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Tartaros
In Greek mythology, Tartarus (; grc, , }) is the deep abyss that is used as a dungeon of torment and suffering for the wicked and as the prison for the Titans. Tartarus is the place where, according to Plato's ''Gorgias (dialogue), Gorgias'' (), souls are judged after death and where the wicked received divine punishment. Tartarus is also considered to be a Greek primordial deities, primordial force or deity alongside entities such as the Gaia, Earth, Nyx, Night, and Chronos, Time. Greek Mythology In Greek mythology, Tartarus is both a deity and a place in the Greek underworld, underworld. In ancient Orphism (religion), Orphic sources and in the Greco-Roman mysteries, mystery schools, Tartarus is also the unbounded first-existing entity from which the light and the cosmos are born. As a deity In the Hellenic civilization, Greek poet Hesiod's ''Theogony'' ( late 8th century BC), Tartarus was the third of the Greek primordial deities, primordial deities, following a ...
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Eros
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods. Etymology The Greek , meaning 'desire', comes from 'to desire, love', of uncertain etymology. R. S. P. Beekes has suggested a Pre-Greek origin. Cult and depiction Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interven ...
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Gaia
In Greek mythology, Gaia (; from Ancient Greek , a poetical form of , 'land' or 'earth'),, , . also spelled Gaea , is the personification of the Earth and one of the Greek primordial deities. Gaia is the ancestral mother—sometimes parthenogenic—of all life. She is the mother of Uranus (the sky), from whose sexual union she bore the Titans (themselves parents of many of the Olympian gods), the Cyclopes, and the Giants; as well as of Pontus (the sea), from whose union she bore the primordial sea gods. Her equivalent in the Roman pantheon was Terra.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Etymology The Greek name Γαῖα (''Gaia'' or ) is a mostly epic, collateral form of Attic (''Gē'' ), and Doric (''Ga'' ), perhaps identical to (''Da'' ), both meaning "Earth". The word is of uncertain origin. Beekes suggested a Pre-Greek origin. Robert S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, pp. 269–270 ...
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Chaos (cosmogony)
Chaos ( grc, χάος, kháos) is the mythological The Void (philosophy), void state preceding the creation of the universe (the cosmos) in Greek mythology, Greek creation myths. In Christian theology, the same term is used to refer to the gap or the abyss created by the firmament, separation of heaven and earth. Etymology Greek ''kháos'' () means 'emptiness, vast void, chasm, abyss (religion), abyss', related to the verbs ''kháskō'' () and ''khaínō'' () 'gape, be wide open', from Proto-Indo-European language, Proto-Indo-European ', cognate to Old English language, Old English ''geanian'', 'to gape', whence English '':wikt:yawn, yawn''. It may also mean space, the expanse of air, the nether abyss or infinite darkness.Lidell-Scott, ''A Greek–English Lexiconchaos/ref> Pherecydes of Syros (fl. 6th century BC) interprets ''chaos'' as water, like something formless that can be differentiated. ''Chaoskampf'' The motif of ''Chaoskampf'' (; ) is ubiquitous in myth and legend, ...
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Campe
In Greek mythology, Campe or Kampe (; el, Κάμπη) was a female monster. She was the guard, in Tartarus, of the Cyclopes and Hecatoncheires, whom Uranus had imprisoned there. When it was prophesied to Zeus that he would be victorious in the Titanomachy—the great war against the Titans—with the help of Campe's prisoners, he killed Campe, freeing the Cyclopes and Hecatoncheires, who then helped Zeus defeat Cronus. Name The name given in Greek texts is ''Κάμπη'', with an accent on the first syllable. As a common noun ''κάμπη'' is the Greek word for caterpillar or silkworm. It is probably related to the homophone ''καμπή'' (with the accent on the second syllable) whose first meaning is the winding of a river, and came to mean, more generally, any kind of bend, or curve. Sources We first hear of the imprisonment of the Cyclopes and Hecatoncheires, and their subsequent release by Zeus, in Hesiod's ''Theogony''. However Hesiod makes no mention of Campe, o ...
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Gorgias (dialogue)
''Gorgias'' (; el, Γοργίας ) is a Socratic dialogue written by Plato around 380 BC. The dialogue depicts a conversation between Socrates and a small group of sophists (and other guests) at a dinner gathering. Socrates debates with the sophist seeking the true definition of rhetoric, attempting to pinpoint the essence of rhetoric and unveil the flaws of the sophistic oratory popular in Athens at the time. The art of persuasion was widely considered necessary for political and legal advantage in classical Athens, and rhetoricians promoted themselves as teachers of this fundamental skill. Some, like Gorgias, were foreigners attracted to Athens because of its reputation for intellectual and cultural sophistication. Socrates suggests that he is one of the few Athenians to practice true politics (521d). The characters *Socrates *Gorgias * Polus *Callicles * Chaerephon Major themes Definition of rhetoric Socrates interrogates Gorgias to determine the true definition of rheto ...
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Aether (mythology)
In Greek mythology, Aether, Æther, Aither, or Ether (; grc, Αἰθήρ (Brightness) ) is the personification of the bright upper sky. According to Hesiod, he was the son of Erebus (Darkness) and Nyx (Night), and the brother of Hemera (Day). In Orphic cosmogony Aether was the offspring of Chronus (Time), and the brother of Chaos and Erebus. Genealogy According to Hesiod's ''Theogony'', which contained the "standard" Greek genealogy of the gods, Aether was the offspring of Erebus and Nyx, and the brother of Hemera. However, other early sources give other genealogies. According to one, the union of Erebus and Nyx resulted in Aether, Eros, and Metis (rather than Aether and Hemera), while according to another, Aether and Nyx were the parents of Eros (in Hesiod, the fourth god to come into existence after Chaos, Gaia (Earth), and Tartarus). Others tell us that Uranus (Sky) (in Hesiod, the son of Gaia) was Aether's son, and that "everything came from" Aether. In Orphic cosmog ...
