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Sigurd (opera)
''Sigurd'' is an opera in four acts and nine scenes by the French composer Ernest Reyer on a libretto by Camille du Locle and Alfred Blau. Like Wagner's '' Ring of the Nibelung'', the story is based on the ''Nibelungenlied'' and the Eddas, with some crucial differences from the better known Wagnerian version (the role of the supernatural is limited and replaced in large part by fate; the initial version of the libretto with a prologue set in heaven was later cut out). The whole opera can best be described as an epic with techniques of the grand opera. Initially sketched out in 1862 (and virtually completed in draft by 1867), the work waited many years before it was performed in full. Orchestration of various fragments progressed much more slowly, and as they were completed, they were sometimes performed at various concerts. Initial attempts at staging the work at the Paris Opéra failed, therefore the opera had its world premiere in the Théatre de la Monnaie in Brussels on 7 ...
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Ernest Reyer
Louis Étienne Ernest Reyer (1 December 1823 – 15 January 1909) was a French opera composer and music critic. Biography Ernest Reyer was born in Marseille. His father, a notary, did not want his son to take up a career in music. However, he did not actively block his son's ambitions and allowed him to attend classes at the Conservatoire from age six to sixteen. In 1839, when he was 16 years old, Ernest traveled to north Africa to work under his brother-in-law, head of accounting for the Treasury Department in Algeria. The job was not a good fit with Reyer's nonchalant and undisciplined temperament. From administrative documents, it is apparent that Reyer wrote innumerable youthful essays and stories, and original dance pieces. Some of his early compositions achieved local notoriety and received favorable comments in the Algerian press, including a Mass performed at the cathedral that was performed for the arrival of the Duke of Aumale in 1847. Reyer returned to Paris during t ...
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Teatro Alla Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's '' Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end bef ...
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Devriès Family
The Devriès family were operatic singers over three generations, of Dutch descent. They were mainly active in France, Belgium and the USA in the second half of the 19th and the early 20th centuries.Forbes E. Devriès e Vries In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Rosa de Vries-van Os A soprano (12 April 1828, The Hague - 30 March 1889, Rome), who made her debut in The Hague, and sang at the Théâtre d'Orléans in New Orleans, as well as Canada and Italy. She was the mother of Jeanne, Fidès, Maurice and Hermann. Jeanne Devriès A soprano, born in New Orleans before 1850, died in 1924, Jeanne Devriès made her debut at the age of 17 at the Paris Théâtre Lyrique in June 1867 as Amina in ''La sonnambula'' (in French), when she was praised by one critic, who nonetheless felt that she was not a new Malibran. Walsh T J. ''Second Empire Opera: The Théâtre Lyrique Paris 1851–1870.'' John Calder (Publishers Ltd), London, 1981. She took ov ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ...
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Burgundians
The Burgundians ( la, Burgundes, Burgundiōnes, Burgundī; on, Burgundar; ang, Burgendas; grc-gre, Βούργουνδοι) were an early Germanic tribe or group of tribes. They appeared in the middle Rhine region, near the Roman Empire, and were later moved into the empire, in the western Alps and eastern Gaul. They were possibly mentioned much earlier in the time of the Roman Empire as living in part of the region of Germania that is now part of Poland. The Burgundians are first mentioned together with the Alamanni as early as the 11th panegyric to emperor Maximian given in Trier in 291, and referring to events that must have happened between 248 and 291, and they apparently remained neighbours for centuries. By 411 a Burgundian group had established themselves on the Rhine, between Franks and Alamanni, holding the cities of Worms, Speyer, and Strasbourg. In 436, Aëtius defeated the Burgundians on the Rhine with the help of Hunnish forces, and then in 443, he re-set ...
