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Te Deum (Pärt)
''Te Deum'' is a setting of the Latin Te Deum text, also known as the Ambrosian Hymn attributed to Saints Ambrose, Augustine, and Hilary, by Estonian-born composer Arvo Pärt, commissioned by the Westdeutscher Rundfunk in Cologne, Germany, in 1984. Dedicated to the late Alfred Schlee of Universal Edition, the WDR Broadcast Choir premiered the Te Deum under the direction of conductor Dennis Russell Davies on January 19, 1985. The Te Deum plays an important role in the services of many Christian denominations, including the Paraklesis (Moleben) of Thanksgiving in the Eastern Orthodox Church. Because of the unusual instrumentation Pärt employs, his Te Deum is not suited for use within the Orthodox Church. It was recorded on the ECM New Series label in 1993 by the Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra under the direction of Tõnu Kaljuste. The piece is approximately thirty minutes long. Te Deum employs Pärt's signature tintinnabuli compositional style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arvo Pärt
Arvo Pärt (; born 11 September 1935) is an Estonian composer of contemporary classical music. Since the late 1970s, Pärt has worked in a minimalist style that employs tintinnabuli, a compositional technique he invented. Pärt's music is in part inspired by Gregorian chant. His most performed works include '' Fratres'' (1977), '' Spiegel im Spiegel'' (1978), and '' Für Alina'' (1976). From 2011 to 2018, and again in 2022, Pärt was the most performed living composer in the world, and the second most performed in 2019, after John Williams. The Arvo Pärt Centre, in Laulasmaa, was opened to the public in 2018. Early life, family and education Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes of the family's piano as the middle register was damaged. Pärt's musical education began at the age of seven when he began attending music school in Rakve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, accordion, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ''ars nova'', the music of the Trecento, Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triad (music), triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque music, Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintinnabuli
Tintinnabuli (singular. ''tintinnabulum''; from the Latin ''tintinnabulum'', "a bell") is a compositional style created by the Estonian composer Arvo Pärt, introduced in his '' Für Alina'' (1976), and used again in ''Spiegel im Spiegel'' (1978). This simple style was influenced by the composer's mystical experiences with chant music. Musically, Pärt's tintinnabular music is characterized by two types of voice, the first of which (dubbed the "tintinnabular voice") arpeggiates the tonic triad, and the second of which moves diatonically in mostly stepwise motion. The works often have a slow and meditative tempo, and a minimalist approach to both notation and performance. Pärt's compositional approach has expanded somewhat in the years since 1970, but the overall effect remains largely the same. An early example can be heard in '' Cantus in Memoriam Benjamin Britten''. Pärt's own comments on his style *"Tintinnabulation is an area I sometimes wander into when I am searching fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hillier
Paul Douglas Hillier OBE (born 9 February 1949) is an English conductor, music director and baritone. He specializes in both early and contemporary classical music, especially that by composers Steve Reich and Arvo Pärt. He was a co-founder of the Hilliard Ensemble as well Theatre of Voices, and directed the Estonian Philharmonic Chamber Choir for many years. He has been Chief Conductor of Ars Nova (Copenhagen) (2003-2023), and Artistic Director and Chief Conductor of Chamber Choir Ireland (formerly known as the National Chamber Choir of Ireland) since 2008. Ensembles Hillier was born in Dorchester, England in 1949, where he attended Hardye's Grammar School. In 1967 he became a music student at the Guildhall School of Music & Drama, studying voice. In 1974, he co-founded the Hilliard Ensemble along with fellow vicar-choral Paul Elliott, tenor, and counter-tenor David James. His concert debut was in 1974 in London's Purcell Room. Hillier remained the director of the ense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ; ) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm, which is generally considered freer than the metered rhythms of later Western music. They are also traditionally sung without musical accompaniment, though recent scholarship has unearthed a widespread custom of accompanied chant that transcended religious and geographical borders. There are three types of chant melodies that plainsongs fall into: syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church and the Eastern Orthodox churches did not split u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ison (music)
Ison is a drone note, or a slow-moving lower vocal part, used in Byzantine chant and some related musical traditions to accompany the melody, thus enriching the singing. It was not considered to transform it into a harmonized or polyphonic piece. History It is widely believed that ison was first introduced in Byzantine practice in the 16th century.History of Byzantine chant at the Divine Music Project of St. Anthony Monastery It stresses or supports the melody. at the Divine Music Project of St. Anthony Monastery Before that Greek church chanting was purely (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone (music)
In music, a drone is a harmony, harmonic or monophony, monophonic effect or accompaniment where a note (music), note or chord (music), chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone [pipe] of a bagpipes, bagpipe", the pedal point in an organ (music), organ, or the lowest course (music), course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it [a drone] is not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition (music), repetition of a note. It most often establishes a tonality upon which the rest of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio Tape
Digital Audio Tape (DAT or R-DAT) is a signal recording and playback medium developed by Sony and introduced in 1987. In appearance it is similar to a Compact Cassette, using 3.81 mm / 0.15" (commonly referred to as 4 mm) magnetic tape enclosed in a protective shell, but is roughly half the size at 73 mm × 54 mm × 10.5 mm. The recording is digital rather than analog. DAT can record at sampling rates equal to, as well as higher and lower than a CD (44.1, 48, or 32 kHz sampling rate respectively) at 16 bits quantization. If a comparable digital source is copied without returning to the analogue domain, then the DAT will produce an exact clone, unlike other digital media such as Digital Compact Cassette or non- Hi-MD MiniDisc, both of which use a lossy data-reduction system. Like most formats of videocassette, a DAT cassette may only be recorded and played in one direction, unlike an analog compact audio cassette, although many DAT recorders had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred Eicher
Manfred Eicher (born 9 July 1943) is a German record producer and the founder of ECM Records. Life and career Eicher was born in Lindau, Germany. He studied music at the Academy of Music in Berlin. He started as a double-bass player of classical music and later became a record producer. In 1969, he founded ECM Records (Edition of Contemporary Music) in Munich. Some of the jazz artists he has recorded over more than 50 years of his career include Paul Bley, Keith Jarrett, John Abercrombie (guitarist), John Abercrombie, Jan Garbarek, Egberto Gismonti, Chick Corea, Gary Burton, Jack DeJohnette, Anouar Brahem, Dave Holland (bassist), Dave Holland, Pat Metheny, Ralph Towner, Terje Rypdal, Steve Kuhn, Eberhard Weber, Jon Hassell, and the Art Ensemble of Chicago. ''The Köln Concert'', a solo piano performance by Keith Jarrett, recorded and released by ECM in 1975, became the all-time best-selling jazz solo piano album. In 1984, Eicher started a sublabel, ECM New Series, for classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolian Harp
An Aeolian harp (also wind harp) is a musical instrument that is played by the wind. Named after Aeolus, the ancient Greek god of the wind, the traditional Aeolian harp is essentially a wooden box including a sounding board, with strings stretched lengthwise across two bridges. It is often placed in a slightly opened window where the wind can blow across the strings to produce sounds. The strings can be made of different materials (or thicknesses) and all be tuned to the same pitch, or identical strings can be tuned to different pitches. Besides being the only string instrument played solely by the wind, the Aeolian harp is also the only string instrument that plays solely harmonic frequencies. They are recognizable by the sound which is a result of this property, which has been described as eerie and ethereal. The Aeolian harp – already known in the ancient world – was first described by Athanasius Kircher (1602–1680) in his books ''Musurgia Universalis'' (1650) and '' Pho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