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Hekatonkheires
In Greek mythology, the Hecatoncheires ( grc-gre, Ἑκατόγχειρες, , Hundred-Handed Ones), or Hundred-Handers, also called the Centimanes, (; la, Centimani), named Cottus, Briareus (or Aegaeon) and Gyges (or Gyes), were three monstrous giants, of enormous size and strength, each with fifty heads and one hundred arms. In the standard tradition they were the offspring of Uranus (Sky) and of Gaia (Earth), and helped Zeus and the Olympians to overthrow the Titans in the Titanomachy. Names The three Hundred-Handers were named Cottus, Briareus and Gyges. Cottus (''Κόττος'') is a common Thracian name, and is perhaps related to the name of the Thracian goddess Kotys. The name Briareus (''Βριάρεως'') was probably formed from the Greek ''βριαρός'' meaning "strong". Hesiod's '' Theogony'' also calls him "Obriareus". The name Gyges is possibly related to the mythical Attic king Ogyges (''Ὠγύγης''). "Gyes", rather than Gyges, is found in some t ...
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Cyclopes
In Greek mythology and later Roman mythology, the Cyclopes ( ; el, Κύκλωπες, ''Kýklōpes'', "Circle-eyes" or "Round-eyes"; singular Cyclops ; , ''Kýklōps'') are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's ''Theogony'', the Cyclopes are the three brothers Brontes, Steropes, and Arges, who made for Zeus his weapon the thunderbolt. In Homer's ''Odyssey'', they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. Cyclopes were also famous as the builders of the Cyclopean walls of Mycenae and Tiryns. In '' Cyclops'', the fifth-century BC play by Euripides, a chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus; as does Virgil in the Latin epic ''Aeneid'', where he seems to equate the Hesiodic and Homeric Cyclopes. From at least the fifth century BC, ...
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Titan (mythology)
In Greek mythology, the Titans ( grc, οἱ Τῑτᾶνες, ''hoi Tītânes'', , ''ho Tītân'') were the pre-Olympian gods. According to the ''Theogony'' of Hesiod, they were the twelve children of the primordial parents Uranus (Sky) and Gaia (Earth), with six male Titans— Oceanus, Coeus, Crius, Hyperion, Iapetus, and Cronus—and six female Titans, called the Titanides or "Titanesses" (, ''hai Tītānídes'')— Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys. Cronus mated with his older sister Rhea, who then bore the first generation of Olympians: the six siblings Zeus, Hades, Poseidon, Hestia, Demeter, and Hera. Certain descendants of the Titans, such as Prometheus, Helios, and Leto, are sometimes also called Titans. The Titans were the former gods: the generation of gods preceding the Olympians. They were overthrown as part of the Greek succession myth, which tells how Cronus seized power from his father Uranus and ruled the cosmos with his fellow Tita ...
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Cronus
In Ancient Greek religion and mythology, Cronus, Cronos, or Kronos ( or , from el, Κρόνος, ''Krónos'') was the leader and youngest of the first generation of Titans, the divine descendants of the primordial Gaia (Mother Earth) and Uranus (Father Sky). He overthrew his father and ruled during the mythological Golden Age, until he was overthrown by his own son Zeus and imprisoned in Tartarus. According to Plato, however, the deities Phorcys, Cronus, and Rhea were the eldest children of Oceanus and Tethys. Cronus was usually depicted with a harpe, scythe or a sickle, which was the instrument he used to castrate and depose Uranus, his father. In Athens, on the twelfth day of the Attic month of Hekatombaion, a festival called Kronia was held in honour of Cronus to celebrate the harvest, suggesting that, as a result of his association with the virtuous Golden Age, Cronus continued to preside as a patron of the harvest. Cronus was also identified in classic ...
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Bibliotheca (Pseudo-Apollodorus)
The ''Bibliotheca'' (Ancient Greek: grc, Βιβλιοθήκη, lit=Library, translit=Bibliothēkē, label=none), also known as the ''Bibliotheca'' of Pseudo-Apollodorus, is a compendium of Greek mythology, Greek myths and Greek hero, heroic legends, arranged in three books, generally dated to the first or second century AD. The author was traditionally thought to be Apollodorus of Athens, but that attribution is now regarded as false, and so "Pseudo-" was added to Apollodorus. The ''Bibliotheca'' has been called "the most valuable mythographical work that has come down from ancient times." An epigram recorded by the important intellectual Patriarch Photius I of Constantinople expressed its purpose:Victim of its own suggestions, the Epigraph (literature), epigraph, ironically, does not survive in the manuscripts. For the classic examples of Epitome, epitomes and Encyclopedia, encyclopedias substituting in Christian hands for the literature of Classical Antiquity itself, see Isido ...
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Homer
Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the '' Iliad'' and the '' Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the most revered and influential authors in history. Homer's ''Iliad'' centers on a quarrel between King Agamemnon and the warrior Achilles during the last year of the Trojan War. The ''Odyssey'' chronicles the ten-year journey of Odysseus, king of Ithaca, back to his home after the fall of Troy. The poems are in Homeric Greek, also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems were originally transmitted orally. Homer's epic poems shaped aspects of ancient Greek culture and education, fostering ideals of heroism, glory, and honor. To Plato, Homer was simply t ...
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