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Spoleto Cathedral
Spoleto Cathedral ( it, Cattedrale di Santa Maria Assunta; ''Duomo di Spoleto'') is the cathedral of the Archdiocese of Spoleto-Norcia created in 1821, previously that of the diocese of Spoleto, and the principal church of the Umbrian city of Spoleto, in Italy. It is dedicated to the Assumption of the Blessed Virgin Mary. The church is essentially an example of Romanesque architecture, with a nave and two side-aisles crossed by a transept, although subsequently modified. It was built from the second half of the twelfth century after the city had been devastated by Frederick Barbarossa's troops, over an area where there had previously stood an earlier cathedral, dedicated to Saint Primianus (''San Primiano'')Saint Primianus is one of three saints with origins in Larino in Molise; his feast is still celebrated there on May 15, but the chapel dedicated to him is on the outskirts of the town. The historical account suggests that his remains were stolen from Larino by the citizens of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoleto
Spoleto (, also , , ; la, Spoletum) is an ancient city in the Italian province of Perugia in east-central Umbria on a foothill of the Apennines. It is S. of Trevi, N. of Terni, SE of Perugia; SE of Florence; and N of Rome. History Spoleto was situated on the eastern branch of the Via Flaminia, which forked into two roads at Narni and rejoined at ''Forum Flaminii'', near Foligno. An ancient road also ran hence to Nursia. The ''Ponte Sanguinario'' of the 1st century BC still exists. The Forum lies under today's marketplace. Located at the head of a large, broad valley, surrounded by mountains, Spoleto has long occupied a strategic geographical position. It appears to have been an important town to the original Umbri tribes, who built walls around their settlement in the 5th century BC, some of which are visible today. The first historical mention of ''Spoletium'' is the notice of the foundation of a colony there in 241 BC; and it was still, according to Cicero ''colonia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucera
Lucera ( Lucerino: ) is an Italian city of 34,243 inhabitants in the province of Foggia in the region of Apulia, and the seat of the Diocese of Lucera-Troia. Located upon a flat knoll in the Tavoliere Plains, near the foot of Daunian Mountains, Lucera was the capital of Province of Capitanata and the County of Molise from 1579 until 1806. Climate The city is characterized by a Mediterranean climate, with long, hot summers, with extreme temperature changes during the day, and mild winters, although due to its proximity to the Daunian mountains the temperature can drop to values below . The winds are quite frequent and, although sometimes quite strong, are usually moderate. The average annual temperature is around , and rainfall amounts to an average value of . Snowfalls are rare. History Ancient era and early Middle Ages Lucera is located in the territory of the ancient tribe of the Daunii. Archeological excavations show the presence of a Bronze Age village inside the ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Empire
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Sozio
Alberto is the Romance version of the Latinized form (''Albertus'') of Germanic ''Albert''. It is used in Italian, Portuguese and Spanish. The diminutive forms are ''Albertito'' in Spain or ''Albertico'' in some parts of Latin America, Albertino in Italian as well as ''Tuco'' as a hypocorism. It derives from the name Adalberto which in turn derives from '' Athala'' (meaning noble) and ''Berth'' (meaning bright). People * Alberto Aguilar Leiva (born 1984), Spanish footballer * Alberto Airola (born 1970), Italian politician * Alberto Ascari (1918–1955), Italian racing driver * Alberto Baldonado (born 1993), Panamanian baseball player * Alberto Bello (1897–1963), Argentine actor * Alberto Beneduce (1877–1944), Italian scientist and economist * Alberto Bustani Adem (born 1954), Mexican engineer * Alberto Callaspo (born 1983,) baseball player * Alberto Campbell-Staines (born 1993), Australian athlete with an intellectual disability * Alberto Cavalcanti (1897–1982), Brazili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piermatteo Lauro De' Manfredi Da Amelia
