|
Tensó
A ''tenso'' (; ) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Bertran Carbonel) or his cloak (Gui de Cavalhon). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut of Orange, Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, '' trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his '' De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) and since died out. The texts of troubado ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trobar Clus
''Trobar clus'' (), or closed form, was a complex and obscure style of poetry used by troubadours for their more discerning audiences, and it was only truly appreciated by an elite few. It was developed extensively by Marcabru and Arnaut Daniel, but by 1200 its inaccessibility had led to its disappearance. Among the imitators of Marcabru were Alegret and Marcoat, who claimed himself to write ''vers contradizentz'' (contradictory verses), indicative of the incomprehensibility of the ''trobar clus'' style. Below is a sample of the style from Marcoat's '' sirventes'' ''Mentre m'obri eis huisel'', wherein the poet himself remarks on his ''moz clus'' (closed words): :''Mon ''serventes'' no val plus,'' :''que faitz es de bos moz clus'' :''apren lo, Domeing Sarena.''Chambers, 91. Among the late twelfth-century practitionars of ''trobar clus'' was Peire d'Alvernhe, an imitator of Marcabru, while Raimbaut d'Aurenga of the '' trobar ric'' style was influenced by Marcoat. The only troba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galician-Portuguese Lyric
In the Middle Ages, the Galician-Portuguese lyric, also known as troubadorism, from ''trovadorismo'' in Portuguese and ''trobadorismo'' in Galician, was a lyric poetic school or movement. All told, there are around 1680 texts in the so-called secular lyric or ''lírica profana'' (see Cantigas de Santa Maria for the religious lyric). At the time Galician-Portuguese was the language used in nearly all of Iberia for lyric (as opposed to epic) poetry. From this language derives both modern Galician and Portuguese. The school, which was influenced to some extent (mainly in certain formal aspects) by the Occitan troubadours, is first documented at the end of the twelfth century and lasted until the middle of the fourteenth, with its zenith coming in the middle of the thirteenth century, centered on the person of Alfonso X, ''The Wise King''. It is the earliest known poetic movement in Galicia or Portugal and represents not only the beginnings of but one of the high points of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; ) was the language spoken in most of the northern half of France approximately between the late 8th [2-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it was deemed no longer make to think of the varieties spoken in Gaul as Latin. Although a precise date can't be given, there is a general consensus (see Wright 1982, 1991, Lodge 1993) that an awareness of a vernacular, distinct from Latin, emerged at the end of the eighth century.] and mid-14th centuries. Rather than a unified Dialect#Dialect or language, language, Old French was a Dialect cluster, group of Romance languages, Romance dialects, Mutual intelligibility, mutually intelligible yet Dialect continuum, diverse. These dialects came to be collectively known as the , contrasting with the , the emerging Occitano-Romance languages of Occitania, now the south of France. The mid-14th century witnessed the emergence of Middle French, the lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Literature
Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italians or in other languages spoken in Italy, often languages that are closely related to modern Italian, including regional varieties and vernacular dialects. Italian literature began in the 12th century, when in different regions of the peninsula the Italian vernacular started to be used in a literary manner. The '' Ritmo laurenziano'' is the first extant document of Italian literature. In 1230, the Sicilian School became notable for being the first style in standard Italian. Renaissance humanism developed during the 14th and the beginning of the 15th centuries. Lorenzo de' Medici is regarded as the standard bearer of the influence of Florence on the Renaissance in the Italian states. The development of the drama in the 15th century was very great. In the 16th century, the fundamental characteristic of the era following the end of the Renaissanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montan (troubadour)
Montan (fl. c. 1250) was a Provençal troubadour A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''. The tr ... whose real name, as well as any biographical detail, is unknown: his sobriquet means "the mounter", which is sexually suggestive, evidenced in his piece , which is considered the most obscene ever produced by a troubadour. Other than this, three pieces are extant, a single stanza in a tenso with Sordello and two coblas esparsas. Montan is also mentioned in a poem by Ramon de Rosselló, a sign that his peculiar nickname was customarily used in his time. References External links Complete works {{authority control 13th-century French troubadours People from Provence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genoese Dialect
