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The following is a comprehensive discography of Gary Numan, a British singer and musician. Numan (born Gary Webb, 1958) released his first record in 1978 as part of the outfit Tubeway Army. Initially unsuccessful, the band scored a huge hit in 1979 with the single " Are Friends Electric" and their second album ''Replicas'', both of which reached number one in the UK. Numan then decided to release further recordings under his own name, beginning with the single "Cars" later in 1979. Both this and the subsequent album '' The Pleasure Principle'' also reached number one in the UK, and Numan became a leading force in the British electronic music scene. He scored a third number one album in 1980 with '' Telekon'', and more hit singles and albums until the mid 1980s when his popularity waned. Despite this, he has continued to record and tour on a regular basis up to the present day. His 2017 studio album, ''Savage (Songs from a Broken World)'', entered the UK Albums Chart at no. 2, whi ...
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Gary Numan
Gary Anthony James Webb (born 8 March 1958), known professionally as Gary Numan, is an English singer, songwriter and musician. He entered the music industry as frontman of the New wave music, new wave band Tubeway Army. After releasing two studio albums with the band, he released his debut solo studio album ''The Pleasure Principle (album), The Pleasure Principle'' in 1979, topping the UK Albums Chart. His commercial popularity peaked in the late 1970s and early 1980s with hits including "Are "Friends" Electric?, Are 'Friends' Electric?" and "Cars (song), Cars" (both of which reached number one on the UK singles chart). Numan maintains a cult following. He has sold over 10 million records. Numan is regarded as a pioneer of electronic music. He developed a signature sound consisting of heavy synthesizer Hook (music), hooks fed through guitar Effects unit, effects pedals, and is also known for his distinctive voice and Androgyny, androgynous "android" persona. He received an Ivo ...
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Official New Zealand Music Chart
The Official Aotearoa Music Charts, formerly the Official New Zealand Music Chart (), is the weekly New Zealand top 40 singles and albums charts, issued weekly by Recorded Music NZ (formerly Recording Industry Association of New Zealand). The Music Chart also includes the top 40 Hot Singles chart, the top 20 New Zealand artist singles and albums, the top 20 Hot New Zealand singles, and top 10 compilation albums. All charts are compiled from data of both physical and digital sales from music retailers in New Zealand. The chart also publishes gold and platinum certifications of albums and singles, according to thresholds set by Recorded Music NZ, through the dababase on radioscope.net.nz. Methodology The singles chart is currently sales and streaming data of songs. In June 2014 it was announced that the chart would also include streaming; this took effect for the chart published 7 November 2014 and dated 10 November 2014. Previously airplay was factored into the chart methodolog ...
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Berserker (Gary Numan Album)
''Berserker'' is the sixth solo studio album by the English new wave musician Gary Numan, released on 9 November 1984, it was his first album to be released under Numan's own record label, Numa Records. Overview Gary Numan's recording contract with his previous record label Beggars Banquet had ended with the release of 1983's studio album, ''Warriors''. Disillusioned with record companies, Numan decided to create his own record label, Numa Records, to give himself full control over his recordings, production and marketing. Numan was now free to take his music into a harder direction without interference. ''Berserker'' presented a harder synth, hi-NRG-inspired rock sound than Numan's previous studio albums, with an abundant use of sampling and the distinctive sound of the PPG Wave synthesiser. It developed on the electro-funk sound of ''Warriors'', marking a change from the prominent fretless bass on his previous three studio albums but retaining the female backing vocals an ...
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Warriors (Gary Numan Album)
''Warriors'' is the fifth solo studio album by the English new wave musician Gary Numan, released on 16 September 1983 by Beggars Banquet Records. It would be his last studio release on that label. Preproduction Gary Numan returned to England in May 1983 to record the album. He had written most of the album's material in late 1982-early 1983, while he was living in Jersey, Channel Islands (after spending a few months in Los Angeles, California as a tax exile). While Numan was working on the early ''Warriors'' material, Beggars Banquet suggested that, for the first time during his career, he should use a co-producer instead of producing the album entirely by himself (this was initially suggested by the label for Numan's previous studio album ''I, Assassin'' (1982), a suggestion Numan refused at the time). Numan was not keen at first, but WEA managing director Mike Heap promised him "a virtually unlimited promotional budget" on the album if he signed up a producer. Numan eventu ...
