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So Happy Together (album)
''So Happy Together'' is the first full-length album by Memphis indie rock band Grifters. The album was noisy and lo-fi, even by Grifters standards. It was released on the now defunct Chicago label ''Sonic Noise''. It contains the re-recording "The Want," which debuted as an A Band Called Bud song. Originally released on vinyl as a six-song mini-album, it was extended to a full twelve-track album, though the album only shows ten song titles. The back of the CD tray lists the original tracks apart from the bonus tracks and some of the lyrics to "Wreck" are featured in an image by Greg Harwell. Critical reception ''Trouser Press ''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to ...'' called the album "a bit overbearing in its negativity, but songs like the droning “Hate” (a litan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grifters (band)
Grifters is an indie rock/alternative rock band based in Memphis who have released albums on Darla Records, Doink, Sonic Noise, Shangri-La Records, and Sub Pop Records. The band released five studio albums from 1992 to 1997. In the years following 1997, the band had breaks in activity with some members pursuing other musical projects and with the band sporadically touring in the years after. However, in recent years they have continued to tour on a consistent basis and have stated interest in recording new material. The band has released and reissued some of their material on Bandcamp. History Founding, early years and Sub Pop records: 1989–1997 The band originally formed in the late 1980s as A Band Called Bud, with vocalist/guitarist Scott Taylor, bassist Tripp Lamkins, and vocalist/drummer Dave Shouse who founded the band and became its leader. After being renamed Grifters (after the novel by Jim Thompson) by 1990, Shouse joined Taylor on guitar, with Stanley Gallimore takin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easley McCain Recording
Easley McCain Recording is an American recording studio, based in Memphis, Tennessee, notable for recording musicians such as Tav Falco's Panther Burns, Oblivians, Grifters, Pavement, Sonic Youth, Come, White Stripes, Townes Van Zandt, Pezz, Jeff Buckley, Jon Spencer Blues Explosion, Guided by Voices, Lydia Lunch, Box Tops, Rufus Thomas, Wilco, Cat Power, Modest Mouse, The Amps, The Cooters, and The Walkmen. History Easley McCain Recording began as Doug Easley's rudimentary, four-track studio in the woods near the Wolf River bottoms in Memphis in the late 1970s recording blues musicians like Mose Vinson, as well as local rock bands. In the early 1980s Easley operated "Easley Recording" out of a hand-built garage studio behind his home near University of Memphis. During this period, bands such as Tav Falco's Panther Burns came in to record; Alex Chilton produced an album for a Detroit group called The Gories the last year the studio was located in Easley's garage. By 1990, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memphis, Tennessee
Memphis is a city in the U.S. state of Tennessee. It is the seat of Shelby County in the southwest part of the state; it is situated along the Mississippi River. With a population of 633,104 at the 2020 U.S. census, Memphis is the second-most populous city in Tennessee, after Nashville. Memphis is the fifth-most populous city in the Southeast, the nation's 28th-largest overall, as well as the largest city bordering the Mississippi River. The Memphis metropolitan area includes West Tennessee and the greater Mid-South region, which includes portions of neighboring Arkansas, Mississippi and the Missouri Bootheel. One of the more historic and culturally significant cities of the Southern United States, Memphis has a wide variety of landscapes and distinct neighborhoods. The first European explorer to visit the area of present-day Memphis was Spanish conquistador Hernando de Soto in 1541. The high Chickasaw Bluffs protecting the location from the waters of the Mississipp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lo-fi
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kingdom Of Jones
''The Kingdom Of Jones'' is the second 7" EP by indie rock band The Grifters. Shangri-La Records Shangri-La Projects is a record label in Memphis, Tennessee that grew out of and split off from the Shangri-la Record store in Memphis, Tennessee, and released several of the seminal records of the early 1990s Memphis indie scene. It also manufa ... re-released the first two Grifters singles in 1996 as '' The Doink Years'' 10" and again on CD in 2006. The song "Snake Oil" features the debut of Stan Gallimore on drums, establishing the Grifters as four-piece for the rest of their career. Track listing Album credits Grifters * Stan Gallimore * Tripp Lamkins * David Shouse * Scott Taylor Grifters (band) albums 1991 EPs {{1990s-indie-rock-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Sock Missing
''One Sock Missing'' is the second album by the American band the Grifters, released in 1993 on Shangri-La Records. The album was an underground hit. It was reissued by Fat Possum Records in 2016. Production The album was in part recorded at Easley McCain Recording, in Memphis, Tennessee. "I Arise" is a bonus track on the vinyl format of the album. Critical reception ''Trouser Press'' wrote that "Shouse and Taylor (who split vocals) often slip into a laconic saunter that’s a little too close for comfort to Pavement frontman Stephen Malkmus’ slacker slump." ''Billboard'' called "Corolla Hoist" "one of the great lofi singles." The ''Staten Island Advance'' praised the band's "process of chopping, skewing, rearranging and mixing the standard formulas of various musical genres into a whole new ball of wax." AllMusic stated: "Certainly the most low-key (if not lo-fi) of the Grifters' early records, 1993's ''One Sock Missing'' is less noisy and aggressive than its immediate prede ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Essential Album Guide
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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