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Gunther
Gundaharius or Gundahar (died 437), better known by his legendary names Gunther ( gmh, Gunther) or Gunnar ( non, Gunnarr), was a historical king of Burgundy in the early 5th century. Gundahar is attested as ruling his people shortly after they crossed the Rhine into Roman Gaul. He was involved in the campaigns of the failed Roman usurper Jovinus before the latter's defeat, after which he was settled on the left bank of the Rhine as a Roman ally. In 436, Gundahar launched an attack from his kingdom on the Roman province of Belgica Prima. He was defeated by the Roman general Flavius Aetius, who destroyed Gundahar's kingdom with the help of Hunnish mercenaries the following year, resulting in Gundahar's death. The historical Gundahar's death became the basis for a tradition in Germanic heroic legend in which the legendary Gunther met his death at the court of Attila the Hun (Etzel/Atli). The character also became attached to other legends: most notably he is associated with Si ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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Franks
The Franks ( la, Franci or ) were a group of Germanic peoples whose name was first mentioned in 3rd-century Roman sources, and associated with tribes between the Lower Rhine and the Ems River, on the edge of the Roman Empire.H. Schutz: Tools, Weapons and Ornaments: Germanic Material Culture in Pre-Carolingian Central Europe, 400-750. BRILL, 2001, p.42. Later the term was associated with Romanized Germanic dynasties within the collapsing Western Roman Empire, who eventually commanded the whole region between the rivers Loire and Rhine. They imposed power over many other post-Roman kingdoms and Germanic peoples. Beginning with Charlemagne in 800, Frankish rulers were given recognition by the Catholic Church as successors to the old rulers of the Western Roman Empire. Although the Frankish name does not appear until the 3rd century, at least some of the original Frankish tribes had long been known to the Romans under their own names, both as allies providing soldiers, and as e ...
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Sigurd
Sigurd ( non, Sigurðr ) or Siegfried (Middle High German: ''Sîvrit'') is a legendary hero of Germanic heroic legend, who killed a dragon and was later murdered. It is possible he was inspired by one or more figures from the Frankish Merovingian dynasty, with Sigebert I being the most popular contender. Older scholarship sometimes connected him with Arminius, victor of the Battle of the Teutoburg Forest. He may also have a purely mythological origin. Sigurd's story is first attested on a series of carvings, including runestones from Sweden and stone crosses from the British Isles, dating from the eleventh century. In both the Norse and continental Germanic tradition, Sigurd is portrayed as dying as the result of a quarrel between his wife ( Gudrun/Kriemhild) and another woman, Brunhild, whom he has tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other r ...
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Joseph Dupont (violinist)
Henri-Joseph Dupont (3 January 1838 – 21 December 1899) was a Belgian violinist, leader, theatre director (manager) and conductor. The pianist Auguste Dupont was his brother. Life Dupont was born in Ensival, Verviers. He studied the violin at the Liège and Brussels conservatoires and won a Belgian Prix de Rome for composition in 1863. After a four-year study trip around Europe, he was made leader of the Warsaw Opera House in 1867 and of the Imperial Theatre of Moscow in 1871. He returned to Brussels in 1872 and settled there as professor of harmony at the Conservatoire and leader of the orchestra at the Théâtre de la Monnaie. He also co-directed La Monnaie from 1886 to 1889 with Alexandre Lapissida, conducting performances starting from 1872/73 season, as well as often conducting the orchestra at London's Royal Opera House. A few months before his death in Brussels, he was made a member of the Académie royale de Belgique The Royal Academies for Science and the Ar ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ...
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Festival De Radio France Et Montpellier
The Festival Radio France Occitanie Montpellier, formerly the Festival de Radio France et de Montpellier, is a summer festival of opera and music held in Montpellier, France created in 1985. The music festival concentrates on classical music and jazz with about 100 events, including opera, concerts, films, and talks, most of which are free and located in the historic courtyards of the city or the modern concert halls of Le Corum. Since its beginning, the festival has been entrusted to René Koering. Jean-Noël Jeanneney, president and general manager of Radio France in 1985 declared the purpose the festival was to reconcile "the classic and the unexpected, great interpreters and musicians making their debut, ancient accents and the sonorities of tomorrow... in the great tradition of public service". The Festival is held for more than two weeks in mid to late July. Significant premieres * 2006 premiere Édouard Lalo's lost opera ''Fiesque''. With Roberto Alagna, cond. Alain Alti ...
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