Symphonic Studies (Schumann)
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Symphonic Studies (Schumann)
The ''Symphonic Etudes'' (french: Études Symphoniques), Op. 13, is a set of études for solo piano by Robert Schumann. It began in 1834 as a theme and sixteen variations on a theme by Baron von Fricken, plus a further variation on an entirely different theme by Heinrich Marschner. Composition The first edition in 1837 carried an annotation that the tune was "the composition of an amateur": this referred to the origin of the theme, which had been sent to Schumann by Baron von Fricken, guardian of Ernestine von Fricken, the Estrella of his '' Carnaval'' Op. 9. The baron, an amateur musician, had used the melody in a ''Theme with Variations'' for flute. Schumann had been engaged to Ernestine in 1834, only to break abruptly with her the year after. An autobiographical element is thus interwoven in the genesis of the ''Études symphoniques'' (as in that of many other works of Schumann's). Of the sixteen variations Schumann composed on Fricken's theme, only eleven were published by him ...
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étude
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope fro ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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1834 Compositions
Events January–March * January – The Wilmington and Raleigh Railroad is chartered in Wilmington, North Carolina. * January 1 – Zollverein (Germany): Customs charges are abolished at borders within its member states. * January 3 – The government of Mexico imprisons Stephen F. Austin in Mexico City. * February 13 – Robert Owen organizes the Grand National Consolidated Trades Union in the United Kingdom. * March 6 – York, Upper Canada, is incorporated as Toronto. * March 11 – The United States Survey of the Coast is transferred to the United States Department of the Navy, Department of the Navy. * March 14 – John Herschel discovers the open cluster of stars now known as NGC 3603, observing from the Cape of Good Hope. * March 28 – Andrew Jackson is censured by the United States Congress (expunged in 1837). April–June * April 10 – The LaLaurie mansion in New Orleans burns, and Madame Marie Delphine LaLaurie flees to France. * April 14 – The Whi ...
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Piano Music By Robert Schumann
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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