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I, Assassin
''I, Assassin'' is the fourth solo studio album by the English new wave musician Gary Numan, released on 10 September 1982 by Beggars Banquet. It peaked at No. 8 on the UK Album Chart. Three singles were released from the album: "Music for Chameleons", " We Take Mystery (To Bed)" and "White Boys and Heroes", all of which reached the UK Top 20 ("We Take Mystery" peaked at No. 9, and is Numan's last Top 10 single to date). Overview Following Numan's previous studio album, ''Dance'' (1981), ''I, Assassin'' is described as "a record fiercely propelled by powerful rhythms in songs laced with an earthy cynicism." Numan recalled that an important factor during the album's recording was the contribution made by fretless bassist Pino Palladino: Most of the album was written and recorded between January and March 1982 following Numan's round-the-world trip in a small aircraft. The 24 year old Numan stated that the round-the-world flight and the experience of a near-death plane cr ...
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Dance (Gary Numan Album)
''Dance'' is the third solo studio album by the English new wave musician Gary Numan, released on 4 September 1981 by Beggars Banquet Records. It was the first studio album Numan released after his "Farewell Concerts" staged at Wembley Arena (although Numan would return to performing live shows in 1982). ''Dance'' features the single " She's Got Claws", which reached no. 6 on the singles chart in September 1981 during a six-week chart run. The album itself reached no. 3 on the UK charts and remained on the charts for eight weeks, and was certified with a silver disc in the UK for over 60,000 sales. Overview ''Dance'' was Numan's most experimental album to date with a minimalistic approach featuring sparse electronic sounds and prolific use of drum machines and percussion. With synth-pop music in the mainstream by 1981, Numan made a conscious effort to explore new musical areas. Influenced by Brian Eno, Kraftwerk, Lou Reed and Japan, Numan hired Japan's bassist Mick Karn to ...
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Music Canada
Music Canada is a non-profit Industry trade group, trade organization that was founded 9 April 1963 in Toronto to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. It was known as the Canadian Record Manufacturer's Association () until 1972 and the Canadian Recording Industry Association (CRIA) () until 2011. History Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. In 2006, a number of smaller labels resigned their memberships, complaining that the organization was not representing their interests. On 7 July 2011, the CRIA changed its name to Music Canada, and began offering special benefits to some of the leading independent labels and distributors. Organ ...
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Cash Box Magazine
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1952, ...
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British Phonographic Industry
BPI (British Recorded Music Industry) Limited, trading as British Phonographic Industry (BPI), is the British recorded music industry's trade association. It runs the BRIT Awards; is home to the Mercury Prize; co-owns the Official Charts Company with the Entertainment Retailers Association; and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies, including ( Sony Music UK, Universal Music UK, Warner Music UK), and over 500 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the Chair of BPI, and includes the Chief Executive, Chief Operating Officer (COO), General Counsel, Chief Strategy Officer and 12 representatives from the recorded music sector: six from major labelstwo each from the three "major" companiesand six from the independent sector, who are selected by voting of all BPI independent label members ...
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Beggars Banquet Records
Beggars Banquet Records is a British independent record label. Beggars Banquet started as a chain of record shops owned by Martin Mills and Nick Austin and is part of the Beggars Group of labels. History In 1977, spurred by the prevailing DIY aesthetics of the British punk rock movement (then at the height of its popularity), Martin Mills and Nick Austin founded a record label to release records under the Beggars Banquet imprint. The first band on the label was the English punk group the Lurkers; the first release on the label was the Lurkers' 7" single "Shadow"/"Love Story". They also released the first solo "Duffo" album from Australian big-band vocalist Jeff Duff. Later in the decade and into the early 1980s, hits with Tubeway Army and Gary Numan secured the label's future. Other bands who were signed to the label include the Associates, Bauhaus, the Cult, Biffy Clyro, Flesh for Lulu, Gene Loves Jezebel, the Icicle Works and the Go-Betweens. See also * List of rec ...
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Tubeway Army (album)
''Tubeway Army'' is the debut studio album by the English new wave band Tubeway Army, released in 1978. Its initial limited-edition run of 5,000 (known unofficially as the ''Blue Album'' due to its coloured vinyl and cover) sold out but this was not enough for it to chart. When reissued in mid-1979, following the success of the follow-up ''Replicas'' (1979), the more commonly known cover art featuring a stylised portrait of Gary Numan was introduced.Steve Malins (1998). ''Tubeway Army'' 1998 reissued CD liner notes This release made No. 14 in the UK Albums Chart. Overview Despite being the band's debut, ''Tubeway Army'' was seen as a transitional record, linking the punk flavour of early singles " That's Too Bad" and "Bombers" with the electronic music and science fiction imagery of ''Replicas''. The first track, "Listen to the Sirens", borrowed its opening line from the Philip K. Dick novel '' Flow My Tears, The Policeman Said'', while "Steel and You" contained references to ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ...
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