Genoese, locally called or (), is the prestige dialect of Ligurian, spoken in and around the Italian city of Genoa, the capital of Liguria. A majority of remaining speakers of Genoese are elderly. Several associations are dedicated to keeping the dialect alive, examples of which are in Genoa and in Chiavari. Written literature has been produced in Genoese since the 13th century, and the orthography has evolved in-step with the language. There are currently two spelling systems in common use, with varying degrees of standardisation. One, proposed in 2008 by the cultural association ''A Compagna'', attempts to closely match in writing the pronunciation of the now-extinct variant of Genoese which used to be spoken in the '' Portoria'' neighbourhood of Genoa. Another spelling system was proposed by a group of writers, journalists and academics by standardising the traditional orthography of 19th- and 20th-century Genoese newspapers. This is the spelling used, amongst others, by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genoa
Genoa ( ; ; ) is a city in and the capital of the Italian region of Liguria, and the sixth-largest city in Italy. As of 2025, 563,947 people live within the city's administrative limits. While its metropolitan city has 818,651 inhabitants, more than 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera. On the Gulf of Genoa in the Ligurian Sea, Genoa has historically been one of the most important ports on the Mediterranean: it is the busiest city in Italy and in the Mediterranean Sea and twelfth-busiest in the European Union. Genoa was the capital of one of the most powerful maritime republics for over seven centuries, from the 11th century to 1797. Particularly from the 12th century to the 15th century, the city played a leading role in the history of commerce and trade in Europe, becoming one of the largest naval powers of the continent and considered among the wealthiest cities in the world. It was also nicknamed ''la S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimbaut De Vaqueiras
__NOTOC__ Raimbaut de Vaqueiras or Vaqueyras (fl. 1180 – 1207) was a Provençal troubadour and, later in his life, knight. His life was spent mainly in Italian courtsAmelia E. Van Vleck, ''The Lyric Texts'' p. 33, in ''Handbook of the Troubadours'' (1995), edited by F. R. P. Akehurst and Judith M. Davis. until 1203, when he joined the Fourth Crusade. His writings, particularly the so-called ''Epic Letter'', form an important commentary on the politics of the Latin Empire in its earliest years. Vaqueiras's works include a multilingual poem, ''Eras quan vey verdeyar'' where he used French, Tuscan, Galician-Portuguese and Gascon, together with his own Provençal. Vaqueiras was from Vacqueyras, near Orange. He spent most of his career as court poet and close friend of Boniface I of Montferrat, with whom he served in battle against the communes of Asti and Alessandria. Vaqueiras claimed he earned a knighthood through protecting Boniface with his shield in battle at Messin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trobar Leu
The ''trobar leu'' (), or light style of poetry, was the most popular style used by the troubadours. Its accessibility gave it a wide audienc See also *'' Trobar ric'' *''Trobar clus ''Trobar clus'' (), or closed form, was a complex and obscure style of poetry used by troubadours for their more discerning audiences, and it was only truly appreciated by an elite few. It was developed extensively by Marcabru and Arnaut Daniel, ...'' Old Occitan literature Western medieval lyric forms {{Poetry-stub References # Ruud, Jay. “Trobar Leu.” ''Encyclopedia of Medieval Literature, Second Edition'', Facts On File, 2014. ''History Research Center'', online.infobase.com/Auth/Index?aid=195926&itemid=WEHRC&articleId=44000. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giraut De Bornelh
Giraut de Bornelh (; c. 1138 – 1215), whose first name is also spelled Guiraut and whose toponym is de Borneil or de Borneyll, was a troubadour connected to the castle of the viscount of Limoges. He is credited with the formalisation, if not the invention, of the "light" style, or ''trobar leu''. Giraut was born to a lower-class family in the Limousin, probably in Bourney, near Excideuil in modern-day France. Giraut's poems were first published in various collections, including Millot's ''Histoire litteraire des troubadours'' (Paris, 1774) and Raynouard's ''Choix des poésies originales des troubadours'' (Paris, 1816). Several of his poems were publosher in Alan R. Press' ''Anthology of Troubadour Lyric Poetry'' (1971). An English edition by Ruth V. Sharma has been published in 1989. One of the most popular troubadours of his day, Giraut's reputation endured throughout the 13th century, when he was known as the Master of the Troubadours. Dante placed him in Paradise as a ''p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peire De Vic
The (Lo) Monge de Montaudon (meaning "monk of Montaudon") (floruit, fl. 1193–1210Gaunt and Kay, Appendix I, 287.), born Pèire de Vic, was a nobleman, monk, and troubadour from the Auvergne (province), Auvergne, born at the castle of Vic-sur-Cère near Aurillac, where he became a Benedictine monk around 1180.Aubrey, 17. According to his ''Vida (Occitan literary form), vida'', he composed "couplets while he was in the monastery and ''sirventes'' on subjects that were popular in the region."Egan, 70. Life The Monge requested and received the priory of Montaudon from the abbot of Aurillac. Montaudon may be identified with Montauban or perhaps with a ''Mons Odonis'' southeast of Clermont-Ferrand, Clermont. He became so popular with local nobility that he was taken from his monastery to serve them, receiving honours and gifts in return. In this way he greatly improved the state of his priorate and, upon his request, was released from his monastic vocation by his abbot to follow Alf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