Piermatteo de' Manfredi da Amelia (circa 1445 - died 1503/1508) was an Italian painter of the Renaissance period. Biography Piermatteo was born in Amelia, in Umbria. He is first recorded as being part of the circle of Filippo Lippi, active between 1467 and 1469, working on the decoration of the Spoleto Cathedral. From 1479 until 1480 he was in Rome, where he was one of the painters working in the Sistine Chapel; he contributed to the decoration of the stars on the ceiling. From 1480 until 1482 he was active in Orvieto, painting statues and decorating church fixtures and clocks. It was at this time that he did some work for the church of Sant'Agostino; these pieces have since been removed and are scattered among a number of collections. He returned to Rome, but was recalled in 1482 by the Council of Works for the Orvieto Cathedral, and was commissioned to help decorate the ''San Brizio Chapel''. Ultimately this work was later offered to Luca Signorelli. A fresco in Narni, dep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Diamante
Fra Diamante (c. 1430 – c. 1498) was an Italian Renaissance painter. Biography Born at Prato, he was a Carmelite friar, a member of the Florentine community of that order, and was the friend and assistant of Filippo Lippi. The Carmelite convent of Prato which he adorned with many works in fresco has been suppressed, and the buildings have been altered to a degree involving the destruction of the paintings. He was the principal assistant of Lippi in the large frescoes at the east end of the cathedral of Prato. He also collaborated in the '' Funeral of St. Jerome'' panel in the same church. In the midst of the work he was recalled to Florence by his conventual superior, and a minute of proceedings of the commune of Prato is still extant, in which it is determined to petition the metropolitan of Florence to obtain his return to Prato, a proof that his share in the work was so important that his recall involved the suspension of it. Subsequently, he assisted Filippo in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenes From The Life Of The Virgin Mary
''Scenes from the Life of the Virgin Mary'' (Italian - ''Le Storie della Vergine'') is a cycle of frescos by Filippo Lippi in Spoleto Cathedral. History The cycle was commissioned in 1466, when Lippi had completed his ''Stories of St. Stephen and St. John the Baptist'' at Prato Cathedral, and was abruptly terminated by Lippi's death in 1469, caused by poison according to Vasari's ''Lives of the Artists''. His studio assistants completed the work in around three months. Lippi was buried in Spoleto Cathedral despite Lorenzo the Magnificent's request for the remains to be returned to Florence - Spoleto replied that unlike Florence their great new cathedral had no illustrious men buried in it. Scenes From left to right the cycle shows: * Annunciation * Dormition (centre, out of chronological sequence, probably at the commissioner's request due to the cathedral's dedication to the Assumption Assumption, in Christianity, refers to the Assumption of Mary, a belief in the taking up of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmatesque
Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings. It was used most extensively for the decoration of church floors, but was also used to decorate church walls, pulpits, and Cathedra, bishop's thrones. The name derives from the Cosmati, the leading family workshop of craftsmen in Rome who created such geometrical marble decorations. The style spread across Europe, where it was used in the most prestigious churches; the high altar of Westminster Abbey, for example, is decorated with a Cosmatesque marble floor. Description and early history The Cosmatesque style takes its name from the family of the Cosmati, which flourished in Rome during the twelfth and thirteenth centuries and practiced the art of mosaic. The Cosmati's work is peculiar in that it consists of glass mosaic in combination with marble. At times it is inlaid on the white marble architraves of doors, on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoleto035
Spoleto (, also , , ; la, Spoletum) is an ancient city in the Italian province of Perugia in east-central Umbria on a foothill of the Apennines. It is S. of Trevi, N. of Terni, SE of Perugia; SE of Florence; and N of Rome. History Spoleto was situated on the eastern branch of the Via Flaminia, which forked into two roads at Narni and rejoined at ''Forum Flaminii'', near Foligno. An ancient road also ran hence to Nursia. The ''Ponte Sanguinario'' of the 1st century BC still exists. The Forum lies under today's marketplace. Located at the head of a large, broad valley, surrounded by mountains, Spoleto has long occupied a strategic geographical position. It appears to have been an important town to the original Umbri tribes, who built walls around their settlement in the 5th century BC, some of which are visible today. The first historical mention of ''Spoletium'' is the notice of the foundation of a colony there in 241 BC; and it was still, according to Cicero ''colonia la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
