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Situla (vessel)
Situla (plural ''situlae''), from the Latin word for bucket or pail, is the term in archaeology and art history for a variety of elaborate bucket-shaped vessels from the Iron Age to the Middle Ages, usually with a handle at the top. All types may be highly decorated, most characteristically with reliefs in bands or friezes running round the vessel. Decorated Iron Age situlae in bronze are a distinctive feature of Etruscan art in burials from the northern part of the Etruscan regions, from which the style spread north to some cultures in Northern Italy, Slovenia, and adjacent areas, where terms such as situla culture and situla art may be used. Situla is also the term for types of bucket-shaped Ancient Greek vases, some very finely painted. More utilitarian pottery situlae are also found, and some in silver or other materials, such as two glass ones from late antiquity in St Mark's, Venice. Ancient Egyptian and Near Eastern shapes tend to have a pointed bottom, so that they must ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situla Della Certosa, 600-550 Ac
Situla (plural ''situlae''), from the Latin word for bucket or pail, is the term in archaeology and art history for a variety of elaborate bucket-shaped vessels from the Iron Age to the Middle Ages, usually with a handle at the top. All types may be highly decorated, most characteristically with reliefs in bands or friezes running round the vessel. Decorated Iron Age situlae in bronze are a distinctive feature of Etruscan art in burials from the northern part of the Etruscan regions, from which the style spread north to some cultures in Northern Italy, Slovenia, and adjacent areas, where terms such as situla culture and situla art may be used. Situla is also the term for types of bucket-shaped Ancient Greek vases, some very finely painted. More utilitarian pottery situlae are also found, and some in silver or other materials, such as two glass ones from late antiquity in St Mark's, Venice. Ancient Egyptian and Near Eastern shapes tend to have a pointed bottom, so that they mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Antiquity
Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English has generally been credited to historian Peter Brown, after the publication of his seminal work '' The World of Late Antiquity'' (1971). Precise boundaries for the period are a continuing matter of debate, but Brown proposes a period between the 3rd and 8th centuries AD. Generally, it can be thought of as from the end of the Roman Empire's Crisis of the Third Century (235–284) to the early Muslim conquests (622–750), or as roughly contemporary with the Sasanian Empire (224–651). In the West its end was earlier, with the start of the Early Middle Ages typically placed in the 6th century, or earlier on the edges of the Western Roman Empire. The Roman Empire underwent considerable social, cultural and organizational changes startin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situla Of The Pania
The Situla of the Pania is an ivory situla or pyxis from the end of the seventh century BC, found in the Tomb of the Pania in Chiusi and conserved in the Museo archeologico nazionale di Firenze. The work is one of the most important examples of Etruscan ivory work - there are only two other examples, one from Chiusi and one from Cerveteri. It is composed of a hollow cylinder (22 cm high) and decorated with horizontal friezes, separated by small bands carved with plant motifs (interweaved palmettes and lotus flowers). Two medium-sized bands at the top and bottom are decorated with more lotus flowers. The upper frieze shows two myths from the Odyssey, split by a sphinx: the encounter with Scylla (who looks a lot like a hydra) and the escape from the cyclops Polyphemus. The second frieze shows common motifs of departure for war, followed by hoplites performing a salute and weeping women (with long braids and their arms over their chests). After that there is a warrior with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rivet
A rivet is a permanent mechanical fastener. Before being installed, a rivet consists of a smooth cylindrical shaft with a head on one end. The end opposite to the head is called the ''tail''. On installation, the rivet is placed in a punched or drilled hole, and the tail is ''upset'', or ''bucked'' (i.e., deformed), so that it expands to about 1.5 times the original shaft diameter, holding the rivet in place. In other words, the pounding or pulling creates a new "head" on the tail end by smashing the "tail" material flatter, resulting in a rivet that is roughly a dumbbell shape. To distinguish between the two ends of the rivet, the original head is called the ''factory head'' and the deformed end is called the ''shop head'' or buck-tail. Because there is effectively a head on each end of an installed rivet, it can support tension loads. However, it is much more capable of supporting shear loads (loads perpendicular to the axis of the shaft). Fastenings used in traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basse Yutz Flagons
The Basse Yutz Flagons are a pair of Iron Age ceremonial drinking vessels that date from the mid 5th century BCE. Since their discovery in ill-documented circumstances in the 1920s and their subsequent purchase by the British Museum, they have been described as "great masterpieces" that "combine most of the key features of early Celtic Art". They are in many respects very similar to the Dürrnberg Flagon found in Austria. Description The almost identical pair of flagons imitate the shape of contemporary Etruscan flagons and are made of a copper alloy that was skilfully beaten into shape from a single sheet of metal. The base was cast to size and decorated with 120 pieces of red coral and glass and then attached using resin. Resin is also used to coat the inside, which makes the flagon watertight. The cast spout and lid is attached using pins into a cutout made in the copper sheet body. X-rays reveal that the resin and the pins were the only materials used by the artisans to ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flagon
A flagon () is a large leather, metal, glass, plastic or ceramic vessel, used for drink, whether this be water, ale, or another liquid. A flagon is typically of about in volume, and it has either a handle (when strictly it is a jug), or (more usually) one or two rings at the neck. Sometimes the neck has a large flange at the top rather than rings. The neck itself may or may not be formed into one, two or three spouts. The name comes from the same origin as the word "flask". Christian use As a Roman Catholic term of use, the flagon is the large vessel, usually glass and metal, that holds the wine. Before March 2002, a flagon may have also been used to hold the wine during the consecration of the Eucharist and then be poured into many chalices. This pouring of sacramental wine from flagon to chalice was eliminated. A smaller container called a cruet is used for the priest's chalice, usually identical to the cruet of water, which is mingled with the wine before consecration. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vače Situla
