuring a string of dazzling themes illuminated by the trumpeter's glowing tone." Author Tom Piazza stated that the albums "show instantly what set Dameron's work apart," and ...
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Fats Navarro
Theodore "Fats" Navarro (September 24, 1923 – July 7, 1950) was an American jazz trumpet player and a pioneer of the bebop style of jazz improvisation in the 1940s. A native of Key West, Florida, he toured with big bands before achieving fame as a bebop trumpeter in New York. Following a series of studio sessions with leading bebop figures including Tadd Dameron, Bud Powell, and Kenny Clarke, he became ill with tuberculosis and died at the age of 26. Despite the short duration of his career, he had a strong stylistic influence on trumpet players who rose to fame in later decades, including Miles Davis, Clifford Brown and Lee Morgan. Early life Navarro was born in Key West, Florida and was of Cuban, African, and Chinese descent. He was bilingual, speaking Spanish as his second language, and he was a childhood friend of drummer Al Dreares. Navarro's father, a barber by trade, had some musical knowledge and hired a piano teacher to give Navarro private lessons in his early ...
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Bouncing With Bud
Bouncing with Bud (also known as Bebop in Pastel) is a 1946 jazz standard by American pianist Bud Powell and Gil Fuller, which features the saxophone of Sonny Stitt and the trumpet of Kenny Dorham. It was originally recorded on 23 August 1946 as "Bebop in Pastel". Composition In the key of B-flat major, the tune is a "nonblues theme whose form is A-A'-B-A' with an eight-bar interlude that is not played during the solos." The introduction consists of an ascending line that modulates between two chords, Bbmaj7#11 and B7b5 before resolving to Bb through the use of a tritone substitution. Notable performances Powell played the theme under the debut title "Bouncing with Bud" on August 9, 1949 for Blue Note Records with Sonny Rollins, Fats Navarro, Tommy Potter and Roy Haynes, for a recording which is often wrongly thought to be the original. The same recording session included two alternate takes of the tune that were later released as well. He recorded a trio version as the title ...
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1957 Albums
Events January * January 1 – The Saarland joins West Germany. * January 3 – Hamilton Watch Company introduces the first electric watch. * January 5 – South African player Russell Endean becomes the first batsman to be Dismissal (cricket), dismissed for having handled the ball, in Test cricket. * January 9 – British Prime Minister Anthony Eden resigns. * January 10 – Harold Macmillan becomes Prime Minister of the United Kingdom. * January 11 – The African Convention is founded in Dakar. * January 14 – Kripalu Maharaj is named fifth Jagadguru (world teacher), after giving seven days of speeches before 500 Hindu scholars. * January 15 – The film ''Throne of Blood'', Akira Kurosawa's reworking of ''Macbeth'', is released in Japan. * January 20 ** Israel withdraws from the Sinai Peninsula (captured from Egypt on October 29, 1956). * January 26 – The Ibirapuera Planetarium (the first in the Southern Hemisphere) is inaugurated in the city of São Paulo, Brazil. F ...
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Chano Pozo
Luciano Pozo González (January 7, 1915 – December 3, 1948), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to the age of 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as " Manteca" and " Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. According to Rebeca Mauleón, "Few percussionists have played as integral a role in shaping Latin music as Luciano 'Chano' Pozo González". Early life Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban '' soneros''. The family struggled with poverty throughout his youth. His mother died when Chano was aged 11, and Cecelio took his family to live with his long-time mistress, Natalia, ...
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Roy Haynes
Roy Owen Haynes (March 13, 1925 – November 12, 2024) was an American jazz drummer. In the 1950s, he was given the nickname "Snap Crackle" for his distinctive snare drum sound and musical vocabulary. He is among the most recorded drummers in jazz. In a career spanning more than eight decades, he played swing, bebop, jazz fusion and avant-garde jazz. He is considered to be a pioneer of jazz drumming. Haynes led bands, including the Hip Ensemble. His albums ''Fountain of Youth'' and ''Whereas'' were nominated for a Grammy Award. He was inducted into the '' Modern Drummer'' Hall of Fame in 1999. Career Haynes was born in the Roxbury neighborhood of Boston, to Gustavas and Edna Haynes, immigrants from Barbados. His younger brother, Michael E. Haynes, became an important leader in the African American community in Massachusetts, working with Martin Luther King Jr. during the civil rights movement, representing Roxbury in the Massachusetts House of Representatives and for for ...
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Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), known professionally as Kenny Clarke and nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents ("dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York b ...
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Tommy Potter
Charles Thomas Potter (September 21, 1918 – March 1, 1988) was an American jazz double bass player, best known for having been a member of Charlie Parker's "classic quintet", with Miles Davis, between 1947 and 1950. Born in Philadelphia, Pennsylvania, Potter had first played with Parker in 1944, in Billy Eckstine's band with Dizzy Gillespie, Lucky Thompson and Art Blakey.Paul Desmond Interviews Charlie Parker
Retrieved June 28, 2013. Potter also performed and recorded with many other notable jazz musicians, including , ,

Curley Russell
Dillon "Curley" Russell (March 19, 1917 – July 3, 1986) was an American jazz musician, who played bass on many bebop recordings. He was born in Trinidad. He was nicknamed "Curley" for his curly hair. A member of the Tadd Dameron Sextet, he was in demand for his ability to play at the rapid tempos typical of bebop, and appears on several key recordings of the period. He left the music business in the late 1950s. On May 1, 1951, Russell played in the recording session for "Un Poco Loco", composed by American jazz pianist Bud Powell, with Max Roach on drums. Literary critic Harold Bloom included this performance on his short list of the greatest works of twentieth-century American art. According to jazz historian Phil Schaap, the classic bebop tune "Donna Lee", a contrafact on "Back Home Again in Indiana", was named after Curley's daughter. In 2002, she donated her father's bass to the Institute of Jazz Studies at Rutgers University. Russell died of emphysema at Queens Genera ...
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Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940–41, Dameron was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for the big band of Dizzy Gillespie, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New Y ...
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Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impromptu soul music" (quoted in Nat Hentoff's liner notes to '' Plenty, Plenty Soul''). ...
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Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, Rollins recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", and " Airegin", have become jazz standards. Rollins has been called "the greatest living improviser". Due to health problems, Rollins has not performed publicly since 2012 and announced his retirement in 2014. Early life Rollins was born in New York City to parents from the Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, then switched to alto saxophone after being inspired by Louis Jordan ...
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Allen Eager
Allen Eager (January 10, 1927 – April 13, 2003) was an American jazz tenor and alto saxophonist who also competed in auto racing and took part in LSD experiments. Early life Allen Eager was born in New York City on January 10, 1927. He grew up in the Bronx.Szwed, John (2002) ''So What: The Life of Miles Davis'' Random House -book According to Denise McCluggage, Eager could read aged 3, and learned to drive at the age of 9 with the help of his mother, after she caught him driving a garbage truck near the hotels that his parents owned in the Catskill Mountains.McCluggage, Denise (June 30, 2003) "A Flair for Music, Racing, Life" ''Autoweek'' (53: 26), p. 10. He took clarinet lessons with David Weber of the New York Philharmonic at the age of 13.Feather, Leonard and Gitler, Ira (1999) ''The Biographical Encyclopedia of Jazz'', p. 199. Oxford University Press. Early career in jazz Eager briefly played with Woody Herman at the age of 15. At the same age, he took heroin for the first ...
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