Vače (; german: Waatsch''Leksikon občin kraljestev in dežel zastopanih v državnem zboru,'' vol. 6: ''Kranjsko''. 1906. Vienna: C. Kr. Dvorna in Državna Tiskarna, p. 96.) is a settlement in the Municipality of Litija in central Slovenia. The area is part of the traditional region of Upper Carniola and is now included with the rest of the municipality in the Central Sava Statistical Region. Archaeological finds The settlement is best known for the Hallstatt-period Vače situla ( sl, situla z Vač, vaška situla), an archaeological treasure of Slovenia, which was discovered in neighboring Klenik in 1882. It is a bronze vessel with a triple figurative frieze. Another important find was the Vače belt-plate (), also discovered in Klenik. Church The local parish church is dedicated to Saint Andrew and belongs to the Roman Catholic Archdiocese of Ljubljana The Roman Catholic Metropolitan Archdiocese of Ljubljana ( sl, Nadškofija Ljubljana, la, Archidioecesis Labacensis) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallstatt Culture
The Hallstatt culture was the predominant Western and Central European culture of Late Bronze Age (Hallstatt A, Hallstatt B) from the 12th to 8th centuries BC and Early Iron Age Europe (Hallstatt C, Hallstatt D) from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC ( Late Bronze Age) and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic populations. Older assumptions of the early 20th century of Illyrians having been the bearers of especially the Eastern Hallstatt culture are indefensible and archeologically unsubstantiated. It is named for its type site, Hallstatt, a lakeside village in the Austrian Salzkammergut southeast of Salzburg, where there was a rich salt mine, and some 1,300 burials are known, many with fine artifacts. Material from Hallstatt has been classified into four periods, designated "Hallstatt A" to "D". Hallstatt A and B are regarded as Late Bronze Age and the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golasecca Culture
The Golasecca culture (9th - 4th century BC) was a Late Bronze Age/Early Iron Age culture in northern Italy, whose type-site was excavated at Golasecca in the province of Varese, Lombardy, where, in the area of Monsorino at the beginning of the 19th century, Abbot Giovanni Battista Giani made the first findings of about fifty graves with pottery and metal objects. The culture's material evidence is scattered over a wide area of 20,000 km²Raffaele de Marinis, ''Liguri e Celto-Liguri'' in ''Italia. Omniun terrarum alumna'', Garzanti-Scheiwiller, 1988. south of the Alps, between the rivers Po, Serio and Sesia, and bordered on the north by the Alpine passes. Archaeological sources The name of the Golasecca culture comes from the first findings that were discovered from excavations conducted from 1822 at several locations in the Comune of Golasecca, by the antiquarian abbot Father Giovanni Battista Giani (1788–1857), who misidentified the clearly non-Roman burials as r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situla Benvenuti
The Benvenuti Situla is a bronze situla that dates to ca. 600 B.C. It is a product of the situla art that spread north from the Etruscans in this period, in this case to the Este culture that flourished in Este, Veneto during the 7th century BC. The vessel is now conserved in the local National Museum Atestino. The relief work on the vessel depicts scenes of aristocratic life. These include banqueting as well as scenes of military victory. The iconography of the relief scenes of the situla may indicate Etruscan influence. See also *Adriatic Veneti *Polada culture *Euganei *Canegrate culture *Golasecca culture *Prehistoric Italy The prehistory of Italy began in the Paleolithic period, when species of ''Homo'' colonized the Italian territory for the first time, and ended in the Iron Age, when the first written records appeared in Italy. Paleolithic In prehistoric times ... External linksLa Situla Benvenuti References 7th-century BC works Archaeology of Italy Bronzewar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Este Culture
The Este culture or Atestine culture was an Iron Age archaeological culture existing from the late Italian Bronze Age (10th-9th century BC, proto-venetic phase) to the Roman period (1st century BC). It was located in the present territory of Veneto in Italy and derived from the earlier and more extensive Proto-Villanovan culture. It is also called "civilization of situlas", or paleo-venetic. The culture is named after a proto-urban settlement in the Po Valley ( Northern Italy). The city of Este was originally situated on the river Adige, which changed its course in 5th century; it was a center of metalworking. The settlement evolved in the beginning of the 1st century BC at the cross-way of important traffic routes. Essentially only the cremation cemeteries with their rich burial goods remained. Este culture existed next to the Villanovan Culture in the Bologna area and the Golasecca culture in the West of the Po Valley. It was influenced by the urnfield culture paralle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grave Goods
Grave goods, in archaeology and anthropology, are the items buried along with the body. They are usually personal possessions, supplies to smooth the deceased's journey into the afterlife or offerings to the gods. Grave goods may be classed as a type of votive deposit. Most grave goods recovered by archaeologists consist of inorganic objects such as pottery and stone and metal tools but organic objects that have since decayed were also placed in ancient tombs. The grave goods were to be useful to the deceased in the afterlife; therefore their favorite foods or everyday objects were left with them. Often times social status played a role in what was left and how often it was left. Funerary art is a broad term but generally means artworks made specifically to decorate a burial place, such as miniature models of possessions including slaves or servants for "use" in the afterlife. Although, in ancient Egypt they would sometimes bury the real servants with the deceased. Where